Song of the Wilds

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Word count: 589.1K words

Summary

On the night the new king of Ming, Yuan Ke, ascends the throne, music and dance continue within the palace while war drums close in outside. The army of Jingwu bears down, and the royal city is in imminent peril. Fu Min, son of the famed general Fu Zhong, leads garrison troops to defend the palace gate, while Fu Zhong is torn between loyalty to the king and duty to the nation. Nine powerful ministers each harbor their own designs, and Chancellor Wen schemes in secret. Beneath the young monarch's drunken demeanor lies hidden calculation; the kneelings and slaps before the throne are all part of the game. Blood, slaughter, hatred, and love intertwine as the siege of the royal city and palace intrigue erupt simultaneously—yet after victory, the one on the throne has changed.

Editor's review

Suitable for readers who favor ancient fictional power struggles and ensemble dramas: the opening palace banquet scene is written with tension, and the direct confrontation between the new king and the old general has dramatic force, with multiple factions interweaving and laying threads at a fast pace. Its weaknesses are the large cast and faction relationships that must be sorted out while reading; some chapter titles are rather colloquial, and the power-struggle logic occasionally jumps, requiring patience in tracking character allegiances.

Who it's for

A good fit for

Readers who enjoy ancient fictional power struggles
Readers who prefer ensemble narratives with interweaving factions
Readers who can accept palace coups and wartime bloodshed

Not a good fit for

Readers who only want light, sweet romance
Readers impatient with sorting through many characters and factions

Reading tips

At the start, remember the stances of Fu Zhong, Fu Min, Yuan Ke, and Chancellor Wen to make reading smoother
Note the time and scene shifts at each chapter's opening; the power struggle often advances in night scenes
Around the midpoint, revisit earlier chapters for foreshadowing; the ending twist echoes the opening palace banquet

About the publisher

Tencent Literature

Tencent Literature is a web-literature publishing brand under Tencent. Publicly available information is limited, and its publishing direction, as reflected in the titles in this catalog, centers on genre fiction. The catalog currently contains 63 titles, with common categories including premium fiction, mystery and suspense, male-oriented fiction, urban fiction, supernatural powers, and horror and thriller. Its subjects cover urban romance, mystery and exploration, and supernatural fantasy. Representative titles include Strange Tales Archive, The Undefeated God of War, Reborn as a Prodigal Supreme, Wolf Daoist Master, CEO Please Take the Challenge: A Tender Palm, I Was Born in Hell, The Black Lotus Evolution Diary, and Shangqing Powder. These works generally feature fast-paced serialized narratives with dense plotting. Among the authors represented are Mo Lü Qing Tai, Xiao Ao Yu Sheng, Qing Feng Yu Wu, Yi Fan, Xiao Lü Luo, Sou Sou Dan, Ru Meng Ru Ge c, and Tian Xuan Yu. Overall, the list reflects a genre-oriented publishing profile tailored to online reading tastes.

FAQ

Is this book romance or power struggle?

It focuses on ancient fictional power struggles and palace intrigue, with romance as a subplot.

Is the ending happy or sad?

The ending involves a coup and sacrifice; the tone is rather tragic and heroic, not light and fully happy.

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About the author

Buti Author

Buti is an author about whom limited public information is available. At present, only one work by this author is included in the database, namely Mange Xing (roughly, Songs of the Southern Wilds). Judging from its common categories, the work is classified as boys' fiction and alternate history, suggesting that the author's writing tends toward historical-background fiction aimed at a male readership, with emphasis on plot development and the construction of an imagined world. Because no reliable records of birth and death dates, nationality, or personal experience have been found, a full picture of the author's writing career is difficult to sketch, and the available information centers mainly on the thematic positioning of Mange Xing. On the basis of current clues, Buti's work remains at the stage of a single published title, and readers' understanding of the author's style comes largely from the category labels attached to that one work. The direction of future writing and any change in the number of works await further public information for confirmation.