The Dictionary of Lost Words
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Summary
Editor's review
Who it's for
A good fit for
- 偏爱历史小说、喜欢在真实事件里读虚构人物命运的读者
- 对语言、词典、词源和文字有天然兴趣的人
- 关注女性处境与女性意识觉醒叙事的读者
- 想读一本能慢慢读完、带点古典气息的厚重长篇的人
Not a good fit for
- 期待快节奏悬疑或密集情节反转的读者
- 不愿读长篇幅历史背景章节、只想看当代故事的读者
Reading tips
- 可先读卷后的《牛津英语词典》时间轴,把1886至1928年的编纂进程和小说时间线对照着读。
- 遇到底层的女性用词时,不妨留意它在书中的使用场景而非只看词义,这是本书叙事的核心。
- 全书六个时期跨度大、节奏偏缓,适合每天读一两个小时,而非赶进度式通读。
- 读完可延伸到作者姊妹篇《耶利哥的书籍装订工》,以及温彻斯特《教授与疯子》等词典史读物。
About the publisher
Jieli Publishing House is a publisher focusing on young people's reading, with a distinctive strength in making classical literature and classic works accessible to a broad readership. Its catalogue contains 224 titles, with common categories including classical literature, classic works, history books and science fiction. Representative books include the Chinese classics series such as Dream of the Red Chamber: An Appreciation Edition, Romance of the Three Kingdoms and Journey to the West, illustrated editions of foreign classics such as Eugénie Grandet and Around the World in Eighty Days, and history titles such as Records of the Grand Historian: An Appreciation Edition. Its authors and editors include classical writers Cao Xueqin, Gao E, Luo Guanzhong and Wu Cheng'en, editors Zhao Huaxia, Wang Yiqing and Chen Xiaohui, and foreign writers such as Balzac. The press uses appreciation and illustrated editions to lower the threshold for reading classics, serving both exam-related and extracurricular reading needs; as public information is limited, other publishing features are not discussed here.
Contents
- Prologue: February 1886
- Part One: 1887–1896
- Part Two: 1897–1901
- Part Three: 1902–1907
- Part Four: 1907–1913
- Part Five: 1914–1915
- Part Six: 1928
- Epilogue: 1989, Adelaide
- Author's Note
FAQ
这本书是真实故事吗?
没读过词典学的内容能读得懂吗?
简体中文版和繁体版有什么不同?
这本书适合送给喜欢语言的人吗?
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About the author
Pip Williams is a foreign author about whom little public information is currently available; her nationality, dates of birth and death, and educational background are not clearly documented. The database holds one work by her, The Dictionary of Lost Words, classified under foreign literature. Judging from this representative work, Williams tends to build her narratives around dictionaries, words, and language, interweaving the history behind words with human fates, which gives her writing a strong intellectual and documentary flavor. The book does not stop at linguistic research but uses the inclusion and loss of words to reflect individuals' circumstances and emotions within their times, combining scholarly rigor with literary readability. Although verifiable information remains limited, this single work already reveals the author's sensitivity to linguistic detail and her command of narrative pace, and her future writing deserves continued attention.