Understanding Dunhuang cover

Understanding Dunhuang

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Word count
1.6M words
Chapters
11
Series
Understanding Dunhuang
ISBN
9787567546691

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Summary

Understanding Dunhuang is a series of general-readership books on Dunhuang culture edited by the Dunhuang Academy and led by Fan Jinshi, published by East China Normal University Press in 2016. Centered on the sculptures, murals, and Library Cave documents of the Dunhuang caves, the series is written by senior experts of the Dunhuang Academy on specific topics and illustrated with more than two thousand fine plates photographed by the Academy's senior photographers, offering a systematic interpretation of the Mogao Caves, Yulin Caves, Western Thousand Buddha Caves, and other cave sites from the three dimensions of art, religion, and society. The series is organized by topic into volumes, covering Dunhuang painted sculpture, Buddhist holy images, flying apsaras, decorative patterns, sutra-transformation stories (such as the Lotus Sutra, Maitreya and Medicine Buddha, repaying parental kindness, Chan Buddhism, esoteric Buddhism, and jataka and nidana tales), medieval architectural paintings and costumes, and the discovery of the Library Cave and its documents. It presents both the historical development and pictorial details of Dunhuang cave art and answers questions commonly raised by ordinary readers when visiting exhibitions or reading. The set is hardcover in octavo, about 2,600 pages in total, and is a relatively authoritative and systematically complete popular work on Dunhuang studies in China; rights have been sold to South Korea, Russia, Japan, and other countries and regions. Note that this entry corresponds to the 2016 East China Normal University Press hardcover set (eleven volumes in a slipcase, ISBN 9787567546691); a thirteen-volume version containing slightly different fascicles also circulates, and buyers should check the back-cover ISBN and the list of volumes.

Editor's review

敦煌离多数人很远,这套书把它拉近到可以一页一页细看的距离。它的分量在于“谁在写”:主编是被称为“敦煌女儿”的樊锦诗,执笔者是敦煌研究院常年守在洞窟里的专家,图版出自该院资深摄影师之手,两千余幅照片既是插图也是史料,很多洞窟细节是游客站在栈道上根本看不清的。它的好读在于“怎么写”:不按年代平铺,而是按题材分卷——彩塑、尊像、飞天、图案、建筑画、服饰、各类经变故事、藏经洞,读者可以照着自己的兴趣单册入手,也可以顺着某一条线索读下去。作为普及读物,它没有牺牲专业性,术语有解释,图像有出处,结论有分寸。如果家里只放一套敦煌书,或者想在去莫高窟之前先把“该看什么、看懂什么”补齐,这套是稳妥的选择。

Who it's for

A good fit for

  • 准备去敦煌旅行、希望出发前看懂洞窟内容的读者
  • 对佛教艺术、壁画彩塑与丝绸之路文明感兴趣的爱好者
  • 美术、设计、建筑史专业学生用于图像素材与纹样参考
  • 希望为孩子或家人选购一套权威可靠文博通识读物的家长

Not a good fit for

  • 只想买一本轻便小册子在旅途中随手翻阅的读者
  • 期待高深考据论文、需要一手文献校勘与注释的敦煌学研究者
  • 预算有限、对精装大开本图录价格敏感者

Reading tips

  1. 不必从第一册读起,可按“彩塑—壁画故事—服饰建筑—藏经洞”的顺序由直观到文献逐步深入。
  2. 配合莫高窟数字展示中心的洞窟影像或实地参观阅读,看到具体窟号时回查对应分册,印象最深。
  3. 阅读时留意图版说明中的窟号与年代,随手记下自己喜欢的题材,再去查相应分册的专章。
  4. 图版较多,建议使用大开本纸质版或在平板、电脑上阅读,以保留彩图与细节层次。

About the publisher

East China Normal University Press China · Founded in 1957

Adhering to the publishing purpose of "broad education," East China Normal University Press extends beyond its three main areas of textbooks, academic works and general-interest books, and its catalogue clearly reflects a vision that bridges Chinese and foreign humanities and social sciences. In foreign literature it offers classics such as Yasunari Kawabata's Snow Country and The Old Capital (translated by Chen Dewen), Jane Austen's Pride and Prejudice, and Rilke's annotated edition of The Notebooks of Malte Laurids Brigge (translated by Chen Zao); in architecture, Chen Congzhou's two-volume Appreciation Dictionary of Chinese Gardens; in social psychology, The Social Animal: 12th Edition; and it also includes philosophy titles, traditional-culture works such as the six-volume Paintings for the Protection of Life, and education books. Its authors include renowned Chinese and foreign writers and skilled translators, showing a publishing profile that balances classic translation, scholarly accumulation and public reading. Public information is limited; the above is based only on the books in the catalogue.

