The Book of Songs cover

The Book of Songs

Rating 4.5
Word count
42K words
Chapters
336

Tags

Summary

The Book of Songs is China's oldest anthology of poetry, gathering 305 poems composed over more than five hundred years, from the early Western Zhou to the mid-Spring and Autumn period. In pre-Qin times it was called the Shi, or by its round number the Shi Sanbai (Three Hundred Poems) or Sanbai Pian. It was only in the Han dynasty, when it was honored as a Confucian classic, that it received the name Shijing, which it has borne ever since. The Book of Songs took shape around the Spring and Autumn period. In the Han dynasty it was transmitted by four schools—Qi, Lu, Han, and Mao. After the Eastern Han, the Qi, Lu, and Han versions were successively lost, leaving only the Han shi waizhuan. The Mao version flourished after the Eastern Han and has come down to the present.

Editor's review

The Book of Songs is China's earliest anthology of poetry, containing over three hundred poems from the early Western Zhou to the mid-Spring and Autumn period, some five hundred years. In pre-Qin times it was called the Shi or the Shi Sanbai; in the Han dynasty, once honored as a Confucian classic, it was formally named the Shijing. It is both a work of literature and a precious text for understanding the social life, rituals, customs, and emotions of antiquity; many of its pieces are plain in language and sincere in feeling, and they still move readers today. Because the book was compiled so long ago, its words are archaic and its references to objects and creatures numerous. Readers should choose an edition with detailed annotations, first using the notes to clarify words and phrases, then reading aloud repeatedly to grasp the rhythm and the scene. There is no need to finish every piece at once: read in groups by Feng, Ya, and Song, beginning with the short, vividly situated poems of the Guofeng to build a feel for archaic Chinese, then gradually extend to the Ya and Song sections.

Who it's for

A good fit for

  • General readers with a budding interest in pre-Qin literature and traditional culture
  • Chinese teachers and students of the humanities who need reference material for teaching
  • Lovers of classical poetry willing to read slowly and savor the details
  • Readers who wish to learn about social life and customs in antiquity

Not a good fit for

  • Specialist researchers seeking word-by-word scholarly analysis and textual collation
  • Young children hoping for modern vernacular retellings of the poems
  • Readers who want light, fast-paced reading and prefer to avoid archaic diction

Reading tips

  1. Choose a heavily annotated edition; begin with the short Guofeng poems, clarifying words and phrases sentence by sentence before reading aloud.
  2. Work through the Feng, Ya, and Song sections in groups, selecting several poems from each rather than trying to read too much at once.
  3. Reading aloud is more effective than silent reading; attend to rhyme and reduplicated characters to feel the rhythm of early poetry.
  4. Copy out famous lines and keep simple notes, recording how references to objects and creatures relate to the emotions expressed.

About the publisher

Public information about Multiple Publishers is limited, and the library currently holds only one book published by it, namely The Book of Songs. Judging from this representative title, the publisher's direction involves classical Chinese poetry and canonical texts, with attention to how the pre-Qin poetic tradition is transmitted to contemporary readers. The author of the collected Book of Songs is listed as Anonymous; it is a collective body of oral poetry, and the particular nature of this authorial resource means that such publishing relies more on textual collation, annotation, and introductory guidance than on the original work of a single author. Based on the available information, the publishing characteristics of Multiple Publishers cannot yet be fully summarized, but its selections reflect an emphasis on classical poetry and canonical works, and may serve as an initial clue to understanding its publishing orientation.

