Tags
Summary
Editor's review
Who it's for
A good fit for
- 喜欢冯唐,想读他最早、也最“纯情”那部作品的读者。
- 对1980年代校园生活、青春成长题材感兴趣的人。
- 偏爱心理描写和意识流式叙事的文学读者。
- 正在写作、想看看一位作家起点是什么样子的读者。
Not a good fit for
- 习惯强情节、快节奏故事的读者可能觉得本书松散。
- 希望读到成熟期冯唐那类浓烈笔法和张扬语感的读者。
- 对大量少年心理独白和絮语式段落缺乏耐心的读者。
Reading tips
- 把情节期待放低,顺着秋水的心思慢慢走,读者就会逐渐进入他的节奏。
- 可以对照读《万物生长》或《十八岁给我一个姑娘》,看冯唐前后笔法的差别。
- 留意书中夹杂的哲学注解和自我辩白,那是十七岁作者最坦白的地方。
- 一次不必读太多,每天两三章,像翻旧日记一样读,更有味道。
About the publisher
Zhejiang Literature and Art Publishing House is a Chinese publisher specializing in literary publishing. Judging from the 808 titles in the database, its publishing areas cover world classics, foreign literature, social novels, folk literature and classic works, as well as modern and contemporary literature and prose. Representative titles include foreign literary translations such as Anna Karenina, The Temple of the Golden Pavilion, In Praise of Shadows and The Complete Tragedies and Comedies of Shakespeare, alongside classic works by Lao She and Lu Xun such as Camel Xiangzi, Teahouse and Wandering. Its authors and translators include Leo Tolstoy, Cao Ying, Lao She, Yukio Mishima, Jun'ichirō Tanizaki and Zhu Shenghao. The press emphasizes the translation and introduction of classic texts and the compilation of native literary works, giving equal weight to Chinese and foreign literature. Owing to limited public information, its specific series and editorial policies are not elaborated here.
FAQ
《欢喜》是冯唐什么时候写的?
这本书和其他冯唐小说有什么不同?
没读过冯唐,能直接从《欢喜》开始吗?
《欢喜》有多个版本,该选哪一版?
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About the author
Feng Tang, whose real name is Zhang Haipeng, was born in Beijing in 1971 and is a contemporary Chinese writer and poet. He holds an MD from Peking Union Medical College and later earned an MBA from Emory University in the United States; he has also held management positions at McKinsey and China Resources Medical, an experience that gives his writing both rational reflection and worldly observation. His work spans social fiction, modern poetry, essays, and management titles, with 23 works included in the collection. His representative Beijing Trilogy—Everything Grows, Beijing, Beijing, and Give Me a Girl at Eighteen—is largely set in Beijing and explores youth, desire, and urban life. Essay collections such as Growing Old as I Live, As a Flower I Have Never Lost, and Let's Meet Once display a candid, quick-witted, and slightly teasing style. He has also written management-related works such as Getting Things Done, blending practical insight into his prose.