The Beaux-Stratagem
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers studying the history of English drama and Restoration literature
- Enthusiasts who want to understand the tradition of the English comedy of manners
- Those who need the original English play text for research or rehearsal reference
Not a good fit for
- Readers who only want a light Chinese story and are unfamiliar with play form
- Beginners with limited English reading experience who need detailed annotations
Reading tips
- Read the list of characters and scene descriptions first, and clarify the main relationships before entering the dialogue.
- Read act by act and scene by scene, and after each act summarize how the conflicts and misunderstandings change.
- Do not get bogged down in archaic spellings; first follow the logic of the dialogue and the jokes.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
George Farquhar (1677?–1707) was an Irish playwright, born in Derry and died in London, and one of the representative writers of Restoration comedy. Five of his works are held in the collection, including his best-known plays The Constant Couple, The Recruiting Officer and his final work The Beaux' Stratagem, as well as the comedy The Inconstant. His plays mostly deal with love, marriage and social manners; their plots are brisk, their dialogue witty and their characters vivid and lifelike, and they were well received on the London stage of his day. Working within the tradition of Restoration comedy, Farquhar both inherited its ironic and witty treatment of social manners and helped move comedy toward a more sentimental style, giving him a transitional place in the history of English drama from the late seventeenth to the early eighteenth century. Public information on the details of his life is limited, and scholarship has focused mainly on the plays mentioned above.