Saving the Master at Lake Tai cover

Saving the Master at Lake Tai

Rating 3.5
Word count
23K words
Chapters
105
ISBN
9787520507127

Tags

Summary

This volume is the Xin collection of The Dianshizhai Pictorial. The Dianshizhai Pictorial was the earliest and most influential news pictorial published in modern China. Its contents span social hot topics, court corruption, foreign invasion, and folk customs and oddities, vividly and faithfully reflecting the politics, economy, military, and social life of the time. It is a rare "grand garden" of late-21st-century Chinese society and holds value in many respects, helping us better understand the past and more deeply appreciate the hardships through which the Chinese nation has been able to stand up, grow prosperous, and become strong.

Editor's review

This volume is the Xin collection of The Dianshizhai Pictorial. Titled "Saving the Master at Lake Tai," it gathers the news illustrations of that collection, covering late Qing social life including social hot topics, local events, folk customs and oddities, and intrusions by foreign powers. Artists such as Wu Youru, Zhou Muqiao, and He Yuanjun recorded current affairs in lithographic line drawings; the captions are brief yet information-dense, combining documentary intent with moral exhortation and curiosity-seeking amusement. For today's readers, their value lies not merely in spectacle but in observing how modern Shanghai's news publishing transformed distant events into illustrated products readable by the urban public. The editor Kong Shuai's compilation lowers the barrier to consulting the original publication, making it suitable as supplementary reading for the social and cultural history of the late Qing. When reading, one should place each illustration back into the overall arrangement of the Xin collection, note the correspondence and discrepancies between image and caption, and cross-check relevant historical events, avoiding substituting pictorial narrative for rigorous historical evidence.

Who it's for

A good fit for

  • Readers interested in late Qing Shanghai print culture and urban reading
  • History teachers seeking visual historical sources for teaching
  • Lovers of short illustrated captions for casual, dip-in reading
  • Graduate students studying the history of modern news and communication

Not a good fit for

  • Readers expecting a coherent story or complete narrative
  • Specialists requiring high-precision scholarly catalogues and detailed textual criticism
  • Readers unwilling to patiently decipher late Qing classical-style captions

Reading tips

  1. Classify the illustrations simply by theme, such as disasters, cases, customs, and foreign affairs, to facilitate comparison.
  2. When encountering unfamiliar place names or events, consult concise late Qing historical materials before returning to the captions.
  3. Read alongside other volumes in the series to observe the thematic tendencies of the same pictorial across different collections.

About the publisher

China Culture and History Press China · Founded in 1980

China Culture and History Press has long devoted itself to modern and contemporary literature and culture-and-history reading matter, with publishing directions centered on classic works, social novels, prose and miscellaneous writings, and Eastern philosophy, alongside culture-and-history periodicals such as Zongheng. Among the more than 1,500 titles in the collection, representative books include Zhang Henshui's Ti Xiao Yin Yuan, Lu Xun's Complete Classic Works (10 volumes) and Wild Grass, and Lao She's Four Generations Under One Roof series and the boxed set of Lao She's Classic Works (10 volumes), while its author resources are concentrated on figures such as Zhang Henshui, Lu Xun, Lao She and Sima Qian. Its publishing character lies in solid editorial work on culture-and-history source texts and in issuing famous authors' works in sets, balancing the readability of individual texts with the systematic presentation of complete collections for focused reading and collecting. Beyond these directions, public information on the press's contemporary original publishing is limited, so it is not elaborated here.

Contents

  1. 版权信息
  2. 震及口耳
  3. 当当头
  4. 水流花谢
  5. 日人防疫
  6. 俗服僧身
  7. 荒郊遇祟
  8. 悍媳殴姑
  9. 言语不通
  10. 疯妇投河
  11. 请坐正桌
  12. 龙戏珠
  13. 戮尸述奇
  14. 杀蛙生蛙
  15. 群贼盗骨
  16. 和尚窃物
  17. 不忍出母
  18. 群马惊雷
  19. 伦常大变
  20. 非笼中物
  21. 民歌大有
  22. 轻信谣言
  23. 袒裼裸裎
  24. 好花同谢
  25. 全人骨肉
  26. 以术驱蝗
  27. 古塔自焚
  28. 舟子谋财
  29. 疯犬可畏
  30. 闹考愈横
  31. 藏身不稳
  32. 太湖救生
  33. 恶丐索钱
  34. 严办混混
  35. 点肉身灯
  36. 大闹盂兰
  37. 舍命求雨
  38. 援之以手
  39. 砥柱中流
  40. 更夫遇鬼
  41. 迹近会匪
  42. 觑破贼智
  43. 奸谋败露
  44. 假官藏私
  45. 种荷花
  46. 蛇虎相斗
  47. 狮生医死
  48. 盂兰志盛
  49. 缢鬼讨替
  50. 缉私得犬
  51. 一产三孩
  52. 鼋龟示兆
  53. 金孝女
  54. 放下屠刀
  55. 网船会
  56. 读书贼
  57. 心恙自戕
  58. 狂瞽
  59. 丰城剑晦
  60. 顶上圆光
  61. 洋油可畏
  62. 凌虐拐孩
  63. 善人有后
  64. 抚署获贼
  65. 世产派捐
  66. 巧谋避劫
  67. 煽民为恶
  68. 剃匠受罚
  69. 假官查私
  70. 毕命泥犁
  71. 状鬼
  72. 镖师发镖
  73. 风流学博
  74. 西乐迎神
  75. 从容肆窃
  76. 双毙舆中
  77. 土匪猖狂
  78. 白昼抢人
  79. 美人肇事
  80. 老蛇为祟
  81. 钦命督办钦廉防务兼办琼州客黎事宜冯
  82. 中外好会
  83. 香软红尘
  84. 获盗以智
  85. 宴会盛仪
  86. 点缀升平
  87. 美妇司舟
  88. 姻缘前定
  89. 嚼舌而死
  90. 动地惊天
  91. 有利被盗
  92. 异样亲迎
  93. 水火交作
  94. 室女还阳
  95. 槐老神冯
  96. 诚能动物
  97. 失势而死
  98. 太守兴利
  99. 开膛相验
  100. 龟嫖龟
  101. 小老虎
  102. 游乡溺毙
  103. 路过借粮
  104. 夫人能军
  105. 炮弹伤人

