Songwriting Treasure Book
Tags
Summary
Editor's review
Who it's for
A good fit for
- Zero-foundation enthusiasts with a strong interest in pop songwriting who don't know where to start
- Music learners with some music theory and instrument basics who hope to systematically learn songwriting structure
- Independent musicians and singer-songwriters who want to improve the professionalism and completeness of their works
- Primary and secondary school music teachers or workers in music popularization education seeking practical teaching references
Not a good fit for
- Professional composers or scholars seeking highly avant-garde, experimental music creation theory and techniques
- Readers who only want to learn the playing technique of a certain instrument and are not interested in overall songwriting
Reading tips
- It is recommended to have a simple instrument (such as a guitar or keyboard) on hand to practice while reading, promptly trying the harmony and melody examples in the book
- You can combine the classic songs analyzed in the book with audio listening on your own to deepen understanding of the theoretical points
- There is no need to finish it in one sitting; you can study and practice module by module according to creative stages (for example, lyrics first, then melody)
About the publisher
Shanghai Music Publishing House focuses on music and dance books and textbooks, with a brand identity built around piano literature and music classics. Its catalogue of about 592 titles includes categories such as film and television and theory. Representative works include the Norton series on music history by period—Twentieth-Century Music, Romantic Music, Classical Music and Baroque Music—as well as Feinberg on the Art of Piano Playing, A History of European Music and Beethoven's Symphonies: An Artistic Vision. Its contributors include authors and scholars such as Philip Downs, Leon Plantinga, Robert Morgan and Richard Hoppin, along with translators and scholars Liu Danni, Chen Hongduo, Gan Fangmeng and Liang Qing. The press emphasizes translations of Western music scholarship while also supporting Chinese-language writing on music history and theory, giving its list a core strength in period histories, style histories and performance art; public information on other areas is limited.
Contents
- 版权信息
- 简介
- 开篇 感觉与方法哪个更重要?
- 第一关 如何写好第一句
- 第一招 抓住动机
- 第二招 抓住情绪
- 第三招 抓住起音
- 第二关 如何发展第二句
- 第一招 重复发展
- 第二招 模进发展
- 第三招 引申发展
- 第四招 承递发展
- 第五招 变奏发展
- 第三关 如何写好结束句
- 第一招 收拢性结束
- 第二招 开放性结束
- 第四关 如何塑造音乐形象
- 第一招 平稳形象
- 第二招 起伏形象
- 第三招 音乐的形象和气质
- 第五关 如何摆弄节奏型
- 第一招 抓住节奏形象
- 第二招 把握强弱布局
- 第三招 做好平衡处理
- 第六关 如何写好四句乐段
- 第一招 起承转合
- 第二招 aabb
- 第三招 abab
- 第四招 abac
- 第五招 aabc
- 第六招 abcc
- 第七关 如何写好歌曲高潮
- 第一招 制造记忆点
- 第二招 推动情绪
- 第八关 如何写好一段体
- 第一招 把握篇幅
- 第二招 控制音域
- 第三招 集中素材
- 第九关 如何写好二段体
- 第一招 A段要保留
- 第二招 B段要对比
- 第三招 AB两段要统一
- 第四招 巧用“复乐段”
- 第十关 如何写好三段体
- 第一招 轻松搞定ABA
- 第二招 重点攻克ABC
- 第三招 细细玩味“小插句”
- 结语 最后请检验你的歌曲质量
FAQ
Can I understand this book without a music theory foundation?
Which music style does this book mainly target?
Does the book include specific musical examples or exercises?
Comments
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About the author
You Jingbo, born in 1979 in Ninghai, Zhejiang, is a professor at the Beijing Contemporary Music Academy and vice dean of its Pop Vocal College. He has long been engaged in research and teaching in popular music theory, and also works as a songwriter and music critic. He has published nearly 20 monographs, among which A Brief History of Western Popular Music, The History and Styles of Popular Music and A General Survey of Chinese Popular Music focus on tracing the development of popular music in China and abroad. His brief-history books are also written for general music lovers, combining the systematic quality of a textbook with an accessible tone. In addition to historical and theoretical works, he has compiled tutorials on popular rhythm training and on children's song singing and instrumental playing, reflecting a sustained interest in music education practice. He has been invited to give lectures on popular music at Peking University, the Central Conservatory of Music and other universities, and has exerted a certain influence in the field of popular music research and teaching.