Kojiki: Records of Ancient Matters cover

Kojiki: Records of Ancient Matters

Rating 4.3
Word count
61K words
Chapters
134
ISBN
9787208130524

Tags

Summary

The Kojiki was completed in 712 CE. It is the first written text in Japanese history and one of the earliest extant works of Japanese literature. The book is divided into three volumes. The upper volume records the origins of the Japanese gods and mythological tales, focusing on the formation of the Japanese land and the beginning of the imperial line. The two deities Izanagi-no-Mikoto and Izanami-no-Mikoto, commanded by the heavenly gods, created the land. They entered into divine marriage, producing children who gave rise to the myriad gods. After events such as the "cession of the land" and the "heavenly descent," the descendant of Amaterasu Omikami, Kamu Yamato Iware Biko no Mikoto—that is, Jimmu Tennō, the first emperor of Japan—was born, charged by heavenly mandate to rule the Central Land of Reed Plains. The middle and lower volumes record the chronicles and legends of thirty-three generations of Japanese emperors from Jimmu Tennō to Empress Suiko. History and fiction are intermingled, and the content mainly concerns the emperors' military campaigns and suppression of rebellions, administrative and institutional developments, and imperial legends.

Editor's review

As Japan's earliest extant historical chronicle and literary classic, the Kojiki possesses a value far beyond that of an ordinary historical document. Ō no Yasumaro compiled it at the command of Empress Genmei, not merely to record historical facts but to construct a "national origin narrative" centered on the imperial court through the literary compilation of myths, legends, and songs. The mythological section of the upper volume is particularly remarkable: the creation by Izanagi and Izanami, the conflict between Amaterasu Omikami and Susanoo no Mikoto, and the founding of the land by Ōkuninushi no Kami—these myths sketch Japan's distinctive cosmology and ethical outlook in a primitive and vigorous style. The records in the middle and lower volumes, from Emperor Jimmu to Empress Suiko, gradually take on the form of historical chronology but remain full of the marvelous and the literarily imaginative. This edition from Shanghai People's Publishing House is meticulously translated with detailed annotations; it preserves the archaic flavor of the original while revealing through modern scholarly notes the political intentions and cultural codes behind the text. Reading this book is not only an essential path to understanding the roots of Japanese culture; it also offers a glimpse into how ancient states constructed authority and identity through narrative—the power of historical writing itself may be more worthy of reflection than the mythological plots.

Who it's for

A good fit for

  • Readers interested in exploring the sources of Japanese culture and its mythological system
  • Researchers concerned with comparative mythology and the ideological construction of ancient states
  • Literature lovers who enjoy classical narratives such as the Classic of Mountains and Seas and Greek mythology
  • Learners who wish to understand the tradition of ancient East Asian historical writing at the textual level

Not a good fit for

  • Positivist historical readers expecting purely objective records of historical facts
  • Casual readers of popular mythology seeking light, entertaining reading

Reading tips

  1. One may first focus on reading the mythological section of the upper volume, experiencing the literary power of the narrative itself without worrying about the complex details of divine names and genealogies.
  2. Use the endnotes and appendices to understand the compilation background of the text and note the connection between mythological narrative and political agendas.
  3. If possible, compare relevant chapters of the Nihon Shoki to appreciate the different narrative strategies applied to the same legends.

About the publisher

Shanghai People's Publishing House China · Founded in 1951

Shanghai People's Publishing House is a comprehensive publisher whose list focuses on academic monographs and general-interest titles in philosophy, social sciences, politics and law, economics and management, and history. Among its books are Wei, Jin, Southern and Northern Dynasties History in the Chinese Dynastic History series; The Hobbit and The Lord of the Rings trilogy in foreign literature; the Wenjing Classical Translation Illustrated Edition of The Complete Greek Tragedies of Euripides; and works of social theory such as Max Weber's Economy and Society and Dialectic of Enlightenment: Philosophical Fragments. Its authors include Wang Zhongluo, J.R.R. Tolkien, Luo Niansheng, and Zhou Zuoren.

