The Book of Songs cover

The Book of Songs

Rating 4.2
Word count
138K words
Chapters
332
ISBN
9787551816991

Tags

Summary

· About the edition: based on the Mao Shi Zhengyi, newly collated against other editions. Includes all 305 poems. · Text: rare characters, polyphonic characters, and phonetic loan characters are annotated with pronunciation in place for smooth recitation. Annotated by Luo Yuming, professor of the Department of Chinese at Fudan University, with a preface to each poem. Annotations aim to be concise yet complete, drawing on the insights of famous commentators through the ages and selecting the best. Important variant interpretations are retained, offering different perspectives. · Illustrations: over two hundred plates from the Edo-period Japanese work Illustrations of the Names and Things of the Book of Songs by Hosoi Kō, reproduced in full. The illustrations correspond to the relevant poems, with brief descriptions of the species based on modern biology.

Editor's review

This edition brings the Book of Songs back from the classical list of "must-read but hard to read" to a place of approachable reading. Collated against the Mao Shi Zhengyi, it includes all 305 poems; rare characters, polyphonic characters, and phonetic loan characters are annotated with pronunciation in place, clearing the first obstacle to recitation. Luo Yuming's annotations and prefaces avoid pedantry, drawing on the views of famous commentators through the ages and retaining variant interpretations where necessary, so readers see room for interpretation rather than standard answers. Over two hundred plates from Hosoi Kō's Illustrations of the Names and Things of the Book of Songs correspond to the poems, with brief modern biological descriptions, bringing plants, trees, insects, fish, birds, and beasts to life from the text. Suitable for those who read the Book of Songs as literature rather than only as a classic: read a few poems a day, recite the original first, then read the preface and annotations, pausing at the illustrations of names and things. Its value is not in replacing deeper annotation and commentary, but in providing a smooth, aesthetically pleasing entry with scholarly grounding.

Who it's for

A good fit for

  • Ordinary readers who want to read all 305 poems but worry about the barrier of classical Chinese
  • Lower-year Chinese majors who need pronunciation and prefatory help
  • Nature enthusiasts interested in ancient names and things, plants, trees, birds, and beasts
  • Readers who want to use the Book of Songs for recitation or family reading

Not a good fit for

  • Researchers needing deep exegesis or textual collation
  • Beginning readers expecting line-by-line vernacular translation
  • Those who only want to read selected love poems and do not wish to read the whole book

Reading tips

  1. Read the preface before reciting the original, then look at the annotations, to avoid getting stuck in word-level details at the start.
  2. Read in the groups of Feng, Ya, and Song; choose a few poems in each group for close reading and skim the rest to keep momentum.
  3. When you come to an illustration of names and things, pause to connect the image with the text.
  4. Mark places where variant interpretations are retained, and review them after finishing a group to appreciate the differences in interpretation.

About the publisher

Shaanxi Sanqin Publishing House China · Founded in 1985

Founded in 1985, Shaanxi Sanqin Publishing House focuses on the collation of ancient books and works on literature and history, maintaining a sustained commitment to classical literature and historical reading. Its books in the database consist mainly of collated editions of Chinese classics, such as recent editions of Journey to the West, Dream of the Red Chamber, Water Margin, and Romance of the Three Kingdoms, often issued in complete or multi-volume sets for systematic reading; works such as A New Account of the Tales of the World and Tao'an Mengyi: A Newly Annotated Complete Translation emphasize annotation and popularization. Its author resources include original authors such as Wu Cheng'en, Cao Xueqin, Luo Guanzhong, and Shi Nai'an, as well as critics, editors, and researchers such as Jin Shengtan, Mao Zonggang, Liu Yiqing, and Liu Qiang. Common categories include classical literature, literary appreciation, classic works, historical reading, military studies, and ancient poetry, reflecting a publishing approach that combines the collation of classic texts, critical appreciation, and the popularization of literature and history. As public information is limited, this overview of its publishing directions is based only on the books in the database.

