Vagabond Vol. 12
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Summary
This volume is the twelfth in the series, collecting chapters 108 through 117 (The Summit, Sea of Clouds, Uncle Gon, Called a Lowlife, Mother, The Old Woman's Ordeal, Self and Other, Ghosts, Baiken, and Kusarigama, among others). In this volume, Musashi continues his advance toward ever greater heights, single-mindedly pursuing the pinnacle of swordsmanship, while Hon'iden Matahachi remains mired in self-struggle and vacillation; the two life paths unfold in counterpoint around the question of where the summit truly lies. Meanwhile, rumors of a strange swordsman named Baiken gradually surface on the outskirts of Edo: a grotesque master of the kusarigama—sickle and chain—is about to appear, and Musashi will face an opponent whose methods are utterly unlike those of the sword.
Beyond the fierce duels, this volume also contains numerous passages of daily life and travel, with the layered ink-wash textures in the artwork particularly prominent; many readers regard it as a turning point in the series' visual style during its early-to-mid period.
Editor's review
Who it's for
A good fit for
- 从《灌篮高手》一路追读井上雄彦作品的老读者
- 喜欢历史武士题材、想看宫本武藏成长线的漫画读者
- 对水墨画风、分镜与画面表现力有兴趣的绘画爱好者
- 已经读到第 11 册、想连续追进度的系列读者
Not a good fit for
- 希望每卷独立成篇、无需前情的入门读者
- 抵触刀剑相向与血腥战斗场面的读者
- 只想看轻松搞笑日常的读者
Reading tips
- 建议先读第 1—11 册,本卷的人物关系与情绪都建立在前情之上。
- 可以先浏览后记与前情提要,再进入本卷,留意配角线的平行推进。
- 读战斗场面时慢一点翻,注意井上如何用留白和水墨表现攻防节奏。
- 读完本卷后可对照第 13 册,锁镰之战的结果直接影响武藏后续的剑道选择。
Contents
- Chapter 108: Teppen (Summit)
- Chapter 109: Unkai (Sea of Clouds)
- Chapter 110: Gon-ojisan (Uncle Gon)
- Chapter 111: Called a Lowlife
- Chapter 112: Mother
- Chapter 113: The Old Woman's Ordeal
- Chapter 114: Self and Other
- Chapter 115: Ghosts
- Chapter 116: Baiken
- Chapter 117: Kusarigama (Sickle and Chain)
FAQ
《浪客行 第12册》包含哪些话数?
没读过前 11 册能直接看第 12 册吗?
这个中文版是哪个出版社的?
《浪客行》连载完成了吗?
本卷适合多大年龄的读者?
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About the author
Eiji Yoshikawa (1892–1962) was a native of Kanagawa Prefecture, Japan, and a leading author of Japanese popular literature, hailed as a “national writer.” After leaving school early, he worked as a printer and a shipyard worker, among other jobs, while continuing to educate himself. He entered the literary world in 1914 and later became known for his historical novels. His works are mostly drawn from Japanese and Chinese history, and he excelled at portraying personal growth and the sweep of an era within a framework of historical fact, in a style that is accessible and deeply engaging. His major works include Musashi, Romance of the Three Kingdoms, The New Taiko Chronicles, Kuroda Josui, and Minamoto no Yoritomo. This library holds 46 of his works, including several volumes of the Three Kingdoms series and the complete Musashi. His historical novels have long enjoyed a wide readership and have had a significant influence on the development of Japanese popular literature.