The Dictionary of Lost Words
Tags
Summary
Esme secretly collected these words, which she called "lost words," and even began writing down the various expressions she heard from markets, prostitutes, and maidservants. If these words were never printed in a volume, they would remain a secret forever... Based on true events, this book vividly re-creates through gorgeous prose the work of the lexicographers and the editorial details of the great dictionary, and tells a moving story hidden behind male-written history amid the tremendous changes of the nineteenth and twentieth centuries.
Editor's review
Who it's for
A good fit for
- Readers with a strong interest in linguistics, the origins of words, or the history of dictionary compilation
- Readers who prefer quiet, delicate family narratives focused on women's fates and emotional inheritance
- Readers who enjoy uncovering hidden personal stories and humanistic concern within historical settings
- Literary lovers seeking unique narrative structures and appreciate turning a concept (such as 'absence') into the core of a story
Not a good fit for
- Readers expecting fast pacing, strong plot conflict, or mystery and detective elements
- Readers more interested in the grand military and political issues of WWI than in the microcosmic life of the home front
Reading tips
- It can be treated as a 'slow book'; there is no need to pursue rapid plot advancement—it is better enjoyed in quiet hours, savoring the subtle emotions and historical texture between the lines.
- Pay attention to how the 'dictionary' as a core device evolves from a mere object into a symbol carrying memory, emotion, and intergenerational bonds.
- While reading, consider: what emotions or moments are deeply meaningful to you personally yet difficult to find perfect words for in common language?
About the publisher
Jieli Publishing House is a publisher focusing on young people's reading, with a distinctive strength in making classical literature and classic works accessible to a broad readership. Its catalogue contains 224 titles, with common categories including classical literature, classic works, history books and science fiction. Representative books include the Chinese classics series such as Dream of the Red Chamber: An Appreciation Edition, Romance of the Three Kingdoms and Journey to the West, illustrated editions of foreign classics such as Eugénie Grandet and Around the World in Eighty Days, and history titles such as Records of the Grand Historian: An Appreciation Edition. Its authors and editors include classical writers Cao Xueqin, Gao E, Luo Guanzhong and Wu Cheng'en, editors Zhao Huaxia, Wang Yiqing and Chen Xiaohui, and foreign writers such as Balzac. The press uses appreciation and illustrated editions to lower the threshold for reading classics, serving both exam-related and extracurricular reading needs; as public information is limited, other publishing features are not discussed here.
Contents
- 版权信息
- 关于作者
- 关于译者
- 序言 一八八六年二月
- 第一章 一八八七年至一八九六年
- 一八八七年五月
- 一八八八年四月
- 一八九一年四月
- 一八九三年八月
- 一八九五年九月
- 第二章 一八九七年至一九〇一年
- 一八九七年八月
- 一八九八年四月
- 一八九八年九月
- 一九〇一年八月
- 第三章 一九〇二年至一九〇七年
- 一九〇二年五月
- 一九〇六年五月
- 一九〇六年六月
- 一九〇六年十二月
- 一九〇七年三月
- 第四章 一九〇七年至一九一三年
- 一九〇七年九月
- 一九〇七年十一月
- 一九〇八年十一月
- 一九〇九年五月
- 一九一二年十二月
- 一九一三年一月
- 一九一三年五月
- 第五章 一九一四年至一九一五年
- 一九一四年八月
- 一九一五年五月
- 一九一五年七月
- 一九一五年九月
- 第六章 一九二八年
- 一九二八年十一月
- 尾声 一九八九年,阿德莱德
- 作者的话
- 《牛津英语词典》时间轴
- 小说中提到的重要历史事件时间轴
FAQ
Is this book a real dictionary, or a fictional novel?
What is the background of the author, Pip Williams? What makes this novel special?
Is the historical background heavy? Will reading it feel very oppressive?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Pip Williams is a foreign author about whom little public information is currently available; her nationality, dates of birth and death, and educational background are not clearly documented. The database holds one work by her, The Dictionary of Lost Words, classified under foreign literature. Judging from this representative work, Williams tends to build her narratives around dictionaries, words, and language, interweaving the history behind words with human fates, which gives her writing a strong intellectual and documentary flavor. The book does not stop at linguistic research but uses the inclusion and loss of words to reflect individuals' circumstances and emotions within their times, combining scholarly rigor with literary readability. Although verifiable information remains limited, this single work already reveals the author's sensitivity to linguistic detail and her command of narrative pace, and her future writing deserves continued attention.
Wen Ruoting is a freelance translator and proofreader who graduated from the Department of Chinese at National Taiwan Normal University and previously worked as an editor at a publishing house. She specializes in translating novels of various genres. Public information about her is limited, and her English name, nationality, and dates of birth and death are not known. Four related works are included in the collection, namely The Dictionary of Lost Words, Trap, Swindle, and the three-volume Steve Cavanagh courtroom thriller series by a Gold Dagger Award winner. Her translations include The Confession, The Song of the Innkeeper, Once Upon a Time by the River, The Dictionary of Lost Words, and the Steve Cavanagh courtroom thriller series. Her work spans foreign literature and suspense and mystery fiction, covering both literary texts with delicate language and emotion and tightly paced, intricately plotted courtroom thrillers, serving as a bridge for Chinese-language readers of foreign works.