Blacksmith cover

Blacksmith

Rating 3.8
Word count
92K words
Chapters
35
ISBN
9787520531177

Tags

Summary

This series is the fruit of the author's decades of field research. It presents oral histories gathered from individual artisans, rescuing and documenting the entrepreneurial stories and professional dedication of numerous craftspeople from various periods in Jilin Province—blacksmiths, carpenters, leatherworkers, noodle makers, sugar makers, and others—and is of significant historical value. The series offers a fairly comprehensive record of people's economic life—food, medicine, commerce, handicrafts, manufacturing, processing—and even their spiritual life, in the form of indispensable "shop names" (brands). The founding, birth, development, and even closure or failure of these "shop names" are all microcosms of history. Each "point" concerning an artisan is a record of that family's forebears' achievements in starting businesses in history; beginning with a "case," it develops into a portrait of the artisan, displaying a full and vivid cultural force.

Editor's review

The Blacksmith is the product of Cao Baoming's decades of field research, documenting in oral-history form the entrepreneurial stories and professional dedication of blacksmiths in Jilin. The book's distinctive value lies in letting the artisans speak for themselves, preserving a wealth of raw industry experience, family memory, and local knowledge. Rather than relying on conceptual exposition, it starts from individual cases to present craftspeople's survival logic and professional ethics. Readers can see the rise and fall of blacksmith shops, the details of skill transmission, and the real situation of the handicraft trades amid changing times. Compared with general folklore books, this volume stays closer to first-hand material, with plain language and solid detail. It suits readers interested in handicraft history, Northeast local culture, and oral-history methods, and also serves as supplementary material for research on intangible cultural heritage, folklore, and social history. It is best read slowly, treating each artisan's account as an independent oral archive, noting the trade terminology, process descriptions, and family narratives—not seeking a continuous plot, but sensing the craftspeople's life-world and historical microcosm in the fragments.

Who it's for

A good fit for

  • General readers interested in Northeast local history and the transformation of handicrafts
  • Scholars and students in folklore, oral history, or intangible cultural heritage studies
  • Craft enthusiasts wanting to learn about traditional blacksmithing skills and trade ethics
  • Writers, curators, and cultural-creative professionals needing local cultural material

Not a good fit for

  • Readers expecting a systematic technical tutorial or manual
  • Readers who prefer strong plot-driven narratives and literary description
  • Those who only want quick conclusions and are unwilling to read oral details

Reading tips

  1. Begin with the table of contents and preface to understand the field methods and the background of each artisan's oral account, then read selected pieces.
  2. Mark processes, jargon, and family-transmission clues as you read, for easy later reference and comparison.
  3. Read alongside other handicraft oral histories or local gazetteers to compare similarities and differences among materials.
  4. No need to finish in one sitting; read one or two oral accounts at a time, leaving room for digestion and reflection.

About the publisher

China Culture and History Press China · Founded in 1980

China Culture and History Press has long devoted itself to modern and contemporary literature and culture-and-history reading matter, with publishing directions centered on classic works, social novels, prose and miscellaneous writings, and Eastern philosophy, alongside culture-and-history periodicals such as Zongheng. Among the more than 1,500 titles in the collection, representative books include Zhang Henshui's Ti Xiao Yin Yuan, Lu Xun's Complete Classic Works (10 volumes) and Wild Grass, and Lao She's Four Generations Under One Roof series and the boxed set of Lao She's Classic Works (10 volumes), while its author resources are concentrated on figures such as Zhang Henshui, Lu Xun, Lao She and Sima Qian. Its publishing character lies in solid editorial work on culture-and-history source texts and in issuing famous authors' works in sets, balancing the readability of individual texts with the systematic presentation of complete collections for focused reading and collecting. Beyond these directions, public information on the press's contemporary original publishing is limited, so it is not elaborated here.

Contents

  1. 版权信息
  2. 作者简介
  3. 序 心怀东北大地的文化人——曹保明全集序
  4. 前言 发现铁匠
  5. 第一章 铁匠的手艺
  6. 一、生活文化类
  7. 二、农耕文化类
  8. 三、交通文化类
  9. 四、山林文化类
  10. 第二章 铁匠的工具
  11. 一、铁匠炉
  12. 二、铁匠锤
  13. 三、铁匠钳子
  14. 四、砧子
  15. 五、钻
  16. 六、扳子
  17. 七、模具类
  18. 八、行炉
  19. 九、其他工具
  20. 第三章 铁匠口述
  21. 一、王贞房口述
  22. 二、田彬口述
  23. 三、常海楠口述
  24. 四、田慧口述
  25. 五、田洪明口述
  26. 访谈题记:社会转型期,传统很难消亡
  27. 第四章 铁匠传奇
  28. 一、铁匠世家
  29. 二、章丘锤声
  30. 三、闯关东
  31. 四、最后的铁匠
  32. 第五章 故事与歌谣
  33. 一、铁匠故事
  34. 二、铁匠歌谣
  35. 后记 见证“遗产的挣扎”

FAQ

Is this book an academic monograph or an oral record?
The book is presented in oral-history form; its main body consists of first-hand accounts the author heard from artisans and organized, with the nature of field-research records, while also including the author's background explanations. It differs from a theoretical monograph and is better used as an oral archive and a local-culture reader.
Can readers without a handicraft background understand it?
Yes. The book centers on artisans' own accounts, in plain language, and most trade terms can be understood from context. Readers need no blacksmithing knowledge—only an interest in craftspeople's experiences and local life—to follow the oral accounts into specific scenes.
Is it suitable as a source for research citation?
It is suitable as supplementary material for oral history and local handicrafts, especially for understanding family memory, process details, and professional attitudes in Jilin's blacksmith trade. When citing, keep in mind the nature of oral material and cross-check with other documents; a single oral account should not be treated directly as the sole factual basis.

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About the author

曹保明 Author

Cao Baoming is an author about whom limited public information is available; what can be confirmed is that seven of his works are listed on this site. Judging from their subjects, he has long focused on traditional handicrafts and the regional culture of Northeast China. Paper Craftsman, Blacksmith, Leatherworker, Noodle Maker and Confectioner each portray artisans in a different trade, documenting their techniques and working lives. Retracing the Northeast Asian Silk Road deals with regional history and geographical exploration, while Nianhua of the Chuang Guandong Migration focuses on folk art. His writing sits between industrial technology, history and art, favouring field-research-style records and accessible narration, offering general readers a readable entry into folk crafts that are fading from everyday life.

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