I Read cover

I Read

Rating 3.8
Word count
101K words
Chapters
15
Series
I Read
ISBN
9787542631299

Tags

Summary

This book grew out of the daily Phoenix Television book program Eight Minutes of Open Books, hosted by Leung Man-tao and compiled by the Phoenix Television Publishing Center. Each day the program spent eight minutes on one book, and this volume moves part of what was discussed on air onto the page: the host first reads and digests a book thoroughly, then retells it in a single talk, so it reads less like a standard book review than like a casual conversation mixed with social observation and reflections on life. The book opens with a topic like "why we need to read different kinds of books," first discussing reading itself, then unfolding book by book. It discusses How to Read a Book, on how to move from simple reading to becoming an amateur scholar; How Picture Books Work, on how to "read" a picture book; A Private Reading History, 1978–2008, Gray Books and Yellow Books, and Duku, looking sideways at how reading habits changed over thirty years through the relationship between books and people; and Casanova Was a Book Lover and 84, Charing Cross Road, telling of book lovers' obsessions and epistolary romance. The latter half turns to literary and artistic works: The Art of Craftsmanship · Lifelike and True reveals the serious side of a Hong Kong novelist, The Death of Che Guevara draws the lament "what a pity, he failed," and Wang Xiaobo's The Silent Majority, The Golden Age, and The Republic and the Philosopher King are used to ask where the essence of liberalism lies. The books involved span fiction, philosophy, essays, memoirs, psychology, and works of social thought; the author's attitude neither panders nor stirs emotions, nor rushes to judge good or bad, but places each book back in its own era and questions. For readers, the value of this book probably lies in this: it demonstrates a way of reading—books can be read like this, and in the end, reading is for understanding more tolerantly how complex the world is.

Editor's review

一本几乎没有门槛的“读书入门书”。它不要求你先读过被推荐的书,甚至可以当作一份书单来用:读完一篇文章,你就知道下一本该找什么。 梁文道的长处在于把话说清楚而不把话说满。他能把《如何阅读一本书》这样的方法论讲成实用的路径,也能从《灰皮书,黄皮书》讲到一代人的精神处境,从《读库》讲到书与人之间那种说不清的牵连。他讲书时不端着,会承认自己的偏好与保留,比如对村上的文学并不特别倾心,却对《当我谈跑步时我谈些什么》里那种坚持肃然起敬——这种坦白,比一味吹捧更有说服力。 另外值得一提的是这本书的成书方式:它由节目文稿整理而来,主讲人梁文道,执笔者是凤凰卫视出版中心,所以读来带着口语的节奏,短句多、段落短,适合碎片时间翻上几页。定价不高、篇幅不长,263页的分量刚刚好。 若你正为“书太多、时间太少、不知道读哪本”发愁,这本薄薄的集子或许能替你省下不少试错的工夫。

Who it's for

A good fit for

  • 平时想读书却不知道从哪本读起、需要一份可靠书单的人
  • 喜欢听播客式口语表达,习惯用碎片时间阅读的读者
  • 对王小波、张爱玲、木心、村上春树等作家有兴趣,想先了解再选择的人
  • 关心书评写作与公共文化评论,想学习如何把一本书讲清楚的人

Not a good fit for

  • 期待系统学术论述或文学理论深度分析的读者
  • 只想读梁文道原创长篇散文,不接受节目文稿整理成书的人
  • 希望每本书都有完整、详细内容解读而非入门式导读的读者

Reading tips

  1. 不必按顺序读,可先挑自己熟悉的作家(如王小波、村上春树)那几篇入手,再回头读代序。
  2. 读到感兴趣的推荐书目就随手记下,把它当成一份可以慢慢勾选的书单来用。
  3. 可以配套收听《开卷八分钟》或他后来的音频节目,口头表达与书面文字互相对照,体会更深。
  4. 每读完一篇,尝试自己用三句话复述这本书的问题意识,训练独立判断而非全盘接受。

