Bad Hugh
Tags
Summary
Editor's review
Who it's for
A good fit for
- Literary scholars studying nineteenth-century American popular fiction and domestic narrative
- English learners wanting to sample old reading tastes through public-domain English originals
- Readers of literature and history interested in women writers and popular publishing history
Not a good fit for
- Contemporary genre-fiction readers expecting modern pacing and strong plot twists
- Readers who need a Chinese translation or annotations to read the English original smoothly
Reading tips
- Read a chapter or two to get a feel for the narrative tone before deciding whether to read it all, avoiding judging it by contemporary standards.
- Read alongside background material on nineteenth-century American domestic fiction to understand its moral narrative framework.
- As an English original, mark unfamiliar expressions first and look them up after finishing a chapter.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Mary Jane Holmes (1825–1907) was a popular nineteenth-century American novelist who found a wide readership in her day. Public information about her early life and education is limited, but her output was considerable: this site holds twenty-one of her works, which suggests how active she was in the book market and among readers of her time. Her representative novels include The English Orphans, ‘Lena Rivers, Bad Hugh, Family Pride, Cousin Maude, Maggie Miller, Gretchen, and Tempest and Sunshine. These stories are mostly drawn from domestic life and emotional entanglements, often turning on orphaned origins, family ties, pride and suffering, secrets and reconciliation. Their plots are eventful, their tone gentle, and their sensibility plainly sentimental and moralizing. Written for a broad popular audience and especially welcomed by women readers, her novels offer a useful window onto the character of nineteenth-century American popular fiction.
