Leatherworker
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in traditional leather processing and handicraft history
- Local cultural workers engaged in intangible cultural heritage surveys and folklore documentation
- Humanities readers who enjoy oral history and case-based narratives
- Writers and researchers seeking material on folk commerce in Northeast China
Not a good fit for
- Readers hoping for a practical leather-making tutorial
- Academic readers who prefer systematic theoretical frameworks and macro-level analysis
- Readers impatient with fragmentary oral narratives
Reading tips
- Skim the table of contents first, then read closely the sections on leather work processes or family businesses.
- Keep a notebook and make a simple index by artisan, period, and work process.
- Read alongside other volumes in the same series, such as The Blacksmith, to observe commonalities and differences across trades.
- After reading, verify contradictions or gaps in the oral accounts to train awareness of source criticism.
About the publisher
China Culture and History Press has long devoted itself to modern and contemporary literature and culture-and-history reading matter, with publishing directions centered on classic works, social novels, prose and miscellaneous writings, and Eastern philosophy, alongside culture-and-history periodicals such as Zongheng. Among the more than 1,500 titles in the collection, representative books include Zhang Henshui's Ti Xiao Yin Yuan, Lu Xun's Complete Classic Works (10 volumes) and Wild Grass, and Lao She's Four Generations Under One Roof series and the boxed set of Lao She's Classic Works (10 volumes), while its author resources are concentrated on figures such as Zhang Henshui, Lu Xun, Lao She and Sima Qian. Its publishing character lies in solid editorial work on culture-and-history source texts and in issuing famous authors' works in sets, balancing the readability of individual texts with the systematic presentation of complete collections for focused reading and collecting. Beyond these directions, public information on the press's contemporary original publishing is limited, so it is not elaborated here.
Contents
- 版权信息
- 作者简介
- 序 心怀东北大地的文化人——曹保明全集序
- 前言 寻找
- 第一章 亲历皮匠人家
- 一、皮匠世家
- 二、落脚关东开皮铺
- 三、走进皮匠的记忆
- 四、走进鼓作坊
- 第二章 皮匠工具
- 一、大缸
- 二、刮凳
- 三、刮毛铲
- 四、皮铲
- 五、皮梳
- 六、刮刀
- 七、裁刀
- 八、晾凳
- 九、砸床
- 十、钻子
- 十一、钻针
- 十二、锥子
- 十三、鞭车子
- 十四、套勒子
- 十五、靰鞡楦子
- 十六、土灶
- 第三章 皮匠作业的主要过程
- 一、收皮子
- 二、买缸
- 三、沤皮子
- 四、开刮
- 五、脱灰
- 六、清洗
- 七、漂白
- 八、熏皮子
- 九、冻皮子
- 十、刮冻皮
- 十一、晾冻皮
- 十二、割皮子
- 十三、片皮子
- 十四、开缝
- 十五、砍楦子
- 十六、炕靰鞡
- 十七、钉钉子
- 十八、上耳子
- 十九、絮靰鞡草
- 二十、抻皮子
- 二十一、裁剪
- 二十二、定型
- 二十三、送货
- 第四章 皮艺与东北
- 一、狗皮帽子
- 二、皮袄和皮裤
- 三、制神服
- 四、手闷子
- 五、褥子和睡袋、皮袋
- 六、皮人
- 七、皮子艺术
- 八、生活的响动
- 九、脸谱
- 第五章 皮匠所熟悉的动物
- 一、鼠皮
- 二、牛皮
- 三、虎皮
- 四、兔皮
- 五、蛇皮
- 六、马皮
- 七、羊皮
- 八、狗皮
- 九、猪皮
- 十、猫皮
- 十一、犴达罕皮
- 十二、鹿皮
- 十三、熊皮
- 十四、猞猁狲皮
- 十五、狐狸皮
- 十六、狍子皮
- 十七、貂皮
- 十八、狼皮
- 十九、鱼皮
- 二十、海龙皮
- 第六章 皮匠口述
- 一、施贵卿口述(五峰村老队长)
- 二、张恕贵口述(长白山皮艺第三代传人)
- 三、张顺海口述(长白山皮艺第四代传人)
- 四、曾宪明口述(五峰村现任村长)
- 五、李淑珍口述(张氏皮铺第三代传人张恕贵的妻子)
- 六、白庆平口述(东北范家屯著名老皮匠)
- 第七章 皮匠与皮铺的习俗和故事
- 一、皮铺习俗
- 二、皮铺歇后语、对联
- 三、皮匠和皮铺的故事
- 第八章 并不远离
- 后记 停在东北深处
FAQ
What is the relationship between this book and The Blacksmith?
Does the book contain specific details of leather craftsmanship?
Will general readers find the book dull?
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About the author
Cao Baoming is an author about whom limited public information is available; what can be confirmed is that seven of his works are listed on this site. Judging from their subjects, he has long focused on traditional handicrafts and the regional culture of Northeast China. Paper Craftsman, Blacksmith, Leatherworker, Noodle Maker and Confectioner each portray artisans in a different trade, documenting their techniques and working lives. Retracing the Northeast Asian Silk Road deals with regional history and geographical exploration, while Nianhua of the Chuang Guandong Migration focuses on folk art. His writing sits between industrial technology, history and art, favouring field-research-style records and accessible narration, offering general readers a readable entry into folk crafts that are fading from everyday life.