About the publisher

Shanghai Joint Publishing Company China · Founded in 1986

Shanghai Joint Publishing Company focuses on humanities and social science publishing and has developed a distinctive profile in the collation and translation of classical literature and world classics. Its 258 titles in the database cover classical literature, world classics, foreign literature, literary appreciation, general biography, and modern poetry. Representative publications include the Annotated Dream of the Red Chamber by Zhiyanzhai series, as well as collected and selected works by classic authors such as Dostoevsky, Tolstoy, and Shakespeare. Its authors and translators include Cao Xueqin, Zhiyanzhai, Dostoevsky, Leo Tolstoy, Zang Zhonglun, Zeng Siyi, Xu Zhenya, and Cao Ying. The press emphasizes the annotated collation of classic texts and the publication of authoritative translations, forming a publishing profile that spans both Chinese classical literature and world literary classics. Because public information on some details of its publishing history is limited, they are not discussed here.

Contents

  1. Why We Need to Read Different Kinds of Books (Preface)
  2. The Act of Reading
  3. How to Read a Book: From Simple Reading to Amateur Scholar
  4. How Picture Books Work: Teaching You How to "Read" a Picture Book
  5. A Private Reading History, 1978–2008: Thirty Years of Changing Reading History
  6. Gray Books and Yellow Books: Forbidden Books Are Always Irresistible
  7. Duku: The Complicated Emotional Relationship Between Books and People
  8. Casanova Was a Book Lover: Writing in Prison: Another Way Out for Writers
  9. 84, Charing Cross Road: The Epistolary Romance of Book Lovers
  10. Arts in Progress
  11. The Art of Craftsmanship · Lifelike and True: When a Hong Kong Novelist Gets Serious...
  12. The Death of Che Guevara: "What a Pity, He Failed!"
  13. Wang Xiaobo I, The Silent Majority: A Mythologized Symbol Hyped Up?
  14. Wang Xiaobo II, The Golden Age: Good Erotica Does Not Hide
  15. Wang Xiaobo III, The Republic and the Philosopher King and Personal Dignity: Where Lies the Essence of Liberalism

FAQ

这本书是梁文道亲自写的吗?
不完全是他执笔。内容源自他主持的凤凰卫视读书节目《开卷八分钟》,由凤凰卫视出版中心整理编纂,梁文道主讲。所以文中有明显的口语痕迹,建议把它看作节目文稿的书面呈现。
这本书有好几个版本,该怎么选?
《我读》系列后来由湖南文艺出版社等陆续推出《我读:没有人是一座孤岛》《我读:读书,让我们不再孤单》《我读:陪你读到世界尽头》等分册,篇目与编排各有不同。上海三联书店2010年版是最早的一本,适合作为入门。
没读过书中提到的书,能看懂吗?
完全可以。作者会交代作者背景、写作缘起与核心观点,正适合当成导读。读到感兴趣的书再去读原著,反而是更有效的顺序。
这本书适合当书单使用吗?
适合,但它不是排行榜式的推荐。作者更在意一本书提出的问题,而非分数高低。用它来发现“我想继续追问什么”,比单纯收集书名更有价值。
为什么书里几乎不谈差书?
作者在书中回应过这个疑问:时间有限,与其把精力花在不值得的东西上,不如多说值得被更多人知道的事。不过他也评过《货币战争》这类畅销书,提醒读者不要只图阅读之“爽”。

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About the author

Leung Man-tao Author · Chinese (Hong Kong) · 1970

Leung Man-tao, born in Hong Kong in 1970 with ancestral roots in Shunde, Guangdong, is a Hong Kong cultural figure and media personality. He graduated from the Department of Philosophy at Chung Chi College, The Chinese University of Hong Kong. He has long worked as a writer, book reviewer and commentator on current affairs, and has hosted programmes such as *Open Book in Eight Minutes* and *One Thousand and One Nights*. His writing spans essays, cultural criticism, film and foreign literature. Eight of his works are held here, including *Common Sense*, *Wo Zhi*, the three-volume *Taste* and *Noise*, as well as talk-based writing on cinema and reading. His prose often approaches public issues and reflections on reading through everyday experience, combining an intellectual temper with plainness, and has reached a wide Chinese-language readership.

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