The Hours cover

The Hours

Rating 4.3
ISBN
9787020087518

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Summary

The Hours is the third novel by the American writer Michael Cunningham, published in 1998; it won the Pulitzer Prize for Fiction in 1999 and was later adapted into a film of the same name. With Virginia Woolf's 1925 novel Mrs Dalloway as its hidden thread, the book interweaves three parallel narratives across three times and places, each depicting one day in the life of a woman. In the 1920s, Woolf rests in Richmond on the outskirts of London, enduring the recurrences of her mental illness while conceiving and beginning to write Mrs Dalloway; in postwar California, the housewife Laura Brown, pregnant, finds daily life suffocating as she reads and repeatedly thinks of leaving; in New York at the end of the twentieth century, the book editor Clarissa is called "Mrs Dalloway" by those around her and is preparing a party to celebrate her longtime friend, the poet Richard, who has been ill for years—yet on that day something happens that she cannot undo. The three women do not know one another, yet they are linked by a book, a situation, and the same kind of questioning. The novel winds gradually toward its close through a party, a suicide, and a stretch of writing, weaving the experiences of women in three eras into a symphony of loss and hope, fear and love, and those "hours" of a brief life. Cunningham pays homage to his predecessor in precise, restrained prose while bringing Woolfian stream of consciousness into his own contemporary American context.

Editor's review

这是一部篇幅不长、密度却极高的作品:两百来页,三个女人,一天之内,几乎把二十世纪女性被压抑的自我、对生活的犹疑和对美与意义的渴求全部写进去了。坎宁安的手法堪称精密:三段时间线彼此交叠,同一句话、同一个动作在不同年代反复出现,如同音乐里的主题变奏;而章节以“夫人”“达洛维夫人”等称谓交替命名,使读者在阅读中不断被提醒,这一位与那一位其实互为镜像。它既是致敬之作,也是独立的现代小说;拿过普利策奖,亦有梅丽尔·斯特里普等人主演的电影版本,但读原著更能体会坎宁安语言的清透与节制。王家湘的译文语感流畅,保留原文句式的绵长呼吸感,很适合在安静的时间里慢慢读。若你曾在庸常生活里感到某种说不清的困倦与不甘,这本书会替你把它们说出来,并且不轻易安慰。

Who it's for

A good fit for

  • 喜欢意识流、心理描写与多线叙事结构的文学读者
  • 对伍尔夫及其《达洛维夫人》感兴趣的读者
  • 关注女性处境、婚姻与自我实现议题的读者
  • 希望在长篇小说之外读到精悍、高浓度文本的人

Not a good fit for

  • 期待强烈情节冲突、快节奏叙事的读者
  • 对自杀、抑郁等主题较为敏感且抗拒阅读的人
  • 希望获得轻松疗愈型阅读体验的读者

Reading tips

  1. 可先了解伍尔夫《达洛维夫人》的基本情节与人物,再读本书,互文的趣味会明显增多。
  2. 留意三个部分交替出现的意象与重复句式,它们是连接三位女性的隐线,建议随手标记。
  3. 不宜一次速读,每天读一段或一章,留出回味空间,效果更好。
  4. 若时间有限,可先看本书,再回头读伍尔夫原作,或反过来读,两种顺序各有乐趣。

About the publisher

People's Literature Publishing House China · Founded in 1951

People's Literature Publishing House publishes across classical literature, foreign literature, documentary writing and folk literature, with 492 titles in its catalogue. Representative books range from the Chinese classic Romance of the Three Kingdoms to Lao She's Teahouse and Longxu Ditch in the Selected Works of Lao She, as well as translated foreign literature such as Faulkner's The Sound and the Fury, Dante's Divine Comedy and Elena Ferrante's Neapolitan Novels, alongside documentary and fictional works including Primo Levi's If This Is a Man and João Guimarães Rosa's The Devil to Pay in the Backlands. Its authors include Chinese writers such as Lao She, translators such as Shen Emeri and Li Wenjun, and foreign authors such as James Wood. Overall, the house has a strong record in editing classic works and translating foreign literature, with a publishing character that bridges Chinese and foreign writing and values textual quality.

FAQ

这本书和伍尔夫的《达洛维夫人》是什么关系?
小说以伍尔夫创作《达洛维夫人》的过程为其中一条线索,另两位女性也都与这部作品相关,全书结构、人物称呼与意象均与《达洛维夫人》形成呼应。但它是独立的现代长篇,不是对原作的改写或续写。
中文版有好几种译本,该读哪一个?
大陆常流通的有刘新民译(译林版,早期书名为《丽影萍踪》)与王家湘译两种,另有2012年人民文学出版社版和2022年花山文艺版等。各版本文字风格略有差别,内容一致,可依手边版本选择。
改编电影和原著差别大吗?
电影保留了三时并置的主线与主要人物关系,表现力强,但原著的叙述层次、心理细部和语言节奏更丰富;建议先读原著,再看电影作为补充。
读这本书需要先读伍尔夫吗?
不需要。不看《达洛维夫人》也能完整读懂故事,只是会错过不少互文妙处;有兴趣的话,可把伍尔夫原作当作读后的延伸阅读。

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About the author

Michael Cunningham is an author known to Chinese readers through his work in foreign literature. Public information about him is currently limited, and only one of his works is included in the collection: the novel The Hours. This work is his best-known representative title among Chinese readers and is often categorized as foreign literature. The Hours shows Cunningham's attention to depicting characters' inner worlds and his ability to create tension between everyday life and spiritual predicaments, with prose that is delicate and richly layered. The work explores themes such as time, identity, and emotion, and its structure displays a clear awareness of literary experimentation, giving it a distinctive place among contemporary foreign literary works. For Chinese readers, Cunningham remains a foreign author known through a single work, and the full scope of his writing awaits more translation and research.

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