Tempest and Sunshine cover

Tempest and Sunshine

Rating 2.8
Word count
573K words
Chapters
58

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Tempest and Sunshine by Mary Jane HolmesAuthor: Holmes, Mary Jane, 1825-1907,Language: English, Class: PS: Language and Literatures: American and Canadian literature, Release Date: Dec 12, 2005

Editor's review

Tempest and Sunshine is one of the representative works of Mary Jane Holmes, a popular nineteenth-century American novelist. The title itself sets out the book's emotional structure: two temperaments and two destinies set against each other within the same family and courtship relationships. Holmes excels at using everyday family life as her stage, turning differences in character into the engine of plot, so that readers see the consequences of her characters' choices within gentle moral exhortation. The book's value lies in how typically it presents the narrative interests of popular women's fiction of its time—attention to emotional ethics, sharply defined character types, and endings with a clear moral direction. For readers studying nineteenth-century American popular reading tastes, it is a direct sample of the emotional expectations of the "domestic novel" audience. Its strengths are dialogue-driven plot and clear scene transitions, with a low barrier to entry. It suits as supplementary reading for a unit on popular fiction in an English literary history course, and for readers who want to observe old-fashioned views of courtship and marriage within an easy narrative. A caution: the contrast between good and bad characters is quite blunt, and modern readers may find the preaching heavy and the plot predictable; it is best approached with an eye to literary history and cultural observation.

Who it's for

A good fit for

  • Readers studying nineteenth-century American popular fiction and domestic narrative
  • English learners who enjoy stories of contrasting temperaments and courtship ethics
  • Literature enthusiasts who want to understand the reading tastes of old-fashioned women's fiction
  • Students who need a moderately difficult English original as course supplementary reading

Not a good fit for

  • Readers seeking complex narrative structures and narrative experimentation
  • Readers put off by moralizing preaching and typed characters
  • Readers hoping to see contemporary expressions of gender ideas

Reading tips

  1. First sort out the contrast between the two central characters' temperaments, then read the plot; you will see the author's narrative intent more quickly.
  2. After each section, record the consequences of the characters' choices to grasp the ethical logic of popular fiction.
  3. Read the preaching passages as period material, not as the author's judgment on the present.
  4. Read alongside other domestic novels of the same period to compare common patterns in character types and endings.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38
  39. 39
  40. 40
  41. 41
  42. 42
  43. 43
  44. 44
  45. 45
  46. 46
  47. 47
  48. 48
  49. 49
  50. 50
  51. 51
  52. 52
  53. 53
  54. 54
  55. 55
  56. 56
  57. 57
  58. 58

FAQ

What does the book's title mean?
The title sets "tempest" against "sunshine" to contrast two temperaments and two courses of life, pointing to the emotional upheavals and final reconciliation brought about by differences in character—a symbolic naming common in nineteenth-century popular fiction, not to be read literally as a description of natural phenomena.
Is it suitable for English beginners?
It is closer to intermediate difficulty. Sentence structures are not complex, but the book is long, has many character relationships, and contains period vocabulary and moral discussion. Beginners can start with an abridged edition or selected chapters before moving to the original, to avoid stopping because of the slow pace.
Do I need to know nineteenth-century American history to read this book?
Not systematically, but knowing that domestic novels of the time were aimed mainly at women readers and valued courtship ethics and moral instruction makes it easier to understand why the characters choose as they do and why the narrator comments so often. Lacking this background does not prevent understanding the story itself.

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About the author

Mary Jane Holmes (1825–1907) was a popular nineteenth-century American novelist who found a wide readership in her day. Public information about her early life and education is limited, but her output was considerable: this site holds twenty-one of her works, which suggests how active she was in the book market and among readers of her time. Her representative novels include The English Orphans, ‘Lena Rivers, Bad Hugh, Family Pride, Cousin Maude, Maggie Miller, Gretchen, and Tempest and Sunshine. These stories are mostly drawn from domestic life and emotional entanglements, often turning on orphaned origins, family ties, pride and suffering, secrets and reconciliation. Their plots are eventful, their tone gentle, and their sensibility plainly sentimental and moralizing. Written for a broad popular audience and especially welcomed by women readers, her novels offer a useful window onto the character of nineteenth-century American popular fiction.

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