Record of a Ten-Thousand-Li Journey cover

Record of a Ten-Thousand-Li Journey

Rating 3.8
Word count
193K words
Chapters
82
ISBN
9787520536134

Tags

Summary

This book chiefly records what its author, Cao Juren, saw and heard on his travels across China. Erudite and wide-ranging, Cao was especially versed in classical literature and history. Unlike ordinary travelogues that skim the surface and speak in generalities, this one offers a comprehensive sweep of the history, customs and anecdotes, notable figures and their lore, and poetry and documents of famous cultural cities, historic towns, and the mountains and rivers of his homeland. Moving freely between past and present, the writing is rich and full. Its accounts of cities in the southeast—Shanghai, Nanjing, Yangzhou, Suzhou, and Hangzhou among them—are especially fine. Readers of this book will not only broaden their knowledge but also feel in every line the author's deep affection for his native place and for the splendid landscapes of his country.

Editor's review

Cao Juren's Wanli Xingji is not a check-in style travelogue, but a fusion of geographical travel and cultural memory. The author is well versed in classical literature and history. Whenever he arrives at a place, he does not merely describe the scenery before his eyes; he traces the historical evolution, customs and anecdotes, figures and anecdotes, and poetry and documents of famous cities and important towns, his writing spanning past and present and reading with great fluency. The book's accounts of southeastern cities such as Shanghai, Nanjing, Yangzhou, Suzhou, and Hangzhou are especially brilliant, dense with anecdotes and filled with attachment to his native land. For today's readers, the value of this book lies in offering a way of traveling "with learning in hand": mountains and rivers are not merely scenery, but layered cultural deposits. It is suitable for reading before and after travel, and also as a window into how modern literati viewed China's urban landscapes. Note that it is not a guidebook-style travelogue; its pace is slow and its information density high, making it suitable for readers willing to read closely.

Who it's for

A good fit for

  • Readers who like humanities and history and hope to understand a city's heritage through travel
  • Readers interested in the historical anecdotes and local features of Jiangnan cities
  • Readers who prefer slow-paced, information-dense essay-style travelogues
  • Readers who want to understand the travel writing style of modern literati

Not a good fit for

  • Readers looking for practical travel guides on transportation, accommodation, and food
  • Readers who prefer light, short pieces and immediate reading experiences
  • Readers who lack patience for historical allusions and documentary references

Reading tips

  1. First read the chapters on Shanghai, Nanjing, Yangzhou, Suzhou, and Hangzhou, then expand to other regions according to interest.
  2. For each place you read about, you can use a map or a brief local history for reference to help build connections between space and history.
  3. When encountering references to poetry and documents, there is no need to verify each one; first grasp the author's sentiment and judgments, then go back and examine them in detail.
  4. It is suitable for reading one or two pieces a day as slow reading before bed or during travel; it is not advisable to read it all at once.

About the publisher

China Culture and History Press China · Founded in 1980

China Culture and History Press has long devoted itself to modern and contemporary literature and culture-and-history reading matter, with publishing directions centered on classic works, social novels, prose and miscellaneous writings, and Eastern philosophy, alongside culture-and-history periodicals such as Zongheng. Among the more than 1,500 titles in the collection, representative books include Zhang Henshui's Ti Xiao Yin Yuan, Lu Xun's Complete Classic Works (10 volumes) and Wild Grass, and Lao She's Four Generations Under One Roof series and the boxed set of Lao She's Classic Works (10 volumes), while its author resources are concentrated on figures such as Zhang Henshui, Lu Xun, Lao She and Sima Qian. Its publishing character lies in solid editorial work on culture-and-history source texts and in issuing famous authors' works in sets, balancing the readability of individual texts with the systematic presentation of complete collections for focused reading and collecting. Beyond these directions, public information on the press's contemporary original publishing is limited, so it is not elaborated here.