Contents

  1. 版权信息
  2. 版本说明
  3. 十五国风地理位置图
  4. 风
  5. 周南
  6. 关雎
  7. 葛覃
  8. 卷耳
  9. 樛木
  10. 螽斯
  11. 桃夭
  12. 兔罝
  13. 芣苢
  14. 汉广
  15. 汝坟
  16. 麟之趾
  17. 召南
  18. 鹊巢
  19. 采蘩
  20. 草虫
  21. 采蘋
  22. 甘棠
  23. 行露
  24. 羔羊
  25. 殷其雷
  26. 摽有梅
  27. 小星
  28. 江有汜
  29. 野有死麕
  30. 何彼襛矣
  31. 驺虞
  32. 邶风
  33. 柏舟
  34. 绿衣
  35. 燕燕
  36. 日月
  37. 终风
  38. 击鼓
  39. 凯风
  40. 雄雉
  41. 匏有苦叶
  42. 谷风
  43. 式微
  44. 旄丘
  45. 简兮
  46. 泉水
  47. 北门
  48. 北风
  49. 静女
  50. 新台
  51. 二子乘舟
  52. 鄘风
  53. 柏舟
  54. 墙有茨
  55. 君子偕老
  56. 桑中
  57. 鹑之奔奔
  58. 定之方中
  59. 蝃蝀
  60. 相鼠
  61. 干旄
  62. 载驰
  63. 卫风
  64. 淇奥
  65. 考槃
  66. 硕人
  67. 氓
  68. 竹竿
  69. 芄兰
  70. 河广
  71. 伯兮
  72. 有狐
  73. 木瓜
  74. 王风
  75. 黍离
  76. 君子于役
  77. 君子阳阳
  78. 扬之水
  79. 中谷有蓷
  80. 兔爰
  81. 葛藟
  82. 采葛
  83. 大车
  84. 丘中有麻
  85. 郑风
  86. 缁衣
  87. 将仲子
  88. 叔于田
  89. 大叔于田
  90. 清人
  91. 羔裘
  92. 遵大路
  93. 女曰鸡鸣
  94. 有女同车
  95. 山有扶苏
  96. 萚兮
  97. 狡童
  98. 褰裳
  99. 丰
  100. 东门之墠
  101. 风雨
  102. 子衿
  103. 扬之水
  104. 出其东门
  105. 野有蔓草
  106. 溱洧
  107. 齐风
  108. 鸡鸣
  109. 还
  110. 著
  111. 东方之日
  112. 东方未明
  113. 南山
  114. 甫田
  115. 卢令
  116. 敝笱
  117. 载驱
  118. 猗嗟
  119. 魏风
  120. 葛屦
  121. 汾沮洳
  122. 园有桃
  123. 陟岵
  124. 十亩之间
  125. 伐檀
  126. 硕鼠
  127. 唐风
  128. 蟋蟀
  129. 山有枢
  130. 扬之水
  131. 椒聊
  132. 绸缪
  133. 杕杜
  134. 羔裘
  135. 鸨羽
  136. 无衣
  137. 有杕之杜
  138. 葛生
  139. 采苓
  140. 秦风
  141. 车邻
  142. 驷驖
  143. 小戎
  144. 蒹葭
  145. 终南
  146. 黄鸟
  147. 晨风
  148. 无衣
  149. 渭阳
  150. 权舆
  151. 陈风
  152. 宛丘
  153. 东门之枌
  154. 衡门
  155. 东门之池
  156. 东门之杨
  157. 墓门
  158. 防有鹊巢
  159. 月出
  160. 株林
  161. 泽陂
  162. 桧风
  163. 羔裘
  164. 素冠
  165. 隰有苌楚
  166. 匪风
  167. 曹风
  168. 蜉蝣
  169. 候人
  170. 鸤鸠
  171. 下泉
  172. 豳风
  173. 七月
  174. 鸱鸮
  175. 东山
  176. 破斧
  177. 伐柯
  178. 九罭
  179. 狼跋
  180. 雅
  181. 小雅
  182. 鹿鸣
  183. 四牡
  184. 皇皇者华
  185. 常棣
  186. 伐木
  187. 天保
  188. 采薇
  189. 出车
  190. 杕杜
  191. 鱼丽
  192. 南有嘉鱼
  193. 南山有台
  194. 蓼萧
  195. 湛露
  196. 彤弓
  197. 菁菁者莪
  198. 六月
  199. 采芑
  200. 车攻
  201. 吉日
  202. 鸿雁
  203. 庭燎
  204. 沔水
  205. 鹤鸣
  206. 祈父
  207. 白驹
  208. 黄鸟
  209. 我行其野
  210. 斯干
  211. 无羊
  212. 节南山
  213. 正月
  214. 十月之交
  215. 雨无正
  216. 小旻
  217. 小宛
  218. 小弁
  219. 巧言
  220. 何人斯
  221. 巷伯
  222. 谷风
  223. 蓼莪
  224. 大东
  225. 四月
  226. 北山
  227. 无将大车
  228. 小明
  229. 鼓钟
  230. 楚茨
  231. 信南山
  232. 甫田
  233. 大田
  234. 瞻彼洛矣
  235. 裳裳者华
  236. 桑扈
  237. 鸳鸯
  238. 頍弁
  239. 车舝
  240. 青蝇
  241. 宾之初筵
  242. 鱼藻
  243. 采菽
  244. 角弓
  245. 菀柳
  246. 都人士
  247. 采绿
  248. 黍苗
  249. 隰桑
  250. 白华
  251. 绵蛮
  252. 瓠叶
  253. 渐渐之石
  254. 苕之华
  255. 何草不黄
  256. 大雅
  257. 文王
  258. 大明
  259. 绵
  260. 棫朴
  261. 旱麓
  262. 思齐
  263. 皇矣
  264. 灵台
  265. 下武
  266. 文王有声
  267. 生民
  268. 行苇
  269. 既醉
  270. 凫鹥
  271. 假乐
  272. 公刘
  273. 泂酌
  274. 卷阿
  275. 民劳
  276. 板
  277. 荡
  278. 抑
  279. 桑柔
  280. 云汉
  281. 崧高
  282. 烝民
  283. 韩奕
  284. 江汉
  285. 常武
  286. 瞻卬
  287. 召旻
  288. 颂
  289. 周颂
  290. 清庙
  291. 维天之命
  292. 维清
  293. 烈文
  294. 天作
  295. 昊天有成命
  296. 我将
  297. 时迈
  298. 执竞
  299. 思文
  300. 臣工
  301. 噫嘻
  302. 振鹭
  303. 丰年
  304. 有瞽
  305. 潜
  306. 雝
  307. 载见
  308. 有客
  309. 武
  310. 闵予小子
  311. 访落
  312. 敬之
  313. 小毖
  314. 载芟
  315. 良耜
  316. 丝衣
  317. 酌
  318. 桓
  319. 赉
  320. 般
  321. 鲁颂
  322. 駉
  323. 有駜
  324. 泮水
  325. 閟宫
  326. 商颂
  327. 那
  328. 烈祖
  329. 玄鸟
  330. 长发
  331. 殷武
  332. 后记

