The Dog Knows Its Old Master
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers of history and literature interested in late Qing visual historical sources and news pictorials
- University teachers and students researching modern society, politics, and art history
- Visual enthusiasts who enjoy genre painting, printmaking, and urban life subjects
- General readers hoping to encounter modern historical sources in a relaxed way
Not a good fit for
- Theoretical readers who prefer systematic exposition and rigorous argumentation structures
- Readers uninterested in image interpretation who read only pure text
- Rigorous researchers who need original archival texts rather than collated editions
Reading tips
- First read the punctuated text to understand the events in the pictures, then examine the composition, figures, and object details closely.
- Browse in thematic groups such as world sights, citizens' life, and social news for cross-comparison.
- When encountering pictures of foreign devices, steamships, or firearms, note how the artists used traditional brushwork to represent new things.
- Read alongside other volumes such as the Xu volume to observe the thematic orientation of different volumes of the same publication.
About the publisher
China Culture and History Press has long devoted itself to modern and contemporary literature and culture-and-history reading matter, with publishing directions centered on classic works, social novels, prose and miscellaneous writings, and Eastern philosophy, alongside culture-and-history periodicals such as Zongheng. Among the more than 1,500 titles in the collection, representative books include Zhang Henshui's Ti Xiao Yin Yuan, Lu Xun's Complete Classic Works (10 volumes) and Wild Grass, and Lao She's Four Generations Under One Roof series and the boxed set of Lao She's Classic Works (10 volumes), while its author resources are concentrated on figures such as Zhang Henshui, Lu Xun, Lao She and Sima Qian. Its publishing character lies in solid editorial work on culture-and-history source texts and in issuing famous authors' works in sets, balancing the readability of individual texts with the systematic presentation of complete collections for focused reading and collecting. Beyond these directions, public information on the press's contemporary original publishing is limited, so it is not elaborated here.
Contents
- 版权信息
- 死有余臭
- 为鬼揶揄
- 百华生日
- 举舍利会
- 擅冒巡丁
- 牝鸡司晨
- 劫案可疑
- 公饯逆犯
- 获无意财
- 跃马翻身
- 幻术难凭
- 网鱼述异
- 双瞽遇盗
- 一目已眇
- 蛇破小匪
- 兄妹相逢
- 看戏无益
- 不失官样
- 藏僧过沪
- 军火无情
- 星使指南
- 忽来五虎
- 昧良惨报
- 玳瑁放生
- 无赖攫洋
- 水底行车
- 熬煮江豚
- 和气致祥
- 女医互斗
- 混堂火着
- 强劫民妇
- 异胎又见
- 附会雷神
- 捕鼠奇谈
- 灭火药水
- 毛人骇见
- 马车堕河
- 人面犊身
- 瞽瞍又见
- 巡捕被拔
- 妓女坠楼
- 落枪自毙
- 伶人荷校
- 西戏重来
- 猎户除盗
- 闹漕惩办
- 手足难为
- 将军不武
- 周四相公
- 逞凶应责
- 挑痧笑柄
- 拐匪站笼
- 学究作贼
- 面目可憎
- 捉奸削耳
- 当妻谈新
- 校书急智
- 见嗤于鬼
- 欢喜怨家
- 招领失孩
- 二女遇救
- 虱生膜间
- 武童淫暴
- 鼎甲游街
- 解犯脱逃
- 归城隍妾
- 牛背不稳
- 塾师杀弟
- 法人吸烟
- 东瀛蜡人
- 不愧节烈
- 野猪拒捕
- 斗鸟启衅
- 放龟获报
- 掌珠顿失
- 覆辙相循
- 不忍觳觫
- 美匪扇乱
- 撄怒海神
- 医局成灾
- 花案贿和
- 鬼迷入井
- 是何妖孽
- 犬识旧主
- 犬生八足
- 查酒殒命
- 双龙取水
- 执舆为谁
- 西医治病
- 乘风西去
- 恶索钱文
- 妒奸酿命
- 大鼋识时
- 赎放大龟
- 总统完姻
- 圮屋伤人
- 吓死妙常
- 攒殴县役
- 遭诬索命
- 及锋而试
- 鸠鹊争巢
- 殷雷劈馆
FAQ
How does the content of the Geng volume differ from the Xu volume?
