Every Moment cover

Every Moment

Rating 4.5
Word count
110K words
Chapters
26
ISBN
9787551160964

Tags

Summary

1923, Woolf conceives her new novel Mrs Dalloway in a London suburb; hailed as a genius, she is tormented by mental illness and longs only to end her life.

Los Angeles, 1949: Laura Brown, a housewife whose life seems enviable to others, feels she is about to suffocate in her marriage; she secretly reads Mrs Dalloway, trying to break free of her cage.

New York at the end of the 20th century: book editor Clarissa Vaughan, nicknamed "Mrs Dalloway," leaves her apartment to arrange a celebratory party for her first love, the award-winning writer Richard; wanting to take care of everyone around her, she often neglects her own feelings and is in anguish.

Three women from different times and vastly different circumstances, who should have lived their lives wholly unconnected, find their fates interwoven and colliding because of the same novel. In the end they choose to set aside the expectations of family and loved ones and create truly meaningful lives for themselves.

Editor's review

Cunningham uses the structure of a single day to place three women within the reading and writing lineage of the same Mrs Dalloway: Woolf in 1923, mentally distressed; Laura in 1949, suffocating in her marriage; and Clarissa at the end of the 20th century, running herself ragged for others. The three threads advance in alternation, and readers gradually see how the same novel moves them and how, beyond the expectations of family and loved ones, they rediscover the lives they want. The novel's value lies in refusing to reduce women's predicaments to a single answer; instead it sets depression, escape, caregiving, and self-neglect side by side, making "the hours" themselves something to be faced. Wang Jiaxiang's translation is fluid and suited to immersive reading. This is a book that asks to be entered slowly; the threads switch fairly often early on, so readers may wish to follow patiently and let the three women's voices gradually overlap.

Who it's for

A good fit for

  • Readers who enjoy multi-threaded narratives and literary intertextuality
  • Literature lovers interested in Woolf and her work
  • Readers drawn to women's circumstances and self-determination
  • Novel readers willing to read slowly and accept a stream-of-consciousness style

Not a good fit for

  • Readers who prefer single-thread, plot-driven, fast-paced stories
  • Those seeking light, escapist reading
  • Readers sensitive to heavy themes such as depression and suicide

Reading tips

  1. Before reading, it helps to know the basic plot of Mrs Dalloway; the interwoven threads will be easier to recognize.
  2. Read in chapter order and note how the three women correspond within the same-day structure; don't rush to map every connection.
  3. When you reach Laura's or Clarissa's sections, pause and consider what each of them is avoiding.
  4. After finishing, return to the opening and revisit the echoes created by the "hours" structure.

About the publisher

Huashan Literature and Art Publishing House is a local literature and art publisher whose main publishing focus is literary and artistic works, covering categories such as classic works, philosophical readings, social sciences, foreign literature, Eastern philosophy, and applied psychology. Judging from the books in the database, the house publishes modern literary classics such as Xiao Hong's The Story of Hulan River, as well as Aisin Gioro Yu Yun's "Yu Laoshi Speaks" series and titles from the "People and Classics" series, including The Great Learning and The Commentary on the Xici of the I Ching, with an emphasis on interpreting traditional classics. In foreign literature, it offers Michael Cunningham's The Hours, Hemingway's The Snows of Kilimanjaro, and Dave Pilkey's Dog Man series. Its authors include Xiao Hong, Aisin Gioro Yu Yun, Chen Jiong, Dave Pilkey, Michael Cunningham, and Wang Jiaxiang. Its publishing character lies in balancing literary classics, interpretations of traditional culture, and translations of foreign literature, forming a diverse reading structure for general readers. Public information is limited, and the above focuses on the publishing directions reflected by the books in the database.

Contents

  1. 版权信息
  2. 序幕
  3. 达洛维夫人
  4. 伍尔夫夫人
  5. 布朗太太
  6. 达洛维夫人
  7. 伍尔夫夫人
  8. 布朗太太
  9. 伍尔夫夫人
  10. 达洛维夫人
  11. 布朗太太
  12. 伍尔夫夫人
  13. 达洛维夫人
  14. 布朗太太
  15. 伍尔夫夫人
  16. 达洛维夫人
  17. 伍尔夫夫人
  18. 达洛维夫人
  19. 布朗太太
  20. 达洛维夫人
  21. 布朗太太
  22. 伍尔夫夫人
  23. 布朗太太
  24. 达洛维夫人
  25. 致谢
  26. 资料来源说明

FAQ

Can I understand this book without having read Woolf's original?
Yes. The novel uses Mrs Dalloway as a thread, but the three women's stories are relatively independent, and you can follow the plot without having read the original. Knowing the original's basic setup and character relationships in advance makes it easier to see the author's structural and thematic echoes and enriches the reading experience.
Why does the book alternate between three timelines?
The three threads correspond to three women in different eras, and advancing them in alternation lets them mirror one another within the same "one day" structure. As readers move between them, they gradually see different responses to similar circumstances; this structure is itself part of how the work expresses its themes, not merely a narrative technique.
Is there a lot of depression and suicide content in the book?
Woolf's thread involves mental illness and suicidal thoughts, and Laura's and Clarissa's sections also contain feelings of suppression and escape, but the work handles these subjects with restraint rather than sensationalizing them. Readers sensitive to such themes may read with discretion or skim the relevant chapters first before deciding.

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About the author

Michael Cunningham is an author known to Chinese readers through his work in foreign literature. Public information about him is currently limited, and only one of his works is included in the collection: the novel The Hours. This work is his best-known representative title among Chinese readers and is often categorized as foreign literature. The Hours shows Cunningham's attention to depicting characters' inner worlds and his ability to create tension between everyday life and spiritual predicaments, with prose that is delicate and richly layered. The work explores themes such as time, identity, and emotion, and its structure displays a clear awareness of literary experimentation, giving it a distinctive place among contemporary foreign literary works. For Chinese readers, Cunningham remains a foreign author known through a single work, and the full scope of his writing awaits more translation and research.

王家湘 Author

Wang Jiaxiang is one of the more active translators in contemporary Chinese literary translation, though public information about her is limited and details of her life and education cannot be confirmed. Judging from the seven works held in the collection, her translation work centers on foreign literature, and she is particularly associated with introducing the Russian-American writer Vladimir Nabokov to Chinese readers. She took part in translating both volumes of the Selected Works of Nabokov and has translated Speak, Memory and Mary, among others. She has also translated The Hours, a work concerned with women's inner lives and everyday experience, and has worked on documentary literature as well. Her translations are generally delicate and fluent, attentive to preserving the tone and narrative rhythm of the original; she deals carefully with Nabokov's complex syntax and layered imagery, offering Chinese readers a reliable path into his work.

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