FAQ

Is this edition suitable for readers with no classical Chinese background at all?
Relatively friendly. Rare characters, polyphonic characters, and phonetic loan characters have pronunciation annotated in place, each poem has a preface, and annotations aim to be concise yet complete. But the language barrier of the Book of Songs itself remains; complete beginners can start with the prefaces and pronunciation aids and need not understand every word at once.
Are the illustrations decorative or do they correspond to the poems?
The illustrations correspond to the relevant poems and are not random decoration. Over two hundred plates from Hosoi Kō's Illustrations of the Names and Things of the Book of Songs are reproduced in full, with brief modern biological descriptions of the species, helping readers understand the plants, trees, birds, and beasts celebrated in the poems.
Will retaining variant interpretations confuse beginners?
Retaining important variant interpretations offers different perspectives, but the annotations overall aim to be concise yet complete, drawing on the best of famous commentators through the ages. Beginners can first follow the main line in the preface and treat variants as extensions, without insisting on a single answer.

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About the author

Luo Yuming Author · Chinese · 1951

Luo Yuming was born in Shanghai in July 1951. He is a professor and doctoral supervisor in the Department of Chinese Language and Literature at Fudan University, an editorial board member of Cihai and chief editor of its classical Chinese literature section, with research focusing on the literature of the Han, Wei, and Six Dynasties. His writings combine literary history with close reading of classics: he co-edited the three-volume History of Chinese Literature with Zhang Peiheng, and has also addressed a wider readership through works such as A Brief History of Chinese Literature, Close Readings of A New Account of Tales of the World, and Zen in Poetry. His approach starts from concrete texts and makes ancient poetry, anecdotal literature, and intellectual themes clear and accessible. The ten works held here, including Lectures on Classical Poetry, True Meaning in Poetry, Detailed Explanations of A New Account of Tales of the World, Lectures on Classical Chinese Literature, and The Book of Songs, reflect this balance of scholarship and readability. Some of his works have been translated into English, Japanese, and Korean.

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