The Master of the Pear Garden
Tags
Summary
Editor's review
Who it's for
A good fit for
- General readers interested in modern Chinese history who wish to approach daily social life through images
- Researchers in journalism history, publishing history, and visual culture, who may use the book as a reference for pictorial historical sources
- Lovers of art and printmaking, who can appreciate the composition and line-drawing style of late Qing artists
- Secondary-school history teachers, who may select individual images to support classroom instruction
Not a good fit for
- Readers expecting a systematic general history or a deeply researched academic monograph
- Readers with low tolerance for classical Chinese briefs and old-style pictorial layouts
Reading tips
- First survey the images, then read the accompanying text, and try to retell in your own words what the picture records
- Consult a timeline of modern history and place each pictorial item in the context of its specific year
- Try thematic browsing—for example, focus on folk customs, disasters, or foreign-related subjects, and compare the artists' attitudes
- Keep sticky notes to record questions and image details for later verification or discussion with researchers
About the publisher
China Culture and History Press has long devoted itself to modern and contemporary literature and culture-and-history reading matter, with publishing directions centered on classic works, social novels, prose and miscellaneous writings, and Eastern philosophy, alongside culture-and-history periodicals such as Zongheng. Among the more than 1,500 titles in the collection, representative books include Zhang Henshui's Ti Xiao Yin Yuan, Lu Xun's Complete Classic Works (10 volumes) and Wild Grass, and Lao She's Four Generations Under One Roof series and the boxed set of Lao She's Classic Works (10 volumes), while its author resources are concentrated on figures such as Zhang Henshui, Lu Xun, Lao She and Sima Qian. Its publishing character lies in solid editorial work on culture-and-history source texts and in issuing famous authors' works in sets, balancing the readability of individual texts with the systematic presentation of complete collections for focused reading and collecting. Beyond these directions, public information on the press's contemporary original publishing is limited, so it is not elaborated here.
Contents
- 版权信息
- 求荣反辱
- 追记去思
- 大帅打靶
- 无故杀子
- 感谢天恩
- 马车溜缰
- 诚求保赤
- 乾纲不振
- 使节受惊
- 疡医受骗
- 验收驼马
- 串吃白食
- 匪寇婚媾
- 大妇间妾
- 舆脱辐也
- 禁军合操
- 好生之德
- 通惠总局
- 侮弄情痴
- 烂其盈门
- 龙头走水
- 魑魅喜人
- 蓟州奇案
- 飞鸾新语
- 花骰为媒
- 出尔反尔
- 瘫子杀人
- 疑案待雪
- 祝嘏情殷
- 郊祀纪盛
- 呈控魇胜
- 冰上行槎
- 猪胎志异
- 直言贾祸
- 乱点鸳鸯
- 能吏难为
- 纯孝性生
- 征税出入
- 西人跑纸
- 同一孟浪
- 得窥全豹
- 淘沙得利
- 妇女骑驴
- 琴川风月
- 服毒愈病
- 梦书祭春
- 日有戴气
- 别岁
- 熔金卜
- 青鸟衔书
- 京师放灯
- 天庆节
- 御明堂
- 饯贺监
- 朝鲜乱略
- 邮政局肆筵速客,顽固党放火戕官
- 假传虎节召倭兵,威逼銮舆迁别院
- 中奸谋韩廷飞碧血,避乱党关庙泣青磷
- 云屯雾沛大帅鹰扬,海阔天空藩王豹隐
- 奋天戈奸臣授首,投华寨弱主潜身
- 犯众怒避祸走仁川,普皇恩送孥归济浦
- 电报飞传求保卫,星轺移指壮声威
- 霜铤雪铤海上观兵,玉敦珠盘城中立约
- 后记
- 良马抽角
- 新年团拜
- 绅僧聚讼
- 斗牛为乐
- 饱暖思淫
- 难裔飘零
- 枷犯互殴
- 醉汉殴尼
- 梨园先生
- 贪小失大
- 甬江战事
- 剧盗就擒
- 江豚为祟
- 新人落水
- 法舰兵叛
- 骸垢想浴
- 采茶入贡
- 猝遭剪径
- 消受不起
- 歌舞升平
- 幸获生还
- 吞烟遇救
- 卖野人头
- 财神被殴
- 拦舆伸冤
- 小孩捕贼
- 觳觫可悯
- 冰玉两伤
- 走索翻身
- 愚人自愚
- 擒象二法
- 登高罹祸
- 官体何在
- 九华进香
- 伪为贞木
- 邑宰仁厚
- 洋枪自毙
- 挑选内使
- 法人残暴
- 贞节可贵
- 好勇斗狠
- 服之不衷
- 宜其毒死
- 陈平再世
- 入山遇蟒
FAQ
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About the author