Contents

  1. Dunhuang Painted Sculpture
  2. Flying Spirits
  3. Chan Classic Stories
  4. Medieval Costumes
  5. Classic Stories of Repaying Parental Kindness
  6. Buddhist Holy Images
  7. Medieval Architectural Paintings
  8. Dunhuang Decorative Patterns
  9. Discovering the Library Cave
  10. Maitreya and Medicine Buddha
  11. Lotus Sutra Stories

FAQ

这套《解读敦煌》一共几册?
2016 年华东师范大学出版社的精装盒装版为十一册,收录《敦煌彩塑》《飞翔的精灵》《禅宗经典故事》《中世纪服饰》《报恩父母经典故事》《佛国尊像》《中世纪建筑画》《敦煌装饰图案》《发现藏经洞》《弥勒佛与药师佛》《法华经故事》。另有十三册版本,增补了《神秘的密教》《佛陀的本生因缘故事》等分册,购买时请以 ISBN 和分册清单核对。
这套书适合零基础的普通读者吗?
适合。它是敦煌研究院专家为大众撰写的普及型读物,按题材分卷、以问答式小标题展开,术语均有解释,配图两千余幅,不需要佛学或考古学背景即可读懂,也常被推荐作为参观莫高窟前的入门读物。
书中的图片是实景拍摄还是临摹?
书中的敦煌图版主要由敦煌研究院资深摄影师实地拍摄,包含大量洞窟壁画、彩塑的高清细节,图版版权归敦煌研究院所有;另有一部分非敦煌图版版权归中国文物学会专家委员会所有。
主编樊锦诗是谁?
樊锦诗曾任敦煌研究院院长,现为敦煌研究院名誉院长。她 1963 年自北京大学毕业后到敦煌工作,长期从事石窟考古、保护与管理,被誉为“敦煌女儿”,曾获“改革先锋”等称号。
和《敦煌石窟全集》有什么区别?
《敦煌石窟全集》更偏重按洞窟与专题系统收录的大型学术图录,规模与专业性更强;《解读敦煌》定位为普及型读物,篇幅更紧凑、语言更浅近,适合一般读者入门与观展配套阅读。

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About the author

The Dunhuang Academy is a cultural heritage and museum institution dedicated to the protection, research, and promotion of the Dunhuang cave temples. Its publications under this name generally center on the history, art, and conservation practices of the Mogao Caves and other cave temple sites. The one title held in this collection, Dunhuang Is My Whole Life: The Memoirs of Duan Wenjie, is a work of documentary literature. Through personal recollection, it presents the experiences of an older generation of Academy staff who safeguarded the caves under difficult conditions and advanced copying and research, reflecting the broader development of Dunhuang studies. Given limited public information, its specific editorial division of labor and individual backgrounds cannot be detailed here; the work suggests that the institution's publishing direction emphasizes firsthand memory, oral history, and accessible scholarship, with plain prose and a concern for factual and emotional authenticity, offering readers a primary perspective on Dunhuang's conservation cause.

樊锦诗 Author

Fan Jinshi's publicly available biographical information is currently limited, but the works held in this library offer a general sense of her writing direction and intended readership. Her works focus mainly on the field of history books, with representative titles including _Brilliant Dunhuang_ and the co-authored _Witnessing Chinese Archaeology Series_ (8 volumes). In terms of subject matter, she attends to Dunhuang art and archaeological discoveries, tending to narrate the discovery, preservation, and study of cultural heritage from a first-hand perspective and to translate specialized knowledge into accounts accessible to general readers. Such writing retains the immediacy of archaeological fieldwork while also emphasizing the梳理 of historical context, making it suitable for readers interested in Dunhuang culture and Chinese archaeology. Only two of her works are currently held here, which is not enough to present a complete picture of her writing; further information awaits additional public sources.