Between Mermaids cover

Between Mermaids

Rating 3.9
Word count
183 words
Chapters
8
ISBN
9787020189694

Tags

Summary

Between Mermaids is a short story collection by Zhang Tianyi following Like Snow, Like Mountains. It contains seven works—The Statue, The Red-Hooded Granny, Between Mermaids, Cinderella's Dance, Twelve Changing Mothers, Prometheus and the Eagle, and The BeanStalk—along with an afterword. The collection takes fairy-tale deconstruction as its basic method, drawing on familiar fairy tales and myths such as The Little Mermaid, Cinderella, Little Red Riding Hood, and Jack and the Beanstalk, and filling those ancient skeletons with modern emotional experience, marital and family relationships, and existential predicaments, rewriting them into a world that is both like and unlike a fairy tale. In these stories, the princess is no longer merely a weak figure waiting to be rescued but a warrior with clenched fists; the prince is no longer a hero who inevitably brings happiness but an ordinary person equally confused and hesitant; animals, statues, and even the suffering figures of myth are endowed with emotion and subjectivity. Zhang Tianyi's language is ornate, expansive, and agile, often flashing wit and humor in unexpected places, juxtaposing light fantasy with heavy reality: the blindness and cost of love, the encroachment of motherhood on women's selves, the beautified disappointment of marriage, and the hidden corners of the body and desire. The between in the title refers both to the space between the real and the illusory and to the space between song and tears, love and pain—here fairy tales are not a sweet dream of escaping reality but a magic mirror that reveals the truth of human nature.

Editor's review

《如雪如山》之后,张天翼把目光从现实生活转向童话的旧仓库,却并非为了怀旧。她像安吉拉·卡特那样拆开《灰姑娘》《小红帽》《海的女儿》这些被讲过千百遍的故事,取出其中被掩埋的部分:公主的拳头、人鱼沉默的代价、母亲的疲惫、王子的困惑。 评论家岳雯称她的故事“古怪精灵、机锋百出,犹如晶莹的碎片”,彼此折射、相互照亮;徐晨亮则认为从《辛德瑞拉之舞》到《豆茎》《白雪》,这组小说已形成一个轮廓清晰的创作序列。书中最见功力处,是那种“套层”式的结构——童话与当下经验互为镜像,读者在辨认原典的乐趣里,忽然撞见自己的处境。 语言依旧是张天翼最大的享受之一:绸缎般的铺陈、忽然的俏皮、精确到令人一凛的比喻。它不负责提供安慰,而是递来一张请柬——在钟声敲响第十二下之前,共赴这场略带凉意的舞会。

Who it's for

A good fit for

  • 喜欢《如雪如山》,愿意跟随张天翼读她新方向的读者
  • 对童话改写、神话重述感兴趣的文学爱好者
  • 关注女性写作与性别议题,但不想读说教文章的人
  • 偏爱语言华丽、结构精巧的中短篇小说的读者

Not a good fit for

  • 期待传统温情童话、想给孩子找睡前读物的家长
  • 偏好朴素写实、平铺直叙叙事的读者
  • 不喜欢密集比喻与炫技式语言的人

Reading tips

  1. 不必按顺序读,可先从与书名同题的《人鱼之间》或《辛德瑞拉之舞》入手,感受风格再回头细读。
  2. 读每篇前先回忆一遍对应童话的原版结局,与小说对照,能看出作者改动之处正是意图所在。
  3. 后记《童与真之间,幻与象之间》建议最后读,它交代了作者的方法与关切,是理解全书的一把钥匙。
  4. 一次读一两篇为宜,密集的意象与结构游戏需要留出回味空间。

About the publisher

People's Literature Publishing House China · Founded in 1951

People's Literature Publishing House publishes across classical literature, foreign literature, documentary writing and folk literature, with 492 titles in its catalogue. Representative books range from the Chinese classic Romance of the Three Kingdoms to Lao She's Teahouse and Longxu Ditch in the Selected Works of Lao She, as well as translated foreign literature such as Faulkner's The Sound and the Fury, Dante's Divine Comedy and Elena Ferrante's Neapolitan Novels, alongside documentary and fictional works including Primo Levi's If This Is a Man and João Guimarães Rosa's The Devil to Pay in the Backlands. Its authors include Chinese writers such as Lao She, translators such as Shen Emeri and Li Wenjun, and foreign authors such as James Wood. Overall, the house has a strong record in editing classic works and translating foreign literature, with a publishing character that bridges Chinese and foreign writing and values textual quality.

Contents

  1. The Statue
  2. The Red-Hooded Granny
  3. Between Mermaids
  4. Cinderella's Dance
  5. Twelve Changing Mothers
  6. Prometheus and the Eagle
  7. The BeanStalk
  8. Afterword: Between Child and Truth, Between Illusion and Image

FAQ

这本书是长篇还是短篇集?
是短篇小说集,共收入《雕像》《红外婆》《人鱼之间》《辛德瑞拉之舞》《十二个变幻的母亲》《普罗米修斯和鹰》《豆茎》七篇,另有一篇后记,约十八万字篇幅。
没读过张天翼的《如雪如山》,能直接读这本吗?
可以。《人鱼之间》是独立成篇的小说集,与《如雪如山》没有情节关联。不过两书气质差别明显:前者贴近现实,这本更偏幻想与童话重构。
适合给孩子当童话读吗?
不太适合。书中虽然借用童话人物,但处理的是婚姻、欲望、母职、死亡等成人主题,叙述方式也偏复杂,作者自己说这是“成年人心中的童话”。
书里的故事都是改编哪个童话?
可确认的取材包括《灰姑娘》(《辛德瑞拉之舞》)、《小红帽》(《红外婆》)、《海的女儿》(《人鱼之间》)、《杰克与豌豆》(《豆茎》)以及普罗米修斯神话(《普罗米修斯和鹰》);《雕像》《十二个变幻的母亲》则更多是自创的幻想框架。
为什么评分只有七点几分?
这本书评价颇分化。赞赏者认为语言与结构出色、童话改写有锋芒;也有读者觉得技巧过密、情感温度不足。建议先试读一两篇再决定是否买。

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About the author

Zhang Tianyi Author · China · 1906–1985

Zhang Tianyi (1906–1985) was a renowned modern Chinese writer and children's author. Born in Nanjing to a family with roots in Xiangxiang, Hunan, and originally named Zhang Yuanding, he entered the literary scene in 1929 with "A Three-and-a-Half-Day Dream," joined the League of Left-Wing Writers in 1931, and later served as editor-in-chief of People's Literature. His works span social fiction and fairy tales, including the novels Mr. Hua Wei and The Bao Father and Son and the tales Big Lin and Little Lin and The Secret of the Magic Gourd. His fiction is known for its satirical portrayal of social manners, vivid characters, and lively language, while his fairy tales combine rich imagination with instructive charm, leaving a lasting influence on modern Chinese children's literature. This library holds one of his works, classified as social fiction, reflecting his enduring concern with social reality.

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