Wu Youru was a late Qing painter known for his current-affairs and genre pictures as well as book illustrations. Public information about his exact birth and death years and his native place is limited and awaits further verification. Judging only from the 44 works held in the collection, his subjects were quite broad: there are pieces with literati elegance and female figures, such as Immortal Companions in the Same Boat and The Famous Beauty of Green Snow, as well as A New Method of Sailing, which records modern ship technology. Mr. Liyuan and A Heroine Among Women reveal an interest in opera figures and female character, while The Crane Offers Birthday Greetings draws on traditional auspicious imagery. These picture titles are often brief phrases with a strong visual sense, and he drew readily on everyday observations and street life. Overall, his work combines a documentary, news-like quality with the accessibility of popular reading material. Under the art category it reflects several aspects of late Qing visual culture and offers reference value for understanding the social customs and print illustration styles of the period.
Zhou Muqiao is an author about whom little public information is available; all that is currently known is that 44 works are recorded under this name, commonly classified under art. Judging from representative titles such as Mr. Liyuan, Immortal Companions in the Same Boat, New Methods of Sailing, The Famous Beauty of Green Snow, A Heroine Among Women, A Stubborn Nature, Good Things Come with Trouble, and Flying Dragon in the Sky, the subjects often involve opera figures, immortal companions boating, female characters, and stories of worldly affairs. The titles tend to carry the flavor of traditional fiction and opera, combining narrative with artistic portrayal. Since basic details such as dates of birth and death, nationality, and English name are not recorded, biographical particulars are difficult to verify, but the number and classification of the works suggest that the author was a diligent writer of popular art-related material with considerable breadth of subject and readability.
He Yuanjun is an author with 44 works recorded in the Chinese book database, commonly classified under art. His nationality, dates of birth and death, and English name are unknown, and publicly available information is limited, so a complete personal biography cannot be reconstructed; he can only be understood through his works. Representative titles such as Mr. Liyuan, The Famous Beauty of Green Snow, Immortal Companions in the Same Boat, New Methods of Sailing, A Heroine Among Women, The Immortal Crane Offers Birthday Greetings, The Tailor's Clever Satire, and A Stubborn Nature cover a range of subjects, including theatrical figures, practical skills, friendship and companionship, satire and moral instruction, and character portrayal. This suggests a broad interest in popular literature and practical knowledge writing. Overall, He Yuanjun's works stay close to everyday experience, with vivid titles and a clear flavor of folk narrative and moral exhortation, making them suitable for general readers and offering textual clues for the study of modern popular publishing and art-related reading materials.
Wu Jianyu, born in 1972 in Yongqing, Hebei, holds a doctorate in literature and is a professor and doctoral supervisor at the College of Literature, Hebei Normal University, where he also serves as director of the Department of Chinese Language. He is a council member of the Chinese Society for Exegesis and specializes in Chinese lexicology and lexicography. He has collated the Dianshizhai Pictorial and participated in the compilation of the Ciyuan dictionary. Beyond his academic work, the library holds 19 of his works, including The Scholar of the Pear Garden, The Fair Maid of Green Snow, The Tailor's Witty Satire, Peaceful Tidings of Bamboo, The Golden Signboard, The Wonder of the North Sea, Heroes Return Home, and Returning Gold to Save a Son, commonly classified under art. These works draw largely on traditional opera, folk tales, and everyday social themes, combining scholarly elegance with a lively, picture-like plainness of style. Public information is limited, and the precise connection between his writing and scholarship remains to be explored, yet the works at hand show his sustained engagement with traditional subjects.