Does the punctuated text alter the original publication's appearance?
What reference value does this book have for art research?
Comments
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About the author
Wu Youru was a late Qing painter known for his current-affairs and genre pictures as well as book illustrations. Public information about his exact birth and death years and his native place is limited and awaits further verification. Judging only from the 44 works held in the collection, his subjects were quite broad: there are pieces with literati elegance and female figures, such as Immortal Companions in the Same Boat and The Famous Beauty of Green Snow, as well as A New Method of Sailing, which records modern ship technology. Mr. Liyuan and A Heroine Among Women reveal an interest in opera figures and female character, while The Crane Offers Birthday Greetings draws on traditional auspicious imagery. These picture titles are often brief phrases with a strong visual sense, and he drew readily on everyday observations and street life. Overall, his work combines a documentary, news-like quality with the accessibility of popular reading material. Under the art category it reflects several aspects of late Qing visual culture and offers reference value for understanding the social customs and print illustration styles of the period.
Zhou Muqiao is an author about whom little public information is available; all that is currently known is that 44 works are recorded under this name, commonly classified under art. Judging from representative titles such as Mr. Liyuan, Immortal Companions in the Same Boat, New Methods of Sailing, The Famous Beauty of Green Snow, A Heroine Among Women, A Stubborn Nature, Good Things Come with Trouble, and Flying Dragon in the Sky, the subjects often involve opera figures, immortal companions boating, female characters, and stories of worldly affairs. The titles tend to carry the flavor of traditional fiction and opera, combining narrative with artistic portrayal. Since basic details such as dates of birth and death, nationality, and English name are not recorded, biographical particulars are difficult to verify, but the number and classification of the works suggest that the author was a diligent writer of popular art-related material with considerable breadth of subject and readability.
He Yuanjun is an author with 44 works recorded in the Chinese book database, commonly classified under art. His nationality, dates of birth and death, and English name are unknown, and publicly available information is limited, so a complete personal biography cannot be reconstructed; he can only be understood through his works. Representative titles such as Mr. Liyuan, The Famous Beauty of Green Snow, Immortal Companions in the Same Boat, New Methods of Sailing, A Heroine Among Women, The Immortal Crane Offers Birthday Greetings, The Tailor's Clever Satire, and A Stubborn Nature cover a range of subjects, including theatrical figures, practical skills, friendship and companionship, satire and moral instruction, and character portrayal. This suggests a broad interest in popular literature and practical knowledge writing. Overall, He Yuanjun's works stay close to everyday experience, with vivid titles and a clear flavor of folk narrative and moral exhortation, making them suitable for general readers and offering textual clues for the study of modern popular publishing and art-related reading materials.
Public information about Zhang Pei is limited, and what can be confirmed comes mainly from the author's eight published works. These include Immortals and Companions in the Same Boat, Stubborn by Nature, The Dog Recognizes Its Old Master, A Strange Reunion Between Father and Son, Timely Rain Clears the Old, An Auspicious Omen for the Second Place in the Imperial Examination, The Dance Steps of Fate, and Lifting the Tripod to Overawe Thieves, covering such categories as art and social fiction. Judging from the titles, Zhang Pei's writing often centers on human relations, family ethics, and turns of fate, showing an interest in traditional storytelling while also attending to phenomena in real social life, with both popular readability and a certain observational quality. As birth and death dates, place of origin, and educational background are not clearly recorded, biographical details are difficult to elaborate. The existing works are the main basis for understanding Zhang Pei's creative profile and form the basic outline of the author's presence in Chinese books.