Vagabond Vol. 12 cover

Vagabond Vol. 12

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Chapters
10
Series
Vagabond
ISBN
9789629983185

Tags

Summary

Vagabond is a seinen manga by Takehiko Inoue, structured around Eiji Yoshikawa's novel Musashi. It follows the swordsman Miyamoto Musashi, a youth who barely survives a battlefield during the late Warring States period and the early Edo period, as he embarks on a long journey toward a swordsmanship of unmatched supremacy. The work is renowned for its striking brushwork and ink-wash atmosphere, and is regarded as one of Inoue's signature achievements, surpassing even Slam Dunk.

This volume is the twelfth in the series, collecting chapters 108 through 117 (The Summit, Sea of Clouds, Uncle Gon, Called a Lowlife, Mother, The Old Woman's Ordeal, Self and Other, Ghosts, Baiken, and Kusarigama, among others). In this volume, Musashi continues his advance toward ever greater heights, single-mindedly pursuing the pinnacle of swordsmanship, while Hon'iden Matahachi remains mired in self-struggle and vacillation; the two life paths unfold in counterpoint around the question of where the summit truly lies. Meanwhile, rumors of a strange swordsman named Baiken gradually surface on the outskirts of Edo: a grotesque master of the kusarigama—sickle and chain—is about to appear, and Musashi will face an opponent whose methods are utterly unlike those of the sword.

Beyond the fierce duels, this volume also contains numerous passages of daily life and travel, with the layered ink-wash textures in the artwork particularly prominent; many readers regard it as a turning point in the series' visual style during its early-to-mid period.

Editor's review

第 12 卷常被老读者视为《浪客行》前中期的“画风分水岭”。井上雄彦在这一卷把笔触彻底放开:山雾、云海、夜色中的树影,几乎是一层层积染出来的水墨调子;日常小景里反而酝酿着让人屏息的压迫感。叙事上,他把武藏“向更高处走”的执拗,与又八“原地打转、反复自证”的狼狈平行剪接,读者会在轻快的场景切换中突然被戳到——所谓山顶,从来因人而异。 情节上,本卷最重要的看点是“锁镰”这一路怪异兵器所代表的另一种剑道观:不是比谁更快更狠,而是逼近对战本质的较量。同一卷里,“母亲”“叔叔”“老太婆”这些家常称谓背后,藏着几个配角的尊严与崩塌,也让武藏的世界不至于只剩胜负。如果你已经读到第十一册,这一本绝不该跳过;如果你是重读者,它会解释武藏之后为何“像变了一个人”。

Who it's for

A good fit for

  • 从《灌篮高手》一路追读井上雄彦作品的老读者
  • 喜欢历史武士题材、想看宫本武藏成长线的漫画读者
  • 对水墨画风、分镜与画面表现力有兴趣的绘画爱好者
  • 已经读到第 11 册、想连续追进度的系列读者

Not a good fit for

  • 希望每卷独立成篇、无需前情的入门读者
  • 抵触刀剑相向与血腥战斗场面的读者
  • 只想看轻松搞笑日常的读者

Reading tips

  1. 建议先读第 1—11 册,本卷的人物关系与情绪都建立在前情之上。
  2. 可以先浏览后记与前情提要,再进入本卷,留意配角线的平行推进。
  3. 读战斗场面时慢一点翻,注意井上如何用留白和水墨表现攻防节奏。
  4. 读完本卷后可对照第 13 册,锁镰之战的结果直接影响武藏后续的剑道选择。

Contents

  1. Chapter 108: Teppen (Summit)
  2. Chapter 109: Unkai (Sea of Clouds)
  3. Chapter 110: Gon-ojisan (Uncle Gon)
  4. Chapter 111: Called a Lowlife
  5. Chapter 112: Mother
  6. Chapter 113: The Old Woman's Ordeal
  7. Chapter 114: Self and Other
  8. Chapter 115: Ghosts
  9. Chapter 116: Baiken
  10. Chapter 117: Kusarigama (Sickle and Chain)

FAQ

《浪客行 第12册》包含哪些话数?
本册收录第 108 话至第 117 话,从《てっぺん(顶点)》开始,到《鎖鎌(锁镰)》结束,主要围绕武藏追寻更高境界以及“梅轩”锁镰之战的铺垫与开场。
没读过前 11 册能直接看第 12 册吗?
不太建议。本卷处于系列中段,人物关系(武藏、又八、阿通、权叔父等)和武藏的成长脉络都依赖前情。至少要了解系列背景,阅读体验才完整。
这个中文版是哪个出版社的?
常见的中文版为香港天下出版(国际)有限公司出版,本卷于 2001 年 11 月推出,ISBN 为 9789629983185;另有一版更早的彩色版记录(1999 年 11 月,ISBN 9789629536305)。不同版本封面与印刷工艺不同,内容对应同一册。
《浪客行》连载完成了吗?
没有。漫画自 1998 年起在《周刊 Morning》连载,单行本出至 37 卷;2015 年后长期休载,至今未完结。追读时需要接受作品可能没有结局这一事实。
本卷适合多大年龄的读者?
《浪客行》属青年向漫画,含有斩击、断肢等较为直接的暴力画面,以及成人向的人物关系描写,更适合高中生及以上、能理解历史题材的读者。

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About the author

Eiji Yoshikawa Author · Japan · 1892–1962

Eiji Yoshikawa (1892–1962) was a native of Kanagawa Prefecture, Japan, and a leading author of Japanese popular literature, hailed as a “national writer.” After leaving school early, he worked as a printer and a shipyard worker, among other jobs, while continuing to educate himself. He entered the literary world in 1914 and later became known for his historical novels. His works are mostly drawn from Japanese and Chinese history, and he excelled at portraying personal growth and the sweep of an era within a framework of historical fact, in a style that is accessible and deeply engaging. His major works include Musashi, Romance of the Three Kingdoms, The New Taiko Chronicles, Kuroda Josui, and Minamoto no Yoritomo. This library holds 46 of his works, including several volumes of the Three Kingdoms series and the complete Musashi. His historical novels have long enjoyed a wide readership and have had a significant influence on the development of Japanese popular literature.

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