Joy cover

Joy

Rating 3.9
ISBN
9787533948689

Tags

Summary

Joy is the first novel by the writer Feng Tang, written when he was seventeen. The manuscript was written on more than three hundred sheets of pale green paper, with the date of composition marked at the end; years later the author came across the old manuscript by chance, hesitated for a long time, and finally decided to publish it without changing a single word, presenting it to readers as the starting point of his writing career. The novel is set in a high school campus in the late 1980s, and its protagonist is Qiu Shui, a boy who loves reading. He is sensitive, clever, and also has the perversity and rebellion peculiar to that age: he discusses martial arts novels with classmates, argues about poetry, talks about ideals, and also lets his mind wander over a strand of long hair on the girl in the seat ahead or a string of drool from the math teacher as he lectures. The main thread of the story follows Qiu Shui's secret love for the girl Meng Xun: the figure silently following her on the way home, the casual probings, the kiss he summons the courage for under a streetlight and the slap that follows—all are savored again and again with almost stubborn meticulousness. Unlike the intense prose of Feng Tang's later Everything Grows and Beijing, Beijing, Joy is extremely simple in narrative, with psychological description taking up the great majority of the text; the leaping stream of consciousness, the sentences of three long and one short, the self-commentaries that keep slipping out, make the whole book read more like a poem written with youthful feeling than a traditional story with a tight arc. In the author's own assessment, this old work "is more like a novel in the traditional sense than what I write now," and its depiction of youth is "delicate and brash," something he could no longer write today. The book is divided into chapters such as "Winter" and "Spring"; it reads plainly and truly, ending with a touch of inexplicable melancholy: that era without fame or fortune, those fleeting stirrings—perhaps these are the true joy.

Editor's review

很多人先认识的是写《万物生长》《北京,北京》的冯唐,而这本《欢喜》是他十七岁时的处女作,也是理解他全部写作的起点。它最大的价值不在于技巧,而在于真实:一个1980年代末的高中男生,怎样读书、议论、胡思乱想,怎样在喜欢一个女孩时把自己折腾得心慌意乱。 值得称道的是作者的态度:原稿一字未改,包括那些“装得厉害”的部分。冯唐自己说,尽管装,但百分之百真实,尤其是那种装的样子。这种保留使它成为一份难得的青春标本,没有后来作品里那种成年人的世故和炫技。 读法上要有心理准备:本书叙事极简,心理描写极多,意识流跳跃,几乎不靠情节推动,喜欢快节奏故事的人可能会觉得散。但若你愿意放慢速度,把它当成一个少年在耳边絮絮地说心事,那些笨拙的自我辩白、突然的哲学注解、对女孩腰身和颈项近乎贪婪的注视,都会显出可爱来。冯唐曾说它是一部“阴柔纯情版”的青春自画像,适合放在床头慢慢翻,也适合与自己的十七岁对照着读。

Who it's for

A good fit for

  • 喜欢冯唐,想读他最早、也最“纯情”那部作品的读者。
  • 对1980年代校园生活、青春成长题材感兴趣的人。
  • 偏爱心理描写和意识流式叙事的文学读者。
  • 正在写作、想看看一位作家起点是什么样子的读者。

Not a good fit for

  • 习惯强情节、快节奏故事的读者可能觉得本书松散。
  • 希望读到成熟期冯唐那类浓烈笔法和张扬语感的读者。
  • 对大量少年心理独白和絮语式段落缺乏耐心的读者。

Reading tips

  1. 把情节期待放低,顺着秋水的心思慢慢走,读者就会逐渐进入他的节奏。
  2. 可以对照读《万物生长》或《十八岁给我一个姑娘》,看冯唐前后笔法的差别。
  3. 留意书中夹杂的哲学注解和自我辩白,那是十七岁作者最坦白的地方。
  4. 一次不必读太多,每天两三章,像翻旧日记一样读,更有味道。

About the publisher

Zhejiang Literature and Art Publishing House is a Chinese publisher specializing in literary publishing. Judging from the 808 titles in the database, its publishing areas cover world classics, foreign literature, social novels, folk literature and classic works, as well as modern and contemporary literature and prose. Representative titles include foreign literary translations such as Anna Karenina, The Temple of the Golden Pavilion, In Praise of Shadows and The Complete Tragedies and Comedies of Shakespeare, alongside classic works by Lao She and Lu Xun such as Camel Xiangzi, Teahouse and Wandering. Its authors and translators include Leo Tolstoy, Cao Ying, Lao She, Yukio Mishima, Jun'ichirō Tanizaki and Zhu Shenghao. The press emphasizes the translation and introduction of classic texts and the compilation of native literary works, giving equal weight to Chinese and foreign literature. Owing to limited public information, its specific series and editorial policies are not elaborated here.

FAQ

《欢喜》是冯唐什么时候写的?
《欢喜》是冯唐十七岁时的处女作,原稿用蓝黑钢笔写在三百多页浅绿稿纸上,末尾标注的创作日期为1989年9月(亦有资料记为1987年前后动笔)。多年后他翻出旧稿,最终决定一字不改地出版。
这本书和其他冯唐小说有什么不同?
与《万物生长》《北京,北京》的浓烈张扬相比,《欢喜》叙事极简,心理描写占据绝大部分篇幅,几乎没有传统意义上的戏剧冲突,更像一篇青春长诗。冯唐自己也说它“比现在的东西更像传统意义上的小说”。
没读过冯唐,能直接从《欢喜》开始吗?
可以,但需要调整预期。它是作者最早的作品,笔法稚嫩而真诚,情节推动弱。如果你想先感受冯唐成熟期的文字,可从《万物生长》入手;想看他出发时的样子,则从这本读起。
《欢喜》有多个版本,该选哪一版?
此书先后由万卷出版公司、天津人民出版社、浙江文艺出版社等出版,并有2017年精装升级版(ISBN 9787533948689,含作者新序)和2020年北京联合出版公司版本。各版正文基本一致,可按装帧和序言偏好选择,购买时注意核对ISBN。

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About the author

Feng Tang Author · Chinese · 1971

Feng Tang, whose real name is Zhang Haipeng, was born in Beijing in 1971 and is a contemporary Chinese writer and poet. He holds an MD from Peking Union Medical College and later earned an MBA from Emory University in the United States; he has also held management positions at McKinsey and China Resources Medical, an experience that gives his writing both rational reflection and worldly observation. His work spans social fiction, modern poetry, essays, and management titles, with 23 works included in the collection. His representative Beijing Trilogy—Everything Grows, Beijing, Beijing, and Give Me a Girl at Eighteen—is largely set in Beijing and explores youth, desire, and urban life. Essay collections such as Growing Old as I Live, As a Flower I Have Never Lost, and Let's Meet Once display a candid, quick-witted, and slightly teasing style. He has also written management-related works such as Getting Things Done, blending practical insight into his prose.

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