Floating Colors cover

Floating Colors

Rating 4.2
ISBN
9787539984124

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Summary

Floating Colors is a novel by the poet and fiction writer Huang Fan, completed over six years and six drafts and published in November 2015 by Jiangsu Phoenix Literature and Art Publishing House. The title was originally to be Primary Colors, evoking the red, yellow, and blue from which the complete worlds of father and son are mixed; only at the fifth draft did it become Floating Colors, which the author explains as meaning that human civilization is but a smear of floating color on Earth or in the universe. The novel centers on the emotional bond between Lei Zhuangyou and his son Lei Shi, spanning from the 1940s to the new era and reaching into a Future City three hundred years hence. It opens with the father gravely ill: struck by a meteorite that hit a Buddhist temple, his body overloaded with heavy metals, he drifts between memory and hallucination, drawing out his youth and middle age from the 1950s to the 1970s. The son, estranged from his father in adulthood, only returns home by car after receiving a telegram asking to see him one last time; mishaps pile up along the road, and stream-of-consciousness thoughts keep returning to his adolescence, courtship, and marriage. By the time he reaches the hospital, his father has just died, and immense remorse brings him to a reconciliation in his heart. Told in two narrative lines, at once realistic and infused with a science-fictional parable, the novel entangles and mirrors figures such as Lei Zhuangyou, Yun Xia, and Shi Liulong with the inhabitants of the future world, exploring between historical realism and dystopian imagination the conflict between technological society and traditional ethics and the complex mutations of human nature, in a language that joins an Eastern aesthetic sensibility with scientific rationality. The book received the Zijin Mountain Literature Award.

Editor's review

一位理科出身的诗人写小说,会是什么样子?黄梵的答案就写在这部《浮色》里。他毕业于南京理工大学飞行力学专业,又长年写诗,于是这部小说既不“文艺腔”,也不故作艰深:文字精确、扎实,却时不时迸出诗的大跨度想象。 《浮色》最特别的地方,是它把两副看起来不相干的镜片叠在一起。一副对准上世纪四五十年代到七十年代的中国,借着雷壮游病中的回忆与幻觉,写一个普通人在时代风云里的浮沉;另一副对准三百年后的“未来城”,以科幻寓言反照当下。作者说,人类文明不过是宇宙中的一抹浮色——这句话既是书名,也是全书的历史观:父子两代人的恩怨、一座小城的悲欢,都放在星辰尺度下重新掂量。 小说结构也不走寻常路。雷石驱车奔丧的旅程是主线,意识流却让往事层层叠叠涌回来;书中还借“安国寺”“鬼”“石墨烯”“人脑芯片”“熵”等意象,在宗教与科学之间搭起桥梁。复旦大学曾专门为它举办研讨会,评论者认为它兼具卡尔维诺式的“轻逸”感,以虚幻与现实交织的方式完成了对现实更有力的打量。如果你读过太多四平八稳的家族小说,这本会给你不一样的阅读体验。

Who it's for

A good fit for

  • 喜欢中国当代长篇小说、关注父子与家族题材的读者
  • 对意识流叙事、复线结构等现代小说技法感兴趣的读者
  • 希望在写实作品中读到科幻与反乌托邦想象的读者
  • 读过黄梵诗歌或《第十一诫》,想了解其小说的读者

Not a good fit for

  • 偏好线性情节、要求故事清楚顺畅的读者
  • 只想读硬核科幻、期待严格科学设定的读者
  • 对意识流跳跃叙事与超现实元素耐受度较低的读者

Reading tips

  1. 先抓住雷石奔丧这条主线,把意识流回溯当作旁白,阅读会更顺畅。
  2. 读到“未来城”章节时,不妨回想前文父子冲突,留意两套世界互为镜像的用意。
  3. 可配合《丰乳肥臀》等家族叙事作品对照阅读,体会不同写法下的父辈历史。
  4. 读完不妨回头重读开篇的病危场景,会发现许多线索早已埋好。

About the publisher

Jiangsu Phoenix Literature and Art Publishing House focuses on literary publishing while also covering the humanities, social sciences, and books on art and daily life. Its approximately 1,535 titles in the database span social novels, world history, design, science fiction, classic works, and film and television: they include modern Chinese literary classics by Lu Xun such as A Madman's Diary: The Complete Short Stories of Lu Xun, Call to Arms, Four Generations Under One Roof, and Teahouse, as well as foreign literary memoirs like Stefan Zweig's The World of Yesterday. In science fiction it offers Asimov's Galactic Empire series, while in architecture and art it publishes Liu Dunzhen's Classical Gardens of Suzhou and design titles from Phoenix Space. Its authors are concentrated among classic writers such as Lu Xun, Zweig, and Asimov, with translators including Liang Xijiang, Zhong Haonan, and Ye Lihua. Its overall character is built on classic works while embracing genre fiction and visual culture. Public information is limited, and this introduction is based on the titles in the database.

FAQ

《浮色》这个书名是什么意思?
作者黄梵解释,书名最初叫《原色》,想用红黄蓝三原色拼出父子两代人的完整世界;改到第五稿时,他加入宇宙视角,觉得人类显得渺小,于是改名为“浮色”,意为人类文明不过是地球上或宇宙中的一抹浮色。
这本书是科幻小说吗?
不完全是。它以现实主义的父子故事为主体,写从上世纪40年代到新时期的家族记忆,同时用一条科幻线索书写300年后的“未来城”,借反乌托邦世界反观现实,属于写实与科幻交融的混合作品。
作者黄梵是谁?
黄梵1963年生,湖北黄冈人,诗人、小说家。1983年毕业于南京理工大学飞行力学专业,现为该校文学副教授,著有《第十一诫》《等待青春消失》《女校先生》《南京哀歌》等,作品被译成多种文字。
这本书获得过什么奖项?
《浮色》于2017年获紫金山文学奖。出版后曾在复旦大学举办专题研讨会,多位评论家、作家出席讨论其叙事结构与文学价值。

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About the author

黄梵 Author

Huang Fan is a Chinese writer about whom little public information is available. Judging from the three works held in the collection, his writing and teaching center on the craft of poetry and fiction. The Empire of Imagery: A Course in Writing Poetry and The Pyramid of the Everyday: Eleven Steps to Writing Poetry are aimed at beginners, discussing how images are built and how to approach writing a poem, while The Museum of Human Nature: Seven Lessons in Writing Fiction turns to fiction and, in the form of seven lessons, examines how character and human nature are presented. All three are guides to writing and literary appreciation, written in plain language and concerned with turning abstract ideas about creation into practical steps that beginners can follow. In library classifications they are often placed under literary appreciation and examination books, suggesting a practical orientation toward both teaching and exam preparation. Beyond these works, details of the author's life cannot be verified.

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