Notes from Class cover

Notes from Class

Rating 4.0
Word count
113K words
Chapters
40
Series
Tiehulu Literature
ISBN
9787511319319

Tags

Summary

This book collects the poet Wang Xiaoni's "post-teaching reflections." She began teaching at the School of Humanities and Communication at Hainan University in 2005, and from 2006 to 2010 she taught a film and television writing course to undergraduates for five consecutive years; the book gathers her teaching notes from those five years, along with some student assignments and emails. Arranged by year, from "What can I give them so that I can feel at ease" to "In the corners of life, every child is shining," it records the bewilderment, restlessness, weariness, and defiance of "post-90s" college students who came from cities and, more often, from rural areas, as well as their innocence, diligence, and questioning of the world. As a poet, Wang Xiaoni has a natural sensitivity to details in the classroom: she notices who habitually sits in which corner, whose dialect holds the most beautiful mother tongue, who has written in an essay a fine sentence that should not be corrected away. She opposes students' reliance on rigid "good words and good sentences," encouraging them to read poetry aloud in dialect and to write about their real lives; she believes a person's origins and rural experience are precious wealth, not "rusticity" to be washed away. The book also confronts the difficulties of education head-on: roll call and cheating, the distress of impoverished students, the anxiety that "studying is useless," and how much a teacher can actually change a student. The writing is plain and restrained, without condescending judgment, letting readers see anew the weight of the word "idealism" in the trivia of daily life.

Editor's review

《上课记》的可贵之处,在于它不以教师评语的口吻训诫学生,也不以旁观者的姿态感慨;它以诗人的敏感,贴着课堂里的每张椅子写下来。它写下的是一个人的课堂现场:谁总坐在角落,谁把农村老家的稻田写进了作业,谁在课上说“今天没有课好无聊”。 王小妮关心的不是学生能不能写出漂亮的句子,而是他们能不能找到自己的语言。她反对“好词好句”,让学生用方言读诗,把生活里最土、最真的部分留在纸上。她也毫不美化年轻一代的处境:贫困、焦虑、对前途的茫然,以及面对这些时一位教师的无力。读完这本书,读者会明白教育里最要紧的东西往往不在评分表上:把一个人当人看。当年它被许多读者称为“2012年度话题书”,入选多个年度好书榜;十多年过去,其中关于城乡差异与青年精神状态的观察仍未过时。

Who it's for

A good fit for

  • 关心教育现场与大学课堂真实生态的读者
  • 中小学与高校教师、教育专业学生,可从中获得教学反思
  • 想理解“90后”一代成长经验的读者,尤其是同为农村出身者
  • 喜欢非虚构写作与诗人散文的文学读者

Not a good fit for

  • 期待系统教育理论或教学法操作手册的读者
  • 希望看到完整故事情节和强冲突叙事的读者

Reading tips

  1. 按年份依次阅读,留意作者视角与心态在五年中的变化。
  2. 附录里的学生作业与邮件不要跳过,它们与正文互为注脚。
  3. 可与姊妹篇《上课记2》并读,观察作者对“90后”判断的延续与修正。
  4. 边读边想自己学生时代遇到过怎样的老师,会更有代入感。

About the publisher

China Overseas Publishing House China · Founded in 1988

China Overseas Publishing House focuses on philosophy, history, world classics and mystery and detective fiction, with a secondary interest in foreign literature and folk literature. Its catalogue of roughly 960 titles includes Wittgenstein's Tractatus Logico-Philosophicus, Jiang Tingfu's Modern Chinese History, Margaret Mitchell's Gone with the Wind, Arthur Conan Doyle's Complete Sherlock Holmes, Antoine de Saint-Exupéry's The Little Prince, as well as Classic Collected Edition of Greek Myths and a beautifully illustrated edition of Zhuangzi, giving it a publishing profile centred on classic translations and traditional Chinese culture. Its authors and translators range from Wittgenstein, Jiang Tingfu, Mitchell, Conan Doyle and Saint-Exupéry to Huang Min, Fu Donghua and Liu Shijie. Public information about its editorial philosophy and series system is limited.

Contents

  1. Preface
  2. 2006 What Can I Give Them So That I Can Feel at Ease
  3. 1. The Eyes Below
  4. 2. Rural Youths
  5. 3. A Worn-Out Brush
  6. 4. During One Class
  7. 5. I Want to See Lei Chenghu's Home
  8. 6. Warmth
  9. 7. The Street Punk
  10. 8. An Egg That Rolled Two Meters Away
  11. 9. Yu Qing'e's Assignment
  12. 2007 Investing Feeling Is the Most Important Thing
  13. 1. Eighty Students
  14. 2. Majors
  15. 3. Where Does the Superiority Come From
  16. 4. Who Knows Romeo and Juliet
  17. 5. Good Words and Good Sentences
  18. 6. Restoring the Original Vitality of Language
  19. 7. Does Writing Like This Count as a Running Account
  20. 8. Spoofing
  21. 9. The Poetry in Their Impressions
  22. 10. What Is Poetic Quality
  23. 11. Let Us Begin to Use Living Language
  24. 12. An Assignment About Details
  25. 13. In-Class Assignment
  26. 14. Zhang Tao's Doubt
  27. 15. Machine Worship
  28. 16. The Girl with the Most Questions
  29. 17. What Are They Thinking in Their Seemingly Quiet Hearts
  30. 18. No Class Today, So Boring
  31. 19. Putting in Effort
  32. 20. Some Say This Course Is Easy
  33. 21. News
  34. 22. Grieving for One's Own Kind
  35. 23. Self-Awareness
  36. 24. It Gets Better by Sophomore Year
  37. 25. Responsibility
  38. 26. "Vampire"
  39. 27. Hourly Worker
  40. 28. Money

FAQ

《上课记》记录的是哪段时间、哪所学校的课堂?
记录的是2006至2010年这五年间,王小妮在海南大学人文传播学院开设影视写作课程的教学笔记,另附部分学生作业与邮件。
这本书是教育理论著作吗?
既不是教育学理论专著,也不是教学法指南,而是一部非虚构随笔集,作者自称是“教后感”结集,更接近文学性的教育观察与个人反思。
《上课记》和《上课记2》是同一本书吗?
这两本书是不同的书。《上课记》于2011年出版,记录2006—2010年的课堂;《上课记2》是续集,记录2011—2012年的教学,内容并不重复。
这本书适合给学生本人读吗?
适合,尤其适合在校大学生。书里大量篇幅是同龄人的真实心态与困惑,学生读来容易被理解,也容易获得一种“我的处境值得被写下来”的确认。
本书是否有其他版本?
初版由磨铁·铁葫芦出品、中国华侨出版社于2011年12月出版;此后东方出版社在2016年出过再版,ISBN为9787506092449,购买时请留意版本差异。

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About the author

王小妮 Author

Wang Xiaoni is a Chinese-language writer whose work spans modern poetry, prose and miscellaneous writings, and biography. The library currently holds three of her works: Selected Poems of Wang Xiaoni, Jilin University Volume of the Ivy Poetry Series; Suishou (Casual Notes); and Xiao Hong: A Bird Flying Low. These titles show her writing crossing poetry, essays, and biography: the poetry selection presents her work as a poet, the prose collection Suishou leans toward records of everyday experience and personal reflections, and Xiao Hong: A Bird Flying Low reflects her attention to modern literary figures and biographical writing. Because public information is limited, details of her life, education, and writing career remain unclear, and this introduction makes no speculative additions. Overall, her writing brings several literary forms together, covering both personal experience and writing about literary figures, and may serve as a basic guide to her poetry and prose style.

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