Contents

  1. 版权信息
  2. 诗经/国风·周南
  3. 关雎
  4. 葛覃
  5. 卷耳
  6. 樛木
  7. 螽斯
  8. 桃夭
  9. 兔罝
  10. 芣苢
  11. 汉广
  12. 汝坟
  13. 麟之趾
  14. 诗经/国风·召南
  15. 鹊巢
  16. 采蘩
  17. 草虫
  18. 采蘋
  19. 甘棠
  20. 行露
  21. 羔羊
  22. 殷其雷
  23. 摽有梅
  24. 小星
  25. 江有汜
  26. 野有死麕
  27. 何彼襛矣
  28. 驺虞
  29. 诗经/国风·邶风
  30. 柏舟
  31. 绿衣
  32. 燕燕
  33. 日月
  34. 终风
  35. 击鼓
  36. 凯风
  37. 雄雉
  38. 匏有苦叶
  39. 谷风
  40. 式微
  41. 旄丘
  42. 简兮
  43. 泉水
  44. 北门
  45. 北风
  46. 静女
  47. 新台
  48. 二子乘舟
  49. 诗经/国风·鄘风
  50. 柏舟
  51. 墙有茨
  52. 君子偕老
  53. 桑中
  54. 鹑之奔奔
  55. 定之方中
  56. 蝃蝀
  57. 相鼠
  58. 干旄
  59. 载驰
  60. 诗经/国风·卫风
  61. 淇奥
  62. 考槃
  63. 硕人
  64. 氓
  65. 竹竿
  66. 芄兰
  67. 河广
  68. 伯兮
  69. 有狐
  70. 木瓜
  71. 诗经/国风·王风
  72. 黍离
  73. 君子于役
  74. 君子阳阳
  75. 扬之水
  76. 中谷有蓷
  77. 兔爰
  78. 葛藟
  79. 采葛
  80. 大车
  81. 丘中有麻
  82. 诗经/国风·郑风
  83. 缁衣
  84. 将仲子
  85. 叔于田
  86. 大叔于田
  87. 清人
  88. 羔裘
  89. 遵大路
  90. 女曰鸡鸣
  91. 有女同车
  92. 山有扶苏
  93. 萚兮
  94. 狡童
  95. 褰裳
  96. 丰
  97. 东门之墠
  98. 风雨
  99. 子衿
  100. 扬之水
  101. 出其东门
  102. 野有蔓草
  103. 溱洧
  104. 诗经/国风·齐风
  105. 鸡鸣
  106. 还
  107. 著
  108. 东方之日
  109. 东方未明
  110. 南山
  111. 甫田
  112. 卢令
  113. 敝笱
  114. 载驱
  115. 猗嗟
  116. 诗经/国风·魏风
  117. 葛屦
  118. 汾沮洳
  119. 园有桃
  120. 陟岵
  121. 十亩之间
  122. 伐檀
  123. 硕鼠
  124. 诗经/国风·唐风
  125. 蟋蟀
  126. 山有枢
  127. 扬之水
  128. 椒聊
  129. 绸缪
  130. 杕杜
  131. 羔裘
  132. 鸨羽
  133. 无衣
  134. 有杕之杜
  135. 葛生
  136. 采苓
  137. 诗经/国风·秦风
  138. 车邻
  139. 驷驖
  140. 小戎
  141. 蒹葭
  142. 终南
  143. 黄鸟
  144. 晨风
  145. 无衣
  146. 渭阳
  147. 权舆
  148. 诗经/国风·陈风
  149. 宛丘
  150. 东门之枌
  151. 衡门
  152. 东门之池
  153. 东门之杨
  154. 墓门
  155. 防有鹊巢
  156. 月出
  157. 株林
  158. 泽陂
  159. 诗经/国风·桧风
  160. 羔裘
  161. 素冠
  162. 隰有苌楚
  163. 匪风
  164. 诗经/国风·曹风
  165. 蜉蝣
  166. 候人
  167. 鳲鸠
  168. 下泉
  169. 诗经/国风·豳风
  170. 七月
  171. 鸱鸮
  172. 东山
  173. 破斧
  174. 伐柯
  175. 九罭
  176. 狼跋
  177. 诗经/小雅·鹿鸣之什
  178. 鹿鸣
  179. 四牡
  180. 皇皇者华
  181. 常棣
  182. 伐木
  183. 天保
  184. 采薇
  185. 出车
  186. 杕杜
  187. 鱼丽
  188. 诗经/小雅·南有嘉鱼之什
  189. 南有嘉鱼
  190. 南山有台
  191. 蓼萧
  192. 湛露
  193. 彤弓
  194. 菁菁者莪
  195. 六月
  196. 采芑
  197. 车攻
  198. 吉日
  199. 诗经/小雅·鸿雁之什
  200. 鸿雁
  201. 庭燎
  202. 沔水
  203. 鹤鸣
  204. 祈父
  205. 白驹
  206. 黄鸟
  207. 我行其野
  208. 斯干
  209. 无羊
  210. 诗经/小雅·节南山之什
  211. 节南山
  212. 正月
  213. 十月之交
  214. 雨无正
  215. 小旻
  216. 小宛
  217. 小弁
  218. 巧言
  219. 何人斯
  220. 巷伯
  221. 诗经/小雅·谷风之什
  222. 谷风
  223. 蓼莪
  224. 大东
  225. 四月
  226. 北山
  227. 无将
  228. 小明
  229. 鼓钟
  230. 楚茨
  231. 信南山
  232. 诗经/小雅·甫田之什
  233. 甫田
  234. 大田
  235. 瞻彼洛矣
  236. 裳裳者华
  237. 桑扈
  238. 鸳鸯
  239. 頍弁
  240. 车舝(注)
  241. 青蝇
  242. 宾之初筵
  243. 诗经/小雅·鱼藻之什
  244. 鱼藻
  245. 采菽
  246. 角弓
  247. 菀柳
  248. 都人士
  249. 采绿
  250. 黍苗
  251. 隰桑
  252. 白华
  253. 绵蛮
  254. 瓠叶
  255. 渐渐之石
  256. 苕之华
  257. 何草不黄
  258. 诗经/大雅·文王之什
  259. 文王
  260. 大明
  261. 绵
  262. 棫朴
  263. 旱麓
  264. 思齐
  265. 皇矣
  266. 灵台
  267. 下武
  268. 文王有声
  269. 诗经/大雅·生民之什
  270. 生民
  271. 行苇
  272. 既醉
  273. 凫鹥
  274. 假乐
  275. 公刘
  276. 泂酌
  277. 卷阿
  278. 民劳
  279. 板
  280. 诗经/大雅·荡之什
  281. 荡
  282. 抑
  283. 桑柔
  284. 云汉
  285. 崧高
  286. 烝民
  287. 韩奕
  288. 江汉
  289. 常武
  290. 瞻卬
  291. 召旻
  292. 诗经/周颂·清庙之什
  293. 清庙
  294. 维天之命
  295. 维清
  296. 烈文
  297. 天作
  298. 昊天有成命
  299. 我将
  300. 时迈
  301. 执竞
  302. 思文
  303. 诗经/周颂·臣工之什
  304. 臣工
  305. 噫嘻
  306. 振鹭
  307. 丰年
  308. 有瞽
  309. 潜
  310. 雝
  311. 载见
  312. 有客
  313. 武
  314. 诗经/周颂·闵予小子之什
  315. 闵予小子
  316. 访落
  317. 敬之
  318. 小毖
  319. 载芟
  320. 良耜
  321. 丝衣
  322. 酌
  323. 桓
  324. 赉
  325. 般
  326. 诗经/鲁颂·駉之什
  327. 駉
  328. 有駜
  329. 泮水
  330. 閟宫
  331. 诗经/商颂
  332. 那
  333. 烈祖
  334. 玄鸟
  335. 长发
  336. 殷武

