Vagabond Vol. 37 cover

Vagabond Vol. 37

Rating 4.9
Series
Vagabond
ISBN
9789571093666

Tags

Summary

Vagabond is adapted from Eiji Yoshikawa's novel Musashi and follows the swordsman Miyamoto Musashi as he journeys through the late Warring States and early Edo periods in pursuit of the pinnacle of swordsmanship—to be unmatched under heaven. Takehiko Inoue reimagines this legend with brushwork that evokes ink wash painting and creates an original storyline for Sasaki Kojiro. Volume 37 picks up after the Farming Arc. In a village ravaged by famine, Musashi, who seeks only the Way, sets aside his sword and takes up the hoe; unsuited to farming as he is, he clears the land day after day and teaches the village women self-defense in his own way. As the famine worsens, this proud swordsman does something he could never have imagined: he asks for help. In exchange for grain and seed, he agrees to serve as a sword instructor in Kokura after the harvest. And so he is torn—troubled by the prospect of becoming a sword instructor bound to one place, yet unable to let go of the village he helped save. The old farmer Shusaku is reluctant at first but gradually joins Musashi in the fields, and the villagers' idleness is changed by his example. Two men who cannot understand each other meet through fragile rice stalks, each bearing unexpected fruit within. This is also the latest volume published in the series to date.

Editor's review

《浪客行》是井上雄彦在《灌篮高手》之后倾注心力的作品,先后获第24届讲谈社漫画奖一般部门奖、第4届文化厅媒体艺术祭漫画部门奖与第6届手冢治虫文化奖漫画大奖,日本单行本累计销量逾六千万册。到第37卷,这部作品几乎不再依靠对决推进情节,转而让武藏面对饥荒、土地与农事:把刀换成锄头,让「天下无双」的执念接受更朴素、更漫长的考验。井上雄彦的笔法越发奔放,大块留白、墨色与稻穗的细线,让每一格都值得慢慢看。尖端中文版由游若琪翻译,与日本讲谈社原版保持相同的制作规格,封面题字出自书法家黄明胜。对已经追到这里的读者,这是一卷节奏沉静、却极能照见武藏内心的作品;对新读者则需提醒:它是系列第37册,也是「种田篇」的收束,不宜作为入门。

Who it's for

A good fit for

  • 已追读《浪客行》前36卷、想看完种田篇收束的老读者
  • 喜欢井上雄彦水墨画风、偏爱画面表现力的漫画读者
  • 对宫本武藏与日本剑豪题材感兴趣的历史漫画爱好者
  • 能接受慢节奏、重内心与土地描写的青年漫画读者

Not a good fit for

  • 未读过前作、想从零入门的漫画新读者
  • 期待激烈剑斗与快节奏对决的动作漫画读者
  • 低龄或不适血腥场景的读者(该系列含斩击与成人主题)

Reading tips

  1. 先重读第33至36卷,理清武藏在村中开垦的来龙去脉,再读本卷
  2. 放慢速度,留意大块留白与稻穗、泥土的分镜,画面本身就是叙述
  3. 读完可回看系列前作《宫本武藏》相关段落,对照井上雄彦的改编取舍
  4. 留意秀作与武藏两条视线的交会,这是本卷结构的关键

About the publisher

Sharp Point Press Taiwan · Founded in 1982

Sharp Point Press is a publishing house in Taiwan, China, whose publishing focus covers youth literature and other popular reading for young adults. Based on the materials currently in the database, the house is associated with the author Jiulu Feixiang, and the representative title recorded is Tong Ti, which falls under youth literature. As only one title is included in the database and public information is limited, it is not yet possible to present its full product line or series profile, nor to infer its overall publishing scope from this. This introduction is based on the available bibliographic information and focuses on indicating the publisher's presence in youth literature; further author resources and publishing features await confirmation from additional materials.

FAQ

《浪客行》第37卷是系列最后一卷吗?
是的。日本讲谈社版第37卷于2014年7月23日发行,此后作品于2015年5月起长期休载,至今没有新的单行本问世,所以第37卷是目前为止出版的最后一卷,故事并未正式完结。
中文版有几个版本,本条目对应哪一版?
繁体中文版主要由台湾尖端出版(译名《浪人劍客》)与香港天下出版(译名《浪客行》)发行。本条目采用的ISBN 9789571093666对应尖端出版2021年1月19日版,译者为游若琪,共230页。
没读过前面几卷,能直接看第37卷吗?
不建议。本卷是「种田篇」的收束,人物关系、武藏的心境转变都建立在前几卷之上,尤其是第33至36卷的村庄开垦情节。直接从第37卷开始会难以理解他与秀作、村民之间的关系。
为什么这一卷几乎没有打斗?
从「种田篇」开始,井上雄彦有意识地让武藏离开刀剑,转而面对饥荒、土地与生存。作者更关注人物内心而非推进情节,因此本卷重点在耕作、求助与离别,动作场面极少。

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