On Literature cover

On Literature

Rating 3.0
Word count
735K words
Chapters
74

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Over literatuur by M. H. Van CampenAuthor: Campen, M. H. Van, 1874-1942,Language: Dutch, Class: PT: Language and Literatures: Germanic, Scandinavian, and Icelandic literatures, Release Date: Nov 20, 2005

Editor's review

This is a collection of essays and discursive writings on literature by the Dutch author Frans Coenen (1874–1942), released as a free e-book by Project Gutenberg and belonging to the genre of Dutch-language literary criticism and belles-lettres. Its value lies not in systematic literary theory but in showing how the Dutch-language cultural circle of the early twentieth century understood the concept of "literature": how an author with writing experience talks to ordinary readers about the boundaries of genre, the pleasures of reading, and the meaning of literature. The prose addresses the general public rather than the professional academy; the tone is plain and suited to serving as an introductory sample of the Dutch-language tradition of literary criticism. Reading it requires some command of Dutch; Chinese readers may use it as supplementary material in the history of foreign literary criticism. The electronic edition is easy to search and excerpt, suitable for reading in segments during commutes or spare moments, and also for comparison with contemporary European works of criticism to observe how cultural circles in different languages articulate the function of literature.

Who it's for

A good fit for

  • Readers with Dutch reading ability who want to understand the early twentieth-century Dutch view of literature
  • Literature students researching the history of foreign criticism who need primary Dutch materials
  • Comparative literature enthusiasts interested in the tradition of literary criticism in Europe's smaller languages

Not a good fit for

  • Ordinary readers with no knowledge of Dutch who hope to read a Chinese translation
  • Readers expecting a systematic textbook of literary theory or a methodological toolbook
  • Readers who only want contemporary criticism and lack patience for texts a century old

Reading tips

  1. Read the table of contents and the first and last chapters first to grasp the author's basic definition of "literature", then move on to the specific discussions
  2. Keep a notebook to record the critical terms the author uses, for easy comparison with contemporary English and French criticism
  3. No need to read word by word; read selectively by theme and use the e-edition as a searchable database

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38
  39. 39
  40. 40
  41. 41
  42. 42
  43. 43
  44. 44
  45. 45
  46. 46
  47. 47
  48. 48
  49. 49
  50. 50
  51. 51
  52. 52
  53. 53
  54. 54
  55. 55
  56. 56
  57. 57
  58. 58
  59. 59
  60. 60
  61. 61
  62. 62
  63. 63
  64. 64
  65. 65
  66. 66
  67. 67
  68. 68
  69. 69
  70. 70
  71. 71
  72. 72
  73. 73
  74. 74

FAQ

Is there a Chinese translation of this book?
According to available information, the book is a Dutch e-book released by Project Gutenberg, and no Chinese translation is mentioned in the materials. Chinese readers who wish to read it must rely on the Dutch original or consult relevant research literature; one cannot assume a ready Chinese translation exists on the market.
Is this book suitable for beginners in literary theory?
Not really as an introductory textbook. It is more a literary causerie addressed by an author to ordinary readers, lacking systematic conceptual organization and explanation of terms. Beginners seeking to build a foundation in literary theory should first read introductory works with a clear framework, then return to this book as a historical sample.
Why does this book appear in Project Gutenberg?
Project Gutenberg is dedicated to providing free e-books whose copyright has entered the public domain. The author, Frans Coenen, died in 1942, so the work has entered the public domain and was therefore digitized and released. The materials also describe the background of the project, founded by Michael Hart in 1971 to create e-books.

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About the author

Campen, M. H. Van, 1874-1942 Author · 1874–1942

M. H. Van Campen (1874–1942) was a Dutch writer on literature and literary criticism active from the late nineteenth to the early twentieth century. Public information about his life is limited: his education, professional career and social activities are not clearly documented, and what can be confirmed about him rests mainly on his published writings. Two of his works are held in the collection, both entitled Over literatuur (On Literature), and both belong to discursive writing about literature. Judging from their titles and form, he was concerned with questions of literature itself—the understanding of works, criticism and reading taste—writing in a manner that combines the essay with the review, emphasizing discussion and evaluation rather than systematic theory. Such writing served in the Dutch literary world of the time as a bridge introducing works and connecting readers with literature. Although his life remains obscure in the historical record, these two works of the same title offer a useful sample for later readers seeking to understand the character of Dutch literary criticism in that period.

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