Vagabond, Volume 23 cover

Vagabond, Volume 23

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Series
Vagabond
ISBN
9789882150249

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Summary

Vagabond is a long-running seinen manga by Takehiko Inoue, adapted from Eiji Yoshikawa's novel Musashi. Serialized in Kodansha's Weekly Morning since 1998, it is set between the late Warring States period and the early Edo period and depicts Miyamoto Musashi's rise from the rout at Sekigahara to his quest to become "unrivaled under heaven," as well as the origins of his fateful duel with Sasaki Kojirō. The work is celebrated for its ink-wash brushwork, its grand imagery of nature and life, and its quiet psychological portraiture—a temperament entirely different from his earlier Slam Dunk, yet equally a spiritual landmark for a generation of readers. Volume 23 stands at a crucial point in the Kyoto Yoshioka arc: after Musashi's duel with Denshichirō, the head of the Yoshioka school, no one in the school can match him; several senior disciples, unwilling to face him directly, plot to have him killed by proxy—they intend to call in the rumored master swordsman Sasaki Kojirō to fight Musashi on the Yoshioka's behalf. Meanwhile, Matahachi encounters the real Sasaki Kojirō and, to inflate his own standing, claims that only he can communicate with this silent swordsman, and so accompanies Kojirō with the Yoshioka retainers to the school. As he gradually realizes the intent of Ueda and the others to "find someone to die in their place," this comic and pitiable small man must choose between self-preservation, vanity, and honor. In this volume, Musashi's training arc and Kojirō's introduction advance in parallel, and the paths of the two geniuses begin to converge, laying the first cornerstone for the repeatedly dramatized duel at Ganryū Island.

Editor's review

如果说《灌篮高手》写的是“如何赢”,那么《浪客行》写的是“为什么要挥剑”。井上雄彦在这部作品里把少年漫的热血换成了近乎残酷的自我拷问:武藏每一次变强,几乎都以失去什么东西为代价;小次郎越是天真透明,越显出他作为“剑”的纯粹与危险。第23卷正处在这种转变的关节上——京都吉冈的恩怨尚未了结,佐佐木小次郎却已经真实地站到了舞台边缘,而一向插科打诨的又八被推到两难处境,喜剧的外壳下透出几分悲凉。 从画面看,这一时期的井上已经完全放弃“干净”的线条,改用毛笔与淡墨制造湿润、粗砺的质感,雪、草、血、刀光常常在同一个格子里混成一片。加上港版刻意采用电脑分色处理的彩色页面,翻阅实体书时能感受到一种近乎画册的质地。对于想收藏一套气质沉稳、读一次沉一次的青年漫画的读者,这部系列作值得长期摆在手边。

Who it's for

A good fit for

  • 读过《灌篮高手》,想看看井上雄彦另一种更沉静、更文学化表达的读者
  • 喜欢历史武侠、武士题材,对宫本武藏与佐佐木小次郎故事有基本兴趣的人
  • 欣赏水墨质感画风、愿意为画面与意境翻慢页的漫画读者
  • 已经跟随系列到吉冈篇、想补齐京都部分断点的追更读者

Not a good fit for

  • 只想看快节奏、高密度的打斗场面,对慢速心理描写缺乏耐心的读者
  • 完全不熟悉系列前情、希望直接从第23卷入手的初次读者
  • 偏好轻松日常、轻喜剧风格漫画的读者

Reading tips

  1. 建议从第1卷开始顺序阅读,第23卷的吉冈线与小次郎登场都需要前情铺垫,跳读容易失去人物关系的重量
  2. 留意又八的喜剧线:他的滑稽与怯懦其实是武藏“另一条不选择的路”,读时不妨留意两者的对照
  3. 欣赏画面时可以放慢速度,注意井上对自然、光影与人物手部动作的处理,很多信息在对话之外
  4. 读完本卷可顺接第24、25卷,感受雪中相遇与吉冈决战的完整节奏

FAQ

这本第23卷是港版还是台版?
本条目对应的是香港天下出版(国际)有限公司版《浪客行》第23卷,ISBN 为 9789882150249,封面题字与装帧沿用天下版的体系。台湾尖端版同册名为《浪人剑客 23》,ISBN 为 9787702205278(另有2019年新版 ISBN 9786263023154),购买时请留意出版社与译名差异。
没看过前面能直接读第23卷吗?
可以读懂单卷情节,但会损失不少。本卷涉及吉冈道场恩怨、又八与阿甲的关系、小次郎的身世等多条长期线索,直接进入容易把人物当成陌生面孔。建议至少先读吉冈篇前几册,或从第1卷开始。
这一卷里的佐佐木小次郎是什么设定?
井上雄彦在改编中把佐佐木小次郎塑造成一位聋哑剑客,以“人与剑合一”的纯粹天赋与武藏的苦修形成对照。本卷中他首次以真实身份出现在又八面前,并随吉冈家臣前往道场,是系列里相当重要的一次登场。
《浪客行》完结了吗?
没有。原作连载自1998年开始,单行本共出版37卷,2015年5月起长期休载,至今未见正式完结。书中武藏与小次郎的岩流岛决战也在长期停顿中悬而未决,读者需有“等待续篇”的心理准备。
港版和台版翻译与印刷差别大吗?
两版都出自官方授权,主要差异在于译名(港版《浪客行》、台版《浪人剑客》)、开本与部分彩色页处理。港版由天下出版发行,部分版本采用电脑分色;台版尖端版为25开平装。收藏者可依开本与译文习惯自行取舍。

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About the author

Eiji Yoshikawa Author · Japan · 1892–1962

Eiji Yoshikawa (1892–1962) was a native of Kanagawa Prefecture, Japan, and a leading author of Japanese popular literature, hailed as a “national writer.” After leaving school early, he worked as a printer and a shipyard worker, among other jobs, while continuing to educate himself. He entered the literary world in 1914 and later became known for his historical novels. His works are mostly drawn from Japanese and Chinese history, and he excelled at portraying personal growth and the sweep of an era within a framework of historical fact, in a style that is accessible and deeply engaging. His major works include Musashi, Romance of the Three Kingdoms, The New Taiko Chronicles, Kuroda Josui, and Minamoto no Yoritomo. This library holds 46 of his works, including several volumes of the Three Kingdoms series and the complete Musashi. His historical novels have long enjoyed a wide readership and have had a significant influence on the development of Japanese popular literature.

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