Notes from Class cover

Notes from Class

Rating 4.0
Word count
113K words
Chapters
40
ISBN
9787511319319

Tags

Summary

Notes from Class is a work of nonfiction teaching essays by the poet Wang Xiaoni, recording her observations and reflections from the film and television writing courses she taught at Hainan University's School of Humanities and Communication from 2006 to 2010. The book is divided by year into five parts, from 2006 to 2010, each titled with a question or a judgment, such as 2006's "What must I give them to feel at peace," 2009's "Resisting conventions and rules," and 2010's "In the corners of life, every child is shining." The main body consists of her classroom notes: students registering and military training, roll call and cheating, reciting in dialect, the overuse of "good words and fine sentences," confusion about poetry and the poetic, applications for financial aid, and the bewilderment and anxiety of seniors about their futures. Most of these students come from rural and poor families, and many were assigned to this film and television directing class through adjustment, struggling amid the urban-rural gap and employment pressure. The author observes their inner lives with a poet's sensitivity, opposes formulaic expression, encourages students to read poetry aloud in dialect and write about the real life around them, and treats underclass experience as a asset for creation rather than a "rusticity" to be washed away. The book ends with two appendices, student assignments and student emails, collecting pieces on themes such as "Going Home" and "Military Training," essays including Selling Grain and The Heavy Earth, and letters and poems students wrote to their teacher, so that the book is not only a teacher's account but also an oral archive of youth in which the students speak for themselves.

Editor's review

这本书常被归入“教育写作”,但它其实更像一部贴着地面行走的文学观察录。作者是诗人,站在讲台上看到的是一个个具体的年轻人:带着方言口音、申请助学金、为打工兼职分神、在考试与就业之间反复权衡。她没有把学生当作需要被“改造”的对象,而是把他们的迟疑、笨拙和不肯虚伪当作值得记下的东西。全书的叙述非常克制:一节课、一次点名、一场讨论彩票的闲聊,都被记成短章;情绪压得很低,却因此更可信。对读者而言,它的价值在两个方向:一是提供了一个教师视角下真实的中国大学课堂样本,尤其是2006至2010年间农村生源与城市生源在同一间教室里的精神碰撞;二是关于“怎样写作”的朴素示范:用方言、用自己的经验、用不肯顺滑的句子去写。书末的学生作业与邮件是全书最动人的部分,让被记录者自己开口说话。若你关心教育、关心一代年轻人的成长,或想在写作教学里寻找不同于“好词好句”的路径,这本书值得留一册在手边。

Who it's for

A good fit for

  • 关心教育现场、喜欢非虚构写作的读者
  • 中小学与高校语文、写作课教师
  • 对“90后”大学生成长经验感兴趣的人
  • 想学习如何写出真实细节的写作爱好者

Not a good fit for

  • 期待系统教育理论或教学方法的读者
  • 只想读情节紧凑小说、对随笔节奏没耐心的人
  • 希望获得应试提分技巧的家长与考生

Reading tips

  1. 可以按年份顺序读,观察同一批学生逐年变化的状态
  2. 把附录中学生的作业和邮件当作正文来看,与课堂笔记互相印证
  3. 读到涉及写作训练的章节时,不妨动手用方言或身边小事写一段
  4. 读完可与续作《上课记2》对读,看作者的观察视野如何延伸

About the publisher

China Overseas Publishing House China · Founded in 1988

China Overseas Publishing House focuses on philosophy, history, world classics and mystery and detective fiction, with a secondary interest in foreign literature and folk literature. Its catalogue of roughly 960 titles includes Wittgenstein's Tractatus Logico-Philosophicus, Jiang Tingfu's Modern Chinese History, Margaret Mitchell's Gone with the Wind, Arthur Conan Doyle's Complete Sherlock Holmes, Antoine de Saint-Exupéry's The Little Prince, as well as Classic Collected Edition of Greek Myths and a beautifully illustrated edition of Zhuangzi, giving it a publishing profile centred on classic translations and traditional Chinese culture. Its authors and translators range from Wittgenstein, Jiang Tingfu, Mitchell, Conan Doyle and Saint-Exupéry to Huang Min, Fu Donghua and Liu Shijie. Public information about its editorial philosophy and series system is limited.

Contents

  1. Preface
  2. 2006: What Must I Give Them to Feel at Peace
  3. Those Eyes Below
  4. Rural Youths
  5. A Worn-Out Pen
  6. During One Class
  7. I Must Go See Lei Chenghu's Home
  8. Warmth
  9. The Delinquent
  10. The Egg That Rolled Two Meters Away
  11. Yu Qing'e's Assignment
  12. 2007: Investing Emotion Is the Most Important Thing
  13. Eighty Students
  14. The Major
  15. Where Does the Superiority Come From
  16. Who Knows Romeo and Juliet
  17. Good Words and Fine Sentences
  18. Restoring the Original Vitality of Language
  19. Does Writing Like This Count as a Running Account
  20. Spoofing
  21. The Poetry in Their Impressions
  22. What Is the Poetic
  23. Let Us Begin to Use Living Language
  24. Machine Worship
  25. The Girl with the Most Questions
  26. It Will Be Fine by Sophomore Year
  27. Money
  28. I Said Again, Money Is Not the Most Important Thing
  29. The Thrill of Winning the Lottery
  30. "Lucky" Wang Baoqiang
  31. The Last Class
  32. 2008: We Are All Protagonists
  33. Someone Went to the Science and Humanities Experimental Class
  34. Our Class Monitor
  35. In the Corner
  36. The Girls
  37. Huang Ju's Story
  38. The Earth and the Potato
  39. Cholera Came
  40. Exams Really Are No Good Thing

FAQ

这本书讲的是哪个学校、哪门课?
记录的是王小妮2006至2010年在海南大学人文传播学院教授影视写作课程的课堂见闻,学生多为影视编导班成员,不少人来自农村和贫困家庭。
书里的学生是“90后”吗?
是的。书中学生在2006至2010年间读大学,正是“90后”一代;书名副线之一就是这代人在理想与现实之间的挣扎与焦虑。
这本书有续集吗?
有,《上课记2》收录了2011至2012年的教学记录,观察视野从课堂延伸到学生家庭与农村生活,可与本书连续阅读。
《上课记》有几个中文版本?
常见的是2011年12月中国华侨出版社版本(ISBN 9787511319319);此后东方出版社推出过增补再版,新增再版序及“我们来自上课记”等章节,各版内容略有差异。
它是教育理论书吗?
不是。它属于非虚构随笔与教学笔记,重在记录课堂细节与师生互动,没有系统的方法论框架,更适合当作文学性观察来读。

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About the author

王小妮 Author

Wang Xiaoni is a Chinese-language writer whose work spans modern poetry, prose and miscellaneous writings, and biography. The library currently holds three of her works: Selected Poems of Wang Xiaoni, Jilin University Volume of the Ivy Poetry Series; Suishou (Casual Notes); and Xiao Hong: A Bird Flying Low. These titles show her writing crossing poetry, essays, and biography: the poetry selection presents her work as a poet, the prose collection Suishou leans toward records of everyday experience and personal reflections, and Xiao Hong: A Bird Flying Low reflects her attention to modern literary figures and biographical writing. Because public information is limited, details of her life, education, and writing career remain unclear, and this introduction makes no speculative additions. Overall, her writing brings several literary forms together, covering both personal experience and writing about literary figures, and may serve as a basic guide to her poetry and prose style.

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