The Book of Love
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in ancient Roman literature and Western classical poetry
- Readers concerned with the art of translation who wish to compare Dai Wangshu's style
- Students of the history of ideas about love and gender culture
- General readers who enjoy witty, playful verse
Not a good fit for
- Readers seeking modern emotional guidance or romance techniques
- Readers unfamiliar with classical gods and allusions who are unwilling to consult notes
- Readers expecting serious moral instruction or pure love stories
- Younger readers lacking the ability to discern historical context
Reading tips
- Read the preface or translator's notes first to understand Ovid's era and the origins of the book's controversy.
- Mark unfamiliar god names and Roman customs as you go, then look them up together after finishing a section, so as not to interrupt the flow of the poetry.
- Read it as literature, paying attention to metaphor and irony, and do not treat its advice as a guide to real behavior.
- Read it alongside other translations by Dai Wangshu to appreciate how his style handles different genres.
Contents
- 版权信息
- 第一卷 如何获得爱情
- 维纳斯的宝带
- 阿波罗热恋河神之女
- 维纳斯的诞生
- 宙斯与伊俄
- 抢夺沙皮尼妇女
- 第一卷注释及相关链接
- 第二卷 如何保持爱情
- 罗马浴池
- 抢劫欧罗巴
- 美狄亚等待伊阿宋
- 阿里阿德涅被抛弃
- 第二卷注释及相关链接
- 第三卷 爱情的良方
- 许拉斯与水泽仙女们
- 黄金时代
- 第三卷注释及相关链接
FAQ
Is The Art of Love a practical manual for teaching people how to date?
Is Dai Wangshu's translation difficult to read?
Why has this book been repeatedly banned?
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About the author
Ovid was a poet of ancient Rome. Public information about his life and nationality is limited, yet his surviving works have had a lasting influence. Four of his works are included in this collection: The Art of Love, The Art of Love (complete edition), and Metamorphoses and The Art of Poetry in Yang Zhouhan's collected works; they are commonly classified under foreign literature and intimate relationships. His writing is mainly in verse and spans love instruction and mythological narrative. The former explores attraction, courtship techniques, and intimacy in a light, witty tone tinged with playfulness and irony; the latter weaves together a wealth of Greek and Roman myths in dense, imaginative storytelling that greatly influenced later European literature and art. Ovid embeds psychological observation and worldly wisdom in elegant lines, and his love poetry both entertains and reflects the social customs of his time, continuing to attract Chinese readers today.
Dai Wangshu (1905–1950) was a Chinese symbolist poet of the modern school and a translator, born in Hangzhou, Zhejiang. His signature poem "Rain Alley" earned him the title of "Rain Alley Poet"; his work is known for its hazy imagery and musicality and has had a lasting influence on modern Chinese poetry. He studied in France and Spain, and during the War of Resistance against Japan he engaged in anti-Japanese literary activities in Hong Kong before being arrested and imprisoned by the Japanese army, writing poems such as "Inscribed on the Prison Wall" and "I Use My Maimed Hand." His writings span modern poetry, essays, and translations of foreign literature, including a translation of Lorca's poetry. He died in Beijing in 1950 at the age of forty-five, leaving works such as Wangshu's Grass, My Memory, and Years of Disaster that are still read today.