Blacksmith
Tags
Summary
Editor's review
Who it's for
A good fit for
- General readers interested in Northeast local history and the transformation of handicrafts
- Scholars and students in folklore, oral history, or intangible cultural heritage studies
- Craft enthusiasts wanting to learn about traditional blacksmithing skills and trade ethics
- Writers, curators, and cultural-creative professionals needing local cultural material
Not a good fit for
- Readers expecting a systematic technical tutorial or manual
- Readers who prefer strong plot-driven narratives and literary description
- Those who only want quick conclusions and are unwilling to read oral details
Reading tips
- Begin with the table of contents and preface to understand the field methods and the background of each artisan's oral account, then read selected pieces.
- Mark processes, jargon, and family-transmission clues as you read, for easy later reference and comparison.
- Read alongside other handicraft oral histories or local gazetteers to compare similarities and differences among materials.
- No need to finish in one sitting; read one or two oral accounts at a time, leaving room for digestion and reflection.
About the publisher
China Culture and History Press has long devoted itself to modern and contemporary literature and culture-and-history reading matter, with publishing directions centered on classic works, social novels, prose and miscellaneous writings, and Eastern philosophy, alongside culture-and-history periodicals such as Zongheng. Among the more than 1,500 titles in the collection, representative books include Zhang Henshui's Ti Xiao Yin Yuan, Lu Xun's Complete Classic Works (10 volumes) and Wild Grass, and Lao She's Four Generations Under One Roof series and the boxed set of Lao She's Classic Works (10 volumes), while its author resources are concentrated on figures such as Zhang Henshui, Lu Xun, Lao She and Sima Qian. Its publishing character lies in solid editorial work on culture-and-history source texts and in issuing famous authors' works in sets, balancing the readability of individual texts with the systematic presentation of complete collections for focused reading and collecting. Beyond these directions, public information on the press's contemporary original publishing is limited, so it is not elaborated here.
Contents
- 版权信息
- 作者简介
- 序 心怀东北大地的文化人——曹保明全集序
- 前言 发现铁匠
- 第一章 铁匠的手艺
- 一、生活文化类
- 二、农耕文化类
- 三、交通文化类
- 四、山林文化类
- 第二章 铁匠的工具
- 一、铁匠炉
- 二、铁匠锤
- 三、铁匠钳子
- 四、砧子
- 五、钻
- 六、扳子
- 七、模具类
- 八、行炉
- 九、其他工具
- 第三章 铁匠口述
- 一、王贞房口述
- 二、田彬口述
- 三、常海楠口述
- 四、田慧口述
- 五、田洪明口述
- 访谈题记:社会转型期,传统很难消亡
- 第四章 铁匠传奇
- 一、铁匠世家
- 二、章丘锤声
- 三、闯关东
- 四、最后的铁匠
- 第五章 故事与歌谣
- 一、铁匠故事
- 二、铁匠歌谣
- 后记 见证“遗产的挣扎”
FAQ
Is this book an academic monograph or an oral record?
Can readers without a handicraft background understand it?
Is it suitable as a source for research citation?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Cao Baoming is an author about whom limited public information is available; what can be confirmed is that seven of his works are listed on this site. Judging from their subjects, he has long focused on traditional handicrafts and the regional culture of Northeast China. Paper Craftsman, Blacksmith, Leatherworker, Noodle Maker and Confectioner each portray artisans in a different trade, documenting their techniques and working lives. Retracing the Northeast Asian Silk Road deals with regional history and geographical exploration, while Nianhua of the Chuang Guandong Migration focuses on folk art. His writing sits between industrial technology, history and art, favouring field-research-style records and accessible narration, offering general readers a readable entry into folk crafts that are fading from everyday life.