FAQ

Which is better to read first, the Book of Songs or Three Hundred Tang Poems?
The two differ greatly in era and in linguistic difficulty. The Book of Songs uses more archaic vocabulary and relies heavily on annotation, whereas Three Hundred Tang Poems is relatively accessible. If your grounding in classical Chinese is weak, you may read the Tang poems first to build a feel for the language, then move on to the Book of Songs; if you are especially interested in ancient culture, starting directly with the short Guofeng poems is also feasible.
Why is the Book of Songs also called the Shi Sanbai?
In pre-Qin times this anthology of poetry was called the Shi or the Shi Sanbai, the latter name taken from its round number of roughly three hundred poems. Only when the Han dynasty honored it as a Confucian classic was the word jing (classic) added, giving the name Shijing, which has been used ever since. The change in title reflects its rise from a poetry anthology to a canonical text.
Do you have to know a lot about ancient objects and creatures to read the Book of Songs?
Not necessarily. Such knowledge helps with understanding, but on a first reading you can begin with the emotions and situations in the poems; when annotations explain an object or creature, a general sense of it is enough—there is no need to memorize each one. As your reading deepens, you will naturally become familiar with common names of plants, trees, birds, and beasts; the focus should remain on understanding and experiencing the lines themselves.

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About the author

Anonymous Author

Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.

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