FAQ

What is the position of the Xin collection within The Dianshizhai Pictorial?
The Dianshizhai Pictorial was published in collections ordered by the Heavenly Stems and other sequences, and the Xin collection is one of them. This book compiles the illustrations of that collection into a volume; readers may regard it as one cross-section of the pictorial series rather than the whole.
Are the captions difficult to read?
The captions are mostly in accessible late Qing classical Chinese and are short; readers with basic classical Chinese reading ability can grasp them roughly. Individual place names, official titles, and allusions may require verification, but this does not hinder overall comprehension of the illustrations' gist.
Is it suitable as an introductory book on late Qing history?
It can serve as a supplementary introduction. The illustrations offer an intuitive impression of the era, but the pictorial's selections lean toward oddities and fragments of current affairs and lack systematic narrative. Reading it alongside general or thematic histories of the late Qing is recommended for better results.

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About the author

吴友如 Author

Wu Youru was a late Qing painter known for his current-affairs and genre pictures as well as book illustrations. Public information about his exact birth and death years and his native place is limited and awaits further verification. Judging only from the 44 works held in the collection, his subjects were quite broad: there are pieces with literati elegance and female figures, such as Immortal Companions in the Same Boat and The Famous Beauty of Green Snow, as well as A New Method of Sailing, which records modern ship technology. Mr. Liyuan and A Heroine Among Women reveal an interest in opera figures and female character, while The Crane Offers Birthday Greetings draws on traditional auspicious imagery. These picture titles are often brief phrases with a strong visual sense, and he drew readily on everyday observations and street life. Overall, his work combines a documentary, news-like quality with the accessibility of popular reading material. Under the art category it reflects several aspects of late Qing visual culture and offers reference value for understanding the social customs and print illustration styles of the period.

周慕桥 Author

Zhou Muqiao is an author about whom little public information is available; all that is currently known is that 44 works are recorded under this name, commonly classified under art. Judging from representative titles such as Mr. Liyuan, Immortal Companions in the Same Boat, New Methods of Sailing, The Famous Beauty of Green Snow, A Heroine Among Women, A Stubborn Nature, Good Things Come with Trouble, and Flying Dragon in the Sky, the subjects often involve opera figures, immortal companions boating, female characters, and stories of worldly affairs. The titles tend to carry the flavor of traditional fiction and opera, combining narrative with artistic portrayal. Since basic details such as dates of birth and death, nationality, and English name are not recorded, biographical particulars are difficult to verify, but the number and classification of the works suggest that the author was a diligent writer of popular art-related material with considerable breadth of subject and readability.

何元俊 Author

He Yuanjun is an author with 44 works recorded in the Chinese book database, commonly classified under art. His nationality, dates of birth and death, and English name are unknown, and publicly available information is limited, so a complete personal biography cannot be reconstructed; he can only be understood through his works. Representative titles such as Mr. Liyuan, The Famous Beauty of Green Snow, Immortal Companions in the Same Boat, New Methods of Sailing, A Heroine Among Women, The Immortal Crane Offers Birthday Greetings, The Tailor's Clever Satire, and A Stubborn Nature cover a range of subjects, including theatrical figures, practical skills, friendship and companionship, satire and moral instruction, and character portrayal. This suggests a broad interest in popular literature and practical knowledge writing. Overall, He Yuanjun's works stay close to everyday experience, with vivid titles and a clear flavor of folk narrative and moral exhortation, making them suitable for general readers and offering textual clues for the study of modern popular publishing and art-related reading materials.

孔帅 Author

Kong Shuai is an author about whom little public information is available; his nationality, dates of birth and death, and educational background are not clearly recorded. What can be confirmed is that the library holds two of his works, namely The Female Commander Reviewing the Troops and Rescuing the Master at Lake Tai. Both are classified under art. Judging from their titles, they carry a distinctly narrative flavor: one points to a historical or legendary scene of a female commander leading and reviewing troops, while the other centers on a tale of rescue around the Lake Tai region, suggesting the author's interest in traditional stories and legendary figures. Owing to the lack of biographical materials and the author's own account of his writing, it is difficult to judge the full range of his style or to confirm the specific genre and publication background of these works. On the basis of the available information alone, Kong Shuai's writing appears to focus on traditional subjects with strong plot elements, and may be of interest to readers who enjoy stories of historical figures and folk narrative.

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