A. V. Laider cover

A. V. Laider

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Word count
11.3K words
Series
Seven Men

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Summary

A. V. Laider is a short story by the English essayist and caricaturist Max Beerbohm, first published in June 1916 in the American magazine The Century, and later included in his 1919 collection Seven Men. The English original runs about 11,000 words. The story is told in the first person by a narrator named "Max." In February, recovering from influenza, he goes to rest at an old, quiet seaside hotel, where he meets a fellow guest, A. V. Laider. The two observe British reserve, staying under the same roof for days with hardly a word, until they happen to talk on the last night of their stay. The conversation moves from metaphysical argument to palmistry, and Laider tells his "secret": as a young man he was obsessed with palmistry and believed himself quite accurate, but on a train journey to his uncle's house, reading the palms of fellow passengers, he found that many of their life lines broke at the same point. He sensed disaster and yet, weak-willed, failed to pull the emergency cord; the accident duly occurred, and it became his lifelong guilt. A year later the narrator meets Laider again at the same hotel, and Laider claims the whole story was invented: he had never read anyone's palm. The novel offers no answer as to which is true, leaving the narrator and reader alike in doubt. With restrained humor, the work makes "belief and disbelief," "will and fate," and "fiction and reality" light yet sharp; it is one of Beerbohm's most frequently anthologized short stories.

Editor's review

这是一篇需要耐心、但回报相当丰厚的短篇。开头的氛围铺陈沉闷潮湿,几乎让人以为走错了门;可正是这种英国式的沉默与矜持,为后文那句“我本该拉响警铃”积蓄了全部重量。比尔博姆不写惊悚场面,也不作道德审判,他让一个人把最深的愧疚讲得从容体面,再让这个人一年后轻描淡写地推翻它——读者被迫自己判断:哪一种说法才是真的?雷德究竟在掩饰怯懦,还是在掩饰善良? 与《伊诺克·索姆斯》同属《七人集》的这篇作品,常被视作比尔博姆“假传记”手法的范本:叙述者就叫“马克斯”,细节逼真,语气诚恳,越是这样,虚构的边界越模糊。它篇幅短、语言雅、讽刺含蓄,非常适合用来体会英式幽默与不可靠叙述,也常被选作英语精读与文学讨论的材料。 需要注意的是:本篇为公版英文短篇,市面所见多为英文原版、双语读物或电子书,国内暂无权威汉译单行本。

Who it's for

A good fit for

  • 喜欢英美短篇小说,尤其是讽刺与不可靠叙述作品的读者
  • 正在练习英语精读、希望接触地道书面语的中高级英语学习者
  • 对命运、自由意志、真假难辨等主题感兴趣的思辨型读者
  • 比尔博姆、王尔德一脉唯美主义与世纪末文学爱好者

Not a good fit for

  • 期待强情节、快节奏或明确结局的读者
  • 英语基础较弱、需要逐句注释辅助的初学者

Reading tips

  1. 先通读一遍不查词,抓住“手相—火车—一年后重逢”这条主线,再回头处理开头的氛围与信件段落。
  2. 第二遍留意叙述者的语气:他说自己“相信证据”,但全篇偏偏建立在无从核实的故事上,反差正是趣味所在。
  3. 读完可对比同集中的《伊诺克·索姆斯》,体会比尔博姆如何反复用“真人真事”的口吻包裹荒诞内容。
  4. 与朋友讨论结尾海鸥意象,谈谈“不愿相信”与“不愿承认”的区别,会更容易理解小说的落点。

FAQ

《A. V. 雷德》是长篇还是短篇?
是短篇,英文原文约11273词,最初发表于1916年6月的《世纪杂志》(The Century Magazine),后被收入马克斯·比尔博姆1919年由海涅曼(Heinemann)出版的小说集《七人集》。
《七人集》一共包含几篇作品?
1919年初版《七人集》收五篇短篇,包括《伊诺克·索姆斯》《希拉里·莫尔特比与斯蒂芬·布拉克斯顿》《A. V. 雷德》等;1950年增订版《七人集及另外两人》又加入一篇,共六篇,叙述者“马克斯”被算作第七人。
国内有中文译本吗?
截至检索时可确认的公版资源,多为英文原版或电子书形式,未查到权威汉译单行本。《七人集》有零散中文介绍与导读,但译者、出版社信息无法核实,故此处不作填写。
故事结尾到底哪种说法是真的?
作者刻意不给答案:雷德先讲述自己因怯懦未拉警铃、导致车厢众人罹难,一年后又否认曾为人看手相。小说留下的是判断权——读者要自己决定相信哪一版,这正是作品的不可靠叙述魅力所在。

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About the author

Max Beerbohm Author

Max Beerbohm was an English writer, caricaturist and satirical critic active from the late nineteenth to the mid-twentieth century. The available records are limited, listing only one work, A. V. Red, under literature and foreign literature. From verifiable public information, Beerbohm is known for his witty, understated essays, character sketches and satirical drawings. His prose is polished, with humour tinged by gentle mockery, and he excelled at exaggerated portrayals of literary social circles and human manners. His writing favours nuance of detail and tone over grand narrative, carrying on the British essay tradition. As this catalogue holds no records of his life, nationality or dates, none are supplied here; only his style and the attributed work are briefly noted.