The Wounded Ivy
Tags
Summary
Editor's review
Who it's for
A good fit for
- 喜欢青春文学、校园成长故事的读者,尤其是中学生和大学生
- 爱读以江南小城、弄堂生活为背景、文笔清丽的言情小说的读者
- 喜欢姐妹情、家庭亲情题材,能接受隐忍与和解情节的读者
- 希望从一本篇幅不长的处女作中,体会作者早期写作风格的读者
Not a good fit for
- 期待轻松搞笑、情节俗套逆转的轻松甜文的读者
- 对家庭矛盾、亲人伤害等情节比较敏感、容易被情绪拖拽的读者
- 偏好严密悬疑推理或强情节大叙事的读者
Reading tips
- 阅读时留意“常春藤”的反复出现,它是理解人物关系和全书主题的关键意象
- 建议在连续几天里读完,把情绪随季节与章节的推进一路跟下来,能更明显地体会到结局的分量
- 读完不妨回头重读开篇“弄堂的六月”,会发现很多伏笔在第一章已经埋好
About the publisher
Guangxi People's Publishing House is known for its social science books and themed publishing, while also covering literary appreciation, Eastern philosophy, and cultural classics. The database contains 57 titles from the press, including classic readers in the "illustrated edition" series such as A Brief History of Chinese Fiction, Renjian Cihua, Miscellaneous Discussions on Tang Poetry, Common Classical Knowledge, and Lectures on the History of Medieval Chinese Literature, as well as themed titles like Shushan You Lu: Mao Zedong's Way of Learning and Application, and social novels such as Hell Media. Its authors range from modern masters such as Lu Xun, Wang Guowei, Zhu Ziqing, Wen Yiduo, and Liu Shipei to contemporary writers such as Chen Jin and Chen Jian. Overall, the press emphasizes making classic texts accessible to general readers and publishing social science and themed readers that balance scholarship with readability. Due to limited public information, other publishing features await further supplementation.
Contents
- June in the Lanes
- The Summer of New Life
- Marks of the Years
- Smiles of Midsummer
- The Blurred Beginning
- Traces of a Journey
- Where the Past Settles
- Crossed Metaphors
- The Return of Family Love
- Seeds of Sorrow
- The Sprouting of Love
- The Beginning of Misunderstanding
- Tangled Vines of Feeling
- The Fruit of Love
- The Wounded Ivy of Parting
- So I Was Wen Xiaolei
FAQ
《伤藤》讲的是校园故事吗?
2009年版和2022年版有什么区别?
书中的核心意象是什么?
Comments
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About the author
Huang Danli is an author about whom limited public information is available, and two of her works are currently included in this collection. Judging from her representative works Qing Cheng and Food Talk Through the Four Seasons: The Finest Flavors Hidden in the Changing Seasons, her writing spans two directions: social fiction and food writing. The former, categorized as social fiction, suggests an attention to real life and human relationships; the latter uses the changing seasons as a thread to connect food with the flavors of human life, carrying a quality of everyday observation and emotional writing. Her texts tend to start from daily experience, seeking resonance among food, seasons, and the fate of characters, with subjects that are plain and close to readers. Because basic information such as dates of birth and death and nationality is not yet available, a full picture of her creative output is difficult to outline, and the existing works mainly show her sustained interest in the details of life and social reality. They are suitable for readers interested in contemporary life writing and food-themed works.