Human Intercourse
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy nineteenth-century English essays and aphoristic argument
- Readers interested in the ethics of human interaction and social tact
- Mature readers who wish to read slowly and reflect on everyday getting along
- Students and enthusiasts studying the tradition of etiquette and ethical essays
Not a good fit for
- Readers who want an immediately usable handbook of communication scripts and techniques
- Readers who prefer plot-driven narrative or light reading
- Readers who expect conclusions from modern empirical psychology
Reading tips
- Read slowly chapter by chapter, and after each chapter summarize in your own words the author's judgment on tact in interaction.
- Keep a pen at hand and mark passages that resonate with contemporary social experience for comparison.
- Read alternately with modern works on interpersonal communication to compare differences of era and enduring questions.
- There is no need to finish it in one go; it suits bedside or commute reading as an essay collection.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
- 41
- 42
- 43
- 44
- 45
- 46
- 47
- 48
- 49
- 50
- 51
- 52
- 53
- 54
- 55
- 56
- 57
- 58
- 59
- 60
- 61
- 62
- 63
- 64
- 65
- 66
- 67
- 68
- 69
- 70
- 71
- 72
- 73
- 74
FAQ
Is this book mainly about social techniques?
Does it have practical use for modern readers?
Who is the author Hamerton, and do I need to know about him first?
Is the English edition hard to read?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Philip Gilbert Hamerton (1834–1894) was a British artist, art critic and writer, born near Oldham in Lancashire and died in France. He began as a painter before turning to art criticism, founded and edited the art journal The Portfolio, and wrote works including Etching and Etchers and The Intellectual Life, helping to advance the revival of etching in Britain. His writings span art criticism and discursive essays and also touch on human intercourse and regional life, as in Human Intercourse and Wenderholme: A Story of Lancashire and Yorkshire. The library holds four of his works; common classification information is currently unavailable, and public sources are limited, so biographical details are omitted here.