The Knights cover

The Knights

Rating 4.6
Series
Aristophanes: The Complete Comedies (Wenjing Classics, illustrated bilingual edition, 8 volumes)
ISBN
9787208166790

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Summary

The Knights (Greek: Hippeîs, also rendered as The Horsemen) is the fourth of the eleven surviving comedies by the ancient Greek playwright Aristophanes. It was performed at the Lenaia in Athens in 424 BCE and won first prize, and it was also the first time he staged a play in his own name. The action takes place outside the house of Demos (meaning "the people") in Athens. The aged and befuddled master Demos is firmly controlled by a newly purchased slave nicknamed Paphlagon (a transparent allusion to the powerful politician Cleon), who uses flattery and denunciation to keep him in check. Two other slaves, Demosthenes and Nicias, unable to bear their suffering any longer, steal the oracle that Paphlagon has hidden away and learn that he will eventually be replaced by a "sausage seller." A sausage seller happens to pass by, and the two persuade him to compete for the master's favor. Then the chorus of Athenian knights (the "knights" of the title, wealthy upper-class citizens who kept horses) enters and launches an assault on Paphlagon. The sausage seller and Paphlagon then face each other in several rounds of contest—before the chorus, before the Council, and before Demos himself—to see who is more shameless, more sycophantic, and better at currying favor with the master. The sausage seller finally wins; Paphlagon is driven from power and reduced to selling sausages at the city gate. The sausage seller then "boils" Demos in a pot, and the old man is miraculously rejuvenated and restored to youth; he appears together with a young woman representing "Peace," and the play ends in a festive atmosphere. This play is Aristophanes' most direct and ferocious satire on Athenian democratic politics during the Peloponnesian War, aimed almost exclusively at Cleon, and consequently it has a small cast and a sharply aggressive tone. The Chinese translation is Luo Niansheng's classic version.

Editor's review

这是一部把“政治讽刺”写到极致的古希腊喜剧:阿里斯托芬几乎不掩饰地把当时的雅典政客克勒翁搬上台,用“主人—奴隶”的家庭闹剧来映射城邦政治,让一个卖腊肠的小贩靠更厚脸皮、更会献媚而“上位”。荒诞情节背后,是对煽动家、民意易被操纵、以及战争与和平的尖锐追问。 本册采用罗念生先生的译本。罗念生毕生从事古希腊文学翻译,1987年获雅典科学院授予的文学艺术奖,其译文准确而富有汉语节奏,注释与专名处理也便于中文读者进入古希腊语境。本册属上海人民出版社“文景古典·名译插图本”《阿里斯托芬喜剧集》的分册之一,版式小巧、配有插图,适合作为入门古典喜剧的单篇读本,也可以配合同系列的《阿卡奈人》一起读——《骑士》正是《阿卡奈人》中预告的那场“复仇”。 读法上建议不要只把它当笑话看:剧中关于“腊肠贩子凭什么能治理城邦”的辩论,今天读来仍然刺人。

Who it's for

A good fit for

  • 喜欢古希腊戏剧、想从单篇入门旧喜剧的读者
  • 对政治讽刺、民主制度与民粹议题感兴趣的读者
  • 学习西方古典文学与戏剧史的学生、教师
  • 希望收藏罗念生经典译本的翻译文学爱好者

Not a good fit for

  • 期待连贯现代情节剧、追求温情阅读体验的读者
  • 对古希腊神话、城邦背景完全陌生且不愿读注释的读者
  • 偏好抒情美文、难以接受粗俗戏谑语言的读者

Reading tips

  1. 先读本册前的说明或注释,弄清德谟斯、帕佛拉工(克勒翁)、歌队分别影射什么。
  2. 可与同系列《阿卡奈人》对读:后者已预告作者要向克勒翁“算账”。
  3. 把歌队唱段与对骂场面分开读,留意合唱部分的政治表态与抒情笔调。
  4. 读完后回看“腊肠贩子凭什么治国”的辩论段落,比照现实中的政治宣传。

About the publisher

Shanghai People's Publishing House China · Founded in 1951

Shanghai People's Publishing House is a comprehensive publisher whose list focuses on academic monographs and general-interest titles in philosophy, social sciences, politics and law, economics and management, and history. Among its books are Wei, Jin, Southern and Northern Dynasties History in the Chinese Dynastic History series; The Hobbit and The Lord of the Rings trilogy in foreign literature; the Wenjing Classical Translation Illustrated Edition of The Complete Greek Tragedies of Euripides; and works of social theory such as Max Weber's Economy and Society and Dialectic of Enlightenment: Philosophical Fragments. Its authors include Wang Zhongluo, J.R.R. Tolkien, Luo Niansheng, and Zhou Zuoren.

FAQ

《骑士》是小说吗?
不是小说,而是古希腊喜剧剧本,公元前424年在雅典莱纳亚节上演并获头奖,属于“旧喜剧”代表作,全书以对白和歌队唱段构成。
这个版本是单行本还是合集?
本条目对应的是上海人民出版社2020年版《阿里斯托芬喜剧集》中的《骑士》分册,该丛书共八册,收入罗念生、杨宪益、周作人三种译本,丛书共用ISBN 978-7-208-16679-0。
《骑士》和《阿卡奈人》有什么关系?
《阿卡奈人》(前425年)中作者已预告将回击控告他的克勒翁,《骑士》(前424年)就是这场回击,因此两剧常被放在一起阅读。
剧中为什么叫“帕佛拉工”而不叫克勒翁?
阿里斯托芬全剧几乎不点名克勒翁,而用来自帕佛拉戈尼亚的奴隶“帕佛拉工”指代他,既规避风险,又让观众一眼看穿;克勒翁之名只在歌队唱词中出现过一次。
需要懂古希腊语才能读吗?
不需要。本册为罗念生的中文译本,配有注释,专名也依通行译法处理,普通读者可以直接阅读;若要对照原文,另有希汉对照本可参考。

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About the author

Aristophanes is one of the most important comic playwrights of ancient Greece. Publicly available information about his life and nationality is limited, yet his works have endured and remain essential texts for studying ancient Greek society and drama. His comedies mostly draw on the political, social, and cultural life of contemporary Athens, and are known for exaggerated, satirical, and playful language, unconventional plots, and rich imagination, offering observations and reflections on real issues through humor and mockery. The library holds four of his works, including the eight-volume Wenjing Classical illustrated edition of the Aristophanes Comedies, the six comedies in volume five of the Luo Niansheng Complete Works, and related translations in Yang Xianyi's Chinese translations, showing that Chinese translations of his work are substantial. Classified under classics, folk literature, and foreign literature, these works continue to offer readers a vivid introduction to the tradition of ancient Greek comedy.

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