Philip Gilbert Hamerton cover

Philip Gilbert Hamerton

Rating 3.3
Word count
1.2M words
Chapters
120

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Philip Gilbert Hamerton by Eugénie Hamerton and Philip Gilbert HamertonAuthor: Hamerton, Philip Gilbert, 1834-1894,Language: English, Class: N: Fine Arts, Release Date: Jul 1, 2005

Editor's review

This book is a biographical document about Philip Gilbert Hamerton, a nineteenth-century British artist and writer, formed from materials by his wife Eugénie Hamerton together with his own writings, and is a public-domain ebook in the Fine Arts class (N). Its value lies not in offering a systematic art-historical treatise, but in presenting, from an intimate perspective, the life trajectory, creative environment, and social circle of a Victorian man of letters and painter; it is therefore useful for studying the British art world, literati life, and biographical writing conventions of the period. The book carries strong period vocabulary and an epistolary flavor, and readers can sense the nineteenth-century intellectual's delicate attention to nature, art, and everyday taste. It is suitable as supplementary material for art history, biographical research, or nineteenth-century British cultural studies, and also for readers interested in public-domain ebook resources. Because it is an early digitized text from Project Gutenberg, the layout is mainly plain text without modern annotation or introduction; readers should approach it with a documentary awareness, as primary material rather than a popular biography.

Who it's for

A good fit for

  • Students and scholars studying nineteenth-century British art and literary culture
  • General readers interested in Victorian biography
  • Researchers needing public-domain English documents for textual analysis
  • Readers who enjoy letters, memoirs, and other primary materials

Not a good fit for

  • Readers seeking systematic art theory or technical tutorials
  • Beginners who prefer modern plain-language narration and full annotation
  • Readers who struggle with English and need a Chinese translation

Reading tips

  1. Read the table of contents and chapter titles first, tracing the chronology of the subject's life before entering the main text.
  2. Take notes on nineteenth-century proper nouns and names as you go, for easy cross-reference.
  3. Read alongside a general history of British art of the same period to compensate for the lack of annotation.
  4. Proceed at a pace of one or two chapters a day to avoid fatigue from the archaic style.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38
  39. 39
  40. 40
  41. 41
  42. 42
  43. 43
  44. 44
  45. 45
  46. 46
  47. 47
  48. 48
  49. 49
  50. 50
  51. 51
  52. 52
  53. 53
  54. 54
  55. 55
  56. 56
  57. 57
  58. 58
  59. 59
  60. 60
  61. 61
  62. 62
  63. 63
  64. 64
  65. 65
  66. 66
  67. 67
  68. 68
  69. 69
  70. 70
  71. 71
  72. 72
  73. 73
  74. 74
  75. 75
  76. 76
  77. 77
  78. 78
  79. 79
  80. 80
  81. 81
  82. 82
  83. 83
  84. 84
  85. 85
  86. 86
  87. 87
  88. 88
  89. 89
  90. 90
  91. 91
  92. 92
  93. 93
  94. 94
  95. 95
  96. 96
  97. 97
  98. 98
  99. 99
  100. 100
  101. 101
  102. 102
  103. 103
  104. 104
  105. 105
  106. 106
  107. 107
  108. 108
  109. 109
  110. 110
  111. 111
  112. 112
  113. 113
  114. 114
  115. 115
  116. 116
  117. 117
  118. 118
  119. 119
  120. 120

FAQ

Is this book an autobiography written by Hamerton himself?
Not exactly. The materials show that the book is co-credited to Eugénie Hamerton and Philip Gilbert Hamerton and is a biographical document based on the subject's own writings rather than a strict autobiography; note the shifts in authorial perspective as you read.
Under which subject classification does this book fall?
Project Gutenberg classifies it under N, Fine Arts. Its content centers on Hamerton's artistic and literary career, making it closer to a document on an art figure than to a treatise on art theory.
Why does the electronic edition lack modern annotation?
The book is an early Project Gutenberg digitization of a public-domain text, aimed at faithfully reproducing the original words and generally without modern editor's notes, introduction, or chronology. Readers need to supply background information themselves or use it alongside relevant research literature.
Can someone with average English read it?
The text is in nineteenth-century English, with long sentences and period vocabulary, posing a certain barrier for non-native readers. If your English reading is not yet proficient, it is advisable to first learn an outline of the subject's life or to read with the aid of Chinese introductory bibliographies.

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About the author

Philip Gilbert Hamerton Author · English · 1834–1894

Philip Gilbert Hamerton (1834–1894) was a British artist, art critic and writer, born near Oldham in Lancashire and died in France. He began as a painter before turning to art criticism, founded and edited the art journal The Portfolio, and wrote works including Etching and Etchers and The Intellectual Life, helping to advance the revival of etching in Britain. His writings span art criticism and discursive essays and also touch on human intercourse and regional life, as in Human Intercourse and Wenderholme: A Story of Lancashire and Yorkshire. The library holds four of his works; common classification information is currently unavailable, and public sources are limited, so biographical details are omitted here.

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