The Wasps cover

The Wasps

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Series
Aristophanes: The Complete Comedies
ISBN
9787208166790

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Summary

The Wasps (Greek: Σφῆκες, Latinized: Sphekes, English: The Wasps) is a comedy by Aristophanes, the leading playwright of Old Comedy in ancient Greece. It was staged in 422 BCE and won second prize (some sources say second place) at the Athenian dramatic competition held during the Dionysia. The play takes its title from the chorus, a group of jurors dressed as wasps with stingers at their tails, symbolizing the aggressive bite of Athenian jurors. The plot revolves around a conflict of ideas between a father and his son. The father, Philocleon (whose name means "lover of Cleon"), is obsessed with serving as a juror. He spends day and night on the jurors' bench, happily earning the jury pay the city provides for deciding cases. His son, Bdelycleon (meaning "hater of Cleon"), believes his father is being exploited by politicians and resolves to keep him at home and cure him of his "jury mania." The father tries every means of escape, even hiding under a donkey's belly and slipping away along the wall, and a series of comic scenes ensues between father and son. In the end, father and son hold court at home, putting on "trial" a dog accused of stealing cheese; the absurd proceedings expose the arbitrariness and irrationality of Athenian judicial procedure. The father is then reformed by his son and turns to drinking and revelry, and the comedy ends in song, dance, and chaos. The play retains the parabasis, a feature peculiar to Old Comedy, in which the chorus addresses the audience directly with comments on current politics. The play satirizes the litigious culture of Athenian democracy and the manipulation of the people by demagogues, making it an important literary text for the study of Athenian judicial practice and democratic politics. This entry is a single volume in Luo Niansheng's translation collection Aristophanes: The Complete Comedies.

Editor's review

《马蜂》常常被摆在《云》《鸟》之后被读者忽略,其实它是理解雅典民主最锋利的一把刀。阿里斯托芬把“陪审津贴”这个看似枯燥的制度细节,变成一个老人死活不肯离开审判席的荒唐笑料:父亲赖在法庭上不肯走,儿子只好把法庭搬回家,最后审的是一条偷奶酪的狗。笑声背后是一次彻底的去魅——民主的庄严仪式,可能只是被津贴和煽动家填满的舞台。 罗念生先生的译文读来毫不隔。他并不把古希腊语硬译成“雅致的仿古腔”,而是让对白带着市井的泼辣与毒舌,父子互怼、歌队插科打诨,节奏干净利落。对普通读者来说,这是一部能读出声来的喜剧;对研究者而言,剧中的“致辞”段落与歌队构成,又是考察旧喜剧体制不可绕开的材料。 若你只读过“喜剧之父”的名头,不妨从这里开始:它够短、够好笑,也够狠。

Who it's for

A good fit for

  • 对古希腊戏剧与古典文学有兴趣的读者
  • 想通过文学作品理解雅典民主与司法制度的人
  • 习惯读剧本、喜欢辛辣政治讽刺与市井幽默的读者
  • 戏剧专业学生与业余剧社的剧本储备者

Not a good fit for

  • 偏好情节完整、结构现代的小说读者,可能不习惯喜剧的松散与合唱段
  • 完全不了解古希腊背景、希望零门槛入门的读者,需要先读一篇导言
  • 对粗俗笑话与直白性讽刺较为敏感的读者

Reading tips

  1. 先读编者序与专名索引,弄清克勒翁、陪审津贴等背景,再读正文对白
  2. 把歌队唱段与“致辞”部分单独出声朗读,能体会旧喜剧的现场节奏
  3. 对照剧中“审判狗”的荒诞庭审,思考雅典司法与当代舆论审判的相似处
  4. 读完后可与《云》《骑士》对读,串起阿里斯托芬对教育与政治的双重讽刺

About the publisher

Shanghai People's Publishing House China · Founded in 1951

Shanghai People's Publishing House is a comprehensive publisher whose list focuses on academic monographs and general-interest titles in philosophy, social sciences, politics and law, economics and management, and history. Among its books are Wei, Jin, Southern and Northern Dynasties History in the Chinese Dynastic History series; The Hobbit and The Lord of the Rings trilogy in foreign literature; the Wenjing Classical Translation Illustrated Edition of The Complete Greek Tragedies of Euripides; and works of social theory such as Max Weber's Economy and Society and Dialectic of Enlightenment: Philosophical Fragments. Its authors include Wang Zhongluo, J.R.R. Tolkien, Luo Niansheng, and Zhou Zuoren.

FAQ

《马蜂》讲的是什么故事?
一位痴迷陪审的老人斐罗克勒翁被儿子强行关在家中戒除“陪审癖”,几番出逃后,父子在家开庭“审判”一条偷奶酪的狗,最后老人被改造成酒宴上的狂欢者。全剧以荒诞庭审讽刺雅典诉讼成风的风气。
这个中译本是根据哪个译本?
罗念生译《马蜂》最初收入湖南人民出版社版《阿里斯托芬喜剧二种》,后编入《阿里斯托芬喜剧集》系列。译文为散文体,保留原作韵律感,术语与人名译法较为统一。
没读过古希腊戏剧,能直接读这本吗?
可以,但建议先看前言或编者说明,了解伯罗奔尼撒战争背景、陪审津贴制度与克勒翁其人。剧中对白本身相当口语化,笑点并不依赖专业知识。
《马蜂》和《云》有什么关系?
两剧同属阿里斯托芬的旧喜剧,《云》讽刺诡辩派教育,《马蜂》讽刺司法与煽动政治,常被合编为一册出版,题材上互补,可视为对雅典城邦生活的双重解剖。

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About the author

Aristophanes is one of the most important comic playwrights of ancient Greece. Publicly available information about his life and nationality is limited, yet his works have endured and remain essential texts for studying ancient Greek society and drama. His comedies mostly draw on the political, social, and cultural life of contemporary Athens, and are known for exaggerated, satirical, and playful language, unconventional plots, and rich imagination, offering observations and reflections on real issues through humor and mockery. The library holds four of his works, including the eight-volume Wenjing Classical illustrated edition of the Aristophanes Comedies, the six comedies in volume five of the Luo Niansheng Complete Works, and related translations in Yang Xianyi's Chinese translations, showing that Chinese translations of his work are substantial. Classified under classics, folk literature, and foreign literature, these works continue to offer readers a vivid introduction to the tradition of ancient Greek comedy.