The Painted Veil cover

The Painted Veil

Rating 4.5
Word count
118K words
Chapters
82
ISBN
9787547053898

Tags

Summary

Under pressure, Kitty accepts the marriage proposal of Walter, a bacteriologist. After the wedding, Walter and Kitty move to Hong Kong. Kitty wants to marry her lover Townsend, but the hypocritical Townsend merely treats her as a plaything. With no other choice, Kitty follows Walter to a cholera-stricken region. In a remote Chinese village, Kitty experiences the shattering of illusions and the parting of life and death; she awakens to the emptiness of her spiritual life and ultimately attains peace of mind and self-redemption.

Editor's review

Maugham's The Painted Veil is a classic novel that probes deeply into human nature and redemption. Unlike the author's better-known The Moon and Sixpence, this book focuses on a woman's spiritual awakening against the backdrop of the Far Eastern colonies. The story begins with the heroine Kitty's betrayal of her marriage; following her husband deep into cholera-ravaged Mei-tan-fu, in an environment where death and devotion intertwine, she gradually lifts the "painted veil" over the glittering surface of life and confronts her own vanity, weakness, and emptiness. With his signature cool, incisive touch, Maugham dissects the intricate relationships among love, marriage, duty, and personal growth. This work is not only a story of betrayal and forgiveness but also a subtle dialogue between the Eastern philosophy of the "Way" and Western individualist values. Its narrative pace is unhurried and its psychological portraiture precise; in Kitty's transformation from dependence to independence, readers can glimpse the complexity of human nature and the many possibilities of life's meaning. For modern readers, this work, written nearly a century ago, still resonates strongly in its exploration of women's self-seeking and the conflict between self and social role.

Who it's for

A good fit for

  • Literary lovers with a deep interest in the complexity of human nature and psychological portraiture
  • Readers hoping to explore themes of women's growth and self-perception
  • Readers who appreciate Maugham's cool, sharp style and wish to explore works from different periods of his career
  • Readers interested in novels about East-West cultural collision and colonial historical settings

Not a good fit for

  • Readers seeking fast-paced, plot-driven entertainment
  • Readers expecting a purely romantic love story or a happy ending

Reading tips

  1. While reading, note how Maugham uses setting (such as the cholera in Mei-tan-fu and the convent) as an external symbol of the characters' inner transformation.
  2. Consider the multiple metaphors of the title "The Painted Veil": it is not only a disguise in human relations but also a barrier to the protagonist's self-knowledge.
  3. Read Kitty's trajectory of growth in dialogue with individual awakening in modern society, and appreciate the contemporary relevance of this classic.

About the publisher

Volumes Publishing Company China · Founded in 2003

Volumes Publishing Company is a comprehensive publisher known for its titles on Chinese classics and literature and the arts. Its publishing covers classical literature, essays and miscellaneous writings, folk literature, foreign literature, and exam preparation books. Judging from the 269 titles in the database, the company emphasizes making classic works accessible to a broad readership. Representative books include Letters from Fu Lei to His Son, The Four Great Classical Novels, Teahouse, The Classic of Mountains and Seas, Dawn Blossoms Plucked at Dusk, and Camel Xiangzi, with authors including Fu Lei, Cao Xueqin, Luo Guanzhong, Shi Nai'an, Wu Cheng'an, Lao She, Liu Xiang, and Liu Xin. The company has also developed series brands such as the Volumes Studio Chinese Classics and the Science Fiction Library, giving it a distinctive profile in organizing Chinese classics and promoting literary reading. Public information on its other publishing activities is limited.

Contents

  1. 版权信息
  2. 序言
  3. 1
  4. 2
  5. 3
  6. 4
  7. 5
  8. 6
  9. 7
  10. 8
  11. 9
  12. 10
  13. 11
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  35. 33
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  48. 46
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  55. 53
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  60. 58
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  62. 60
  63. 61
  64. 62
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  69. 67
  70. 68
  71. 69
  72. 70
  73. 71
  74. 72
  75. 73
  76. 74
  77. 75
  78. 76
  79. 77
  80. 78
  81. 79
  82. 80

FAQ

What are the main differences between The Painted Veil and other works by Maugham, such as The Moon and Sixpence?
The Moon and Sixpence focuses more on a genius artist's defiant revolt against social conventions and his spiritual quest; its protagonist is strongly proactive and destructive. The Painted Veil, by contrast, depicts an ordinary woman who, having passively fallen into an impasse, gradually completes a passive, inward self-examination and awakening, with greater emphasis on the subtle interplay of marriage, duty, and human nature.
Is the Chinese setting merely exotic decoration?
Not at all. The cholera epidemic in Mei-tan-fu, the Chinese landscape, and the convent are not only where the story takes place but also important symbols and catalysts. The wisdom of the Eastern "Way" (embodied by characters such as Waddington) and the quiet landscape stand in contrast to the glitter of the Western colony and the turmoil in Kitty's heart, and are key environmental factors that impel her to strip away the "veil" and face her true self.
How should we understand Kitty's final outcome? Does she achieve true liberation?
Kitty's ending is open and full of tension. She does not attain "happiness" in the traditional sense, but she achieves important spiritual independence. Her words about her daughter's future show that she projects the hard-won fruits of self-knowledge onto the next generation's education. This "liberation" is clear-eyed and bears the wounds of the past, yet it is solid: it means she finally begins to live for herself rather than being defined by any man or social expectation. This precisely reflects Maugham's profound understanding of the complexity of human growth.

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About the author

W. Somerset Maugham Author · British · 1874–1965

W. Somerset Maugham (1874–1965) was a British novelist, playwright and short-story writer, born in Paris. He trained in medicine and turned to writing after publishing his first novel, Liza of Lambeth, in 1897. His representative works include Of Human Bondage, The Moon and Sixpence, Cakes and Ale and The Razor's Edge, as well as a substantial body of short stories. His plain, direct style and his insight into human nature and society place his works among foreign literature and classics. Maugham excelled in both the novel and the short story; his restrained narration and penetrating observation have earned him a wide readership in Chinese, and this site holds 176 of his works.

Liu Yingcheng Author

Liu Yingcheng is a literary translator mainly engaged in rendering English literature into Chinese, and is known for translating Somerset Maugham's novels. Publicly available information is limited: details such as dates of birth and death and nationality are not clearly recorded. What can be confirmed is that three of his translated works have appeared, including The Painted Veil, The Razor's Edge, and Selected Works of Maugham (4 volumes), all published by Wanjuan Publishing Company. His translations generally fall under the category of foreign literature, and his selections concentrate on Maugham's representative novels, suggesting a preference for modern and contemporary English narrative fiction that gives equal weight to character destiny and the observation of human nature. On the basis of the available material, Liu Yingcheng's contribution lies chiefly in recreating in Chinese the narrative rhythm and character dialogue of Maugham's novels, offering Chinese readers readable versions through which to approach this English author.