Bu San
Tags
Summary
Editor's review
Who it's for
A good fit for
- 喜欢短诗、格言体与三行诗形式的读者
- 冯唐作品的长期读者，想看他最凝练的写作
- 碎片时间阅读，想随手翻几页就获得触动的人
- 喜欢留白排版、轻巧精装小开本的书籍爱好者
Not a good fit for
- 期待完整叙事、长篇故事或人物弧光的读者
- 不喜欢直白、带点荤腥和机锋文字风格的读者
- 认为“字太少、留白太多”不值得一读的实用型读者
Reading tips
- 把它当床头书，每次读十到二十首，读完合上，让那三句在心里留一会儿再看下一首。
- 读到喜欢的短歌随手折角或记下编号，一个月后重读，常会发现当初没看懂的那几句忽然通了。
- 不必按顺序从头到尾读，随机翻页反而更容易撞上与自己当下心境对得上的句子。
- 可与《冯唐诗百首》对读，体会他在百字长诗与三句短歌之间如何切换呼吸与力度。
About the publisher
People's Literature Publishing House publishes across classical literature, foreign literature, documentary writing and folk literature, with 492 titles in its catalogue. Representative books range from the Chinese classic Romance of the Three Kingdoms to Lao She's Teahouse and Longxu Ditch in the Selected Works of Lao She, as well as translated foreign literature such as Faulkner's The Sound and the Fury, Dante's Divine Comedy and Elena Ferrante's Neapolitan Novels, alongside documentary and fictional works including Primo Levi's If This Is a Man and João Guimarães Rosa's The Devil to Pay in the Backlands. Its authors include Chinese writers such as Lao She, translators such as Shen Emeri and Li Wenjun, and foreign authors such as James Wood. Overall, the house has a strong record in editing classic works and translating foreign literature, with a publishing character that bridges Chinese and foreign writing and values textual quality.
FAQ
《不三》是小说还是诗集？
为什么叫“不三”？
这本书适合一口气读完吗？
为什么书里空白那么多？
Comments
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About the author
Feng Tang, whose real name is Zhang Haipeng, was born in Beijing in 1971 and is a contemporary Chinese writer and poet. He holds an MD from Peking Union Medical College and later earned an MBA from Emory University in the United States; he has also held management positions at McKinsey and China Resources Medical, an experience that gives his writing both rational reflection and worldly observation. His work spans social fiction, modern poetry, essays, and management titles, with 23 works included in the collection. His representative Beijing Trilogy—Everything Grows, Beijing, Beijing, and Give Me a Girl at Eighteen—is largely set in Beijing and explores youth, desire, and urban life. Essay collections such as Growing Old as I Live, As a Flower I Have Never Lost, and Let's Meet Once display a candid, quick-witted, and slightly teasing style. He has also written management-related works such as Getting Things Done, blending practical insight into his prose.