Contents

  1. 版权信息
  2. 引言
  3. 序
  4. 卷上
  5. 一 伊耶那岐命与伊耶那美命
  6. 一 天地始分
  7. 二 诸岛之生成
  8. 三 诸神之生成
  9. 四 黄泉之国
  10. 五 祓除
  11. 二 天照大御神与建速须佐之男命
  12. 一 誓约
  13. 二 天之岩户
  14. 三 建速须佐之男命
  15. 一 谷物的种子
  16. 二 八岐的大蛇
  17. 三 世系
  18. 四 大国主神
  19. 一 兔与鳄鱼
  20. 二 蚶贝比卖与蛤贝比卖
  21. 三 根之坚洲国
  22. 四 八千矛神的歌话
  23. 五 世系
  24. 六 少名毗古那神
  25. 七 御诸山之神
  26. 八 大年神的世系
  27. 五 天照大御神与大国主神
  28. 一 天若日子
  29. 二 让国
  30. 六 迩迩艺命
  31. 一 天降
  32. 二 猿女君
  33. 三 木花之佐久夜比卖
  34. 七 日子穗穗手见命
  35. 一 海幸与山幸
  36. 二 丰玉比卖
  37. 卷中
  38. 一 神武天皇
  39. 一 东征
  40. 二 速吸之门
  41. 三 五濑命
  42. 四 从熊野到宇陀
  43. 五 久米歌
  44. 六 大物主神之御子
  45. 七 当艺志美美命之变
  46. 二 绥靖天皇以后八代
  47. 一 绥靖天皇
  48. 二 安宁天皇
  49. 三 懿德天皇
  50. 四 孝昭天皇
  51. 五 孝安天皇
  52. 六 孝灵天皇
  53. 七 孝元天皇
  54. 八 开化天皇
  55. 三 崇神天皇
  56. 一 后妃及皇子女
  57. 二 美和的大物主
  58. 三 将军的派遣
  59. 四 垂仁天皇
  60. 一 后妃及皇子女
  61. 二 沙本毗古之叛乱
  62. 三 本牟智和气王子
  63. 四 丹波之四女王
  64. 五 非时香果
  65. 五 景行天皇与成务天皇
  66. 一 后妃及皇子女
  67. 二 倭建命的西征
  68. 三 出云建
  69. 四 倭建命的东征
  70. 五 思乡之歌
  71. 六 白鸟之陵
  72. 七 倭建命的世系
  73. 八 成务天皇
  74. 六 仲哀天皇
  75. 一 后妃及皇子女
  76. 二 神功皇后
  77. 三 镇怀石与钓鱼
  78. 四 香坂王与忍熊王
  79. 五 气比大神
  80. 六 酒乐的歌曲
  81. 七 应神天皇
  82. 一 后妃及皇子女
  83. 二 大山守命与大雀命
  84. 三 矢河枝比卖
  85. 四 发长比卖
  86. 五 国巢的歌
  87. 六 文化的渡来
  88. 七 大山守命与宇迟能和纪郎子
  89. 八 天之日矛
  90. 九 秋山之下冰壮夫与春山之霞壮夫
  91. 一〇 世系
  92. 卷下
  93. 一 仁德天皇
  94. 一 后妃及皇子女
  95. 二 圣帝之御世
  96. 三 吉备的黑日卖
  97. 四 皇后石之比卖命
  98. 五 八田若郎女
  99. 六 速总别王与女鸟王
  100. 七 雁生子
  101. 八 枯野的船
  102. 二 履中天皇与反正天皇
  103. 一 履中天皇与墨江中王
  104. 二 反正天皇
  105. 三 允恭天皇
  106. 一 后妃及皇子女
  107. 二 定各族氏姓
  108. 三 木梨之轻太子
  109. 四 安康天皇
  110. 一 目弱王之变
  111. 二 市边忍齿王
  112. 五 雄略天皇
  113. 一 后妃及皇子女
  114. 二 若日下部王
  115. 三 引田部的赤猪子
  116. 四 吉野宫
  117. 五 葛城山
  118. 六 春日之袁杼比卖与三重之采女
  119. 六 清宁天皇与显宗天皇
  120. 一 清宁天皇
  121. 二 志自牟的新室落成
  122. 三 歌垣
  123. 四 显宗天皇
  124. 七 仁贤天皇以后十代
  125. 一 仁贤天皇
  126. 二 武烈天皇
  127. 三 继体天皇
  128. 四 安闲天皇
  129. 五 宣化天皇
  130. 六 钦明天皇
  131. 七 敏达天皇
  132. 八 用明天皇
  133. 九 崇峻天皇
  134. 一〇 推古天皇

FAQ

What are the essential differences between the Kojiki and the Nihon Shoki?
Although both were completed in the early eighth century and their content overlaps, their nature is quite different: the Kojiki is written in a Japanese-style Chinese mixed with archaic Japanese, emphasizing myths, legends, and literary quality, and is more indigenous in character; the Nihon Shoki is written entirely in Chinese in annalistic form, imitating the style of Chinese official histories and displaying a stronger sense of state orthodoxy. The former is an "inward-facing" narrative of origins; the latter is an "outward-facing" dynastic history.
How should modern readers regard the obviously fictional mythological content in the book?
It should not be simply dismissed as "the ignorant imagination of the ancients" but rather treated as a symbolic system for understanding the ancient worldview and political culture. The struggles, covenants, and migrations of the gods in the myths often metaphorically represent power relations among clans, contests over sacrificial rights, and the establishment of social norms—they are key codes for entering the ancient mindset.
Will non-specialist readers find the text too obscure to persist in reading?
The book does have a reading threshold. A strategy of "not seeking exhaustive understanding" on a first reading is recommended: first grasp the main narrative thread and core mythological images (such as the Three Sacred Treasures, the Land of Yomi, and the Eight-Headed Serpent), and ignore the elaborate genealogies and ritual details. A good translation includes an introduction and annotations that can support understanding; on a second reading, one can delve into the details.

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About the author

安万侣 Author

Anno no Yasumaro is one of the compilers of the ancient Japanese text Kojiki. Public information about him is limited, and his life, nationality, and dates of birth and death are unknown. Judging from the five works held in the collection, his name is mainly associated with various editions of Kojiki and with the collection of Japanese literary translations A Moment, a Lifetime: Zhou Zuoren's Classic Translations of Japanese Literature; the works are commonly classified as foreign literature and classics. Kojiki is the earliest extant historical and mythological compilation in Japan, blending myths, legends, genealogies, and songs in an archaic style that is both historical record and literature, and it has had a profound influence on later Japanese literature and culture. As its compiler, Anno no Yasumaro's contribution lies chiefly in organizing and preserving early Japanese myths and historical memory.

Zhou Zuoren Author · China · 1885–1967

Zhou Zuoren (1885–1967) was a native of Shaoxing, Zhejiang, and the younger brother of Lu Xun. A modern Chinese essayist, literary theorist and translator, he was a representative figure of the New Culture Movement. He taught at Peking University and took part in editing New Youth and Yusi. His essay collections include My Own Garden, Writings on a Rainy Day and Recollections of Zhitang, written in a plain, calm style that finds interest and insight in everyday matters. He long translated Japanese and Greek literature, notably The Pillow Book, the tragedies of Euripides and the comedies of Aristophanes. His essays, folk-literature studies and translations have had a lasting influence on modern Chinese writing and the reception of foreign literature.