Contents

  1. 版权信息
  2. 作者简介
  3. 前记
  4. 前词
  5. 瓢语
  6. 中年
  7. 不知老之将至
  8. 死生
  9. 巧遇
  10. 命、相
  11. 卷一 行万里路
  12. 行
  13. 车
  14. 舟
  15. 发思古之幽情
  16. 史与地的交织
  17. 军事地理
  18. 饭店——客栈
  19. 客中岁暮
  20. 卷二 上海一角
  21. 爱俪园之忆
  22. 傅雷、大世界
  23. 豫园、城隍庙
  24. 四行仓库、八字桥
  25. 上海杂拾
  26. 卷三 东南
  27. 吴侬软语说苏州
  28. 《浮生六记》掇拾
  29. 鸳鸯湖——嘉兴南湖
  30. 海宁陈家
  31. 秦淮河上
  32. 金陵春梦
  33. 秣陵春
  34. 南京余话
  35. 说扬州
  36. 广陵对
  37. 闲话扬州
  38. 卷四 湖上
  39. 湖上杂忆
  40. 钱塘苏小是乡亲
  41. 孤山一角
  42. 西泠印社
  43. 涌金门外
  44. 月下老人祠
  45. 杭州一角
  46. 西湖杂话
  47. 卷五 浙东
  48. 山阴道上
  49. 鉴湖、绍兴老酒
  50. 绍兴师爷
  51. 绍兴杂拾
  52. 溪口、雪窦寺
  53. 富春江上
  54. 新安江的黎明
  55. 屯溪风月
  56. 达夫诗词中之浙江山水人物
  57. 卷六 金华
  58. 金华杂话
  59. 金华二三事
  60. 兰溪——李笠翁的家乡
  61. 卷七 赣闽
  62. 鄱阳湖的画面
  63. 风雨说鹅湖
  64. 陆羽茶山寺
  65. 桃花源
  66. 封禁山
  67. 三访牡丹亭
  68. 赣南杂话
  69. 卷八 华中
  70. 黄鹤楼
  71. 芳草萋萋鹦鹉洲
  72. 人道是周郎赤壁
  73. 红豆生南国
  74. 卷九 北行
  75. “南”与“北”
  76. 梁山泊
  77. 洛阳小住
  78. 洪洞县
  79. 卷十 北疆
  80. 长城、天下第一关
  81. 万里长城万里长
  82. 宁古塔、尚阳堡

FAQ

How is this book different from ordinary travel guides?
It does not focus on practical information such as transportation, accommodation, and food. Instead, it uses historical evolution, customs and anecdotes, figures and anecdotes, and poetry and documents as threads to write about the author's cultural observations while traveling in China. What readers gain is an understanding of the city's heritage, not itinerary arrangements.
Can I understand it without a history background?
You can read it, but you need a little patience. The author is broadly learned, and the text often cites allusions and documents, which may feel somewhat difficult without background. It is recommended to start with chapters on cities you are familiar with, using maps and simple local history materials for reference; the reading threshold will be noticeably lowered.
Which cities are written about most brilliantly in the book?
According to the source materials, the introductions to cities in the southeastern corner such as Shanghai, Nanjing, Yangzhou, Suzhou, and Hangzhou are especially brilliant. If you want to first experience the book's style, you can start with these chapters and then expand to other regions.
Is it suitable as preparatory reading before travel?
Yes, but its positioning is cultural background reading rather than a guide. Reading the corresponding city chapters before a trip can help you understand the local historical context and cultural anecdotes; specific itinerary arrangements still require a separate practical guide.

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About the author

Cao Juren Author · Chinese · 1900–1972

Cao Juren (1900–1972) was a modern Chinese writer, scholar and journalist from Lanxi, Zhejiang. He taught at Shanghai University, Jinan University and Fudan University, and edited journals such as Taosheng and Mangzhong. During the War of Resistance Against Japan he served as a war correspondent for the Central News Agency, reporting on the battles of Shanghai and Taierzhuang. In 1950 he moved to Hong Kong, where he devoted himself to the cause of national reunification. His writings span journalism, scholarship and essays, and include A Critical Biography of Lu Xun, Fifty Years in the Literary World and A Record of Ten Thousand Miles. Seven of his works are held here, covering biography, literary appreciation and essays on literature and history. His plain, readable style combines historical sources with personal experience, making his work on Lu Xun and his recollections of the modern literary scene especially valuable for reference.

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