Summer
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Summary
In this story, people meet in summer carrying a shared broken memory. Shakespeare's The Winter's Tale is an immortal story, staged on a summer's day in the 1980s; Daniel, the protagonist of Autumn, returns, his fragmented recollections bound up with a summer internment camp; Sacha writes to a stranger in isolation, Hero, telling her that swifts will carry summer's message, bearing the warmest blessings.
—"Don't worry, another world is possible. When you are trapped in the worst world, it matters that you can say this."
Editor's review
Who it's for
A good fit for
- Readers who love experimental literature and stream-of-consciousness writing
- Thinkers with a strong interest in social issues and the depths of human nature
- Devoted followers of Ali Smith's Seasonal Quartet
- Literature lovers eager to encounter the latest currents in contemporary British fiction
Not a good fit for
- Readers who strongly prefer traditional linear narrative and clear plot
- Readers seeking light entertainment or a single-theme story
Reading tips
- It is advisable to read Autumn, Winter, and Spring first to better understand the character connections and thematic threads
- While reading, do not rush to sort out every thread; first feel the rhythm of the language and the layering of images
- The character map in the appendix may help, but immersing yourself in the flow of the text itself is encouraged
About the publisher
Zhejiang Literature and Art Publishing House is a Chinese publisher specializing in literary publishing. Judging from the 808 titles in the database, its publishing areas cover world classics, foreign literature, social novels, folk literature and classic works, as well as modern and contemporary literature and prose. Representative titles include foreign literary translations such as Anna Karenina, The Temple of the Golden Pavilion, In Praise of Shadows and The Complete Tragedies and Comedies of Shakespeare, alongside classic works by Lao She and Lu Xun such as Camel Xiangzi, Teahouse and Wandering. Its authors and translators include Leo Tolstoy, Cao Ying, Lao She, Yukio Mishima, Jun'ichirō Tanizaki and Zhu Shenghao. The press emphasizes the translation and introduction of classic texts and the compilation of native literary works, giving equal weight to Chinese and foreign literature. Owing to limited public information, its specific series and editorial policies are not elaborated here.
Contents
- 版权信息
- Ⅰ
- Ⅱ
- Ⅲ
- 致谢
- 译后记
FAQ
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About the author
Ali Smith is an author of foreign literature with a relatively large number of works in this database; eight titles are currently included, with representative works such as Spring, Summer, Autumn, and Winter—known as the "Seasonal Quartet"—as well as How to Be Both and The Accidental. Judging from the titles and the common categories, her writing often revolves around individual circumstances and emotional shifts amid the changing seasons, and appeals to readers of both youth literature and foreign literature. In the database her works are classified under foreign literature and youth literature, suggesting that her narratives are both literary and close to ordinary readers' emotional experience. It should be noted that the database does not provide information on her nationality, dates of birth and death, or English name, and public information is limited; this introduction therefore avoids biographical details and focuses on the themes and reading position of her works, so that readers may gain an overall picture of the author.
Liu Huining is a Chinese book editor and translator about whom limited public information is available. Two of her works are included in the database, both under foreign literature: Ali Smith's Seasonal Quartet (four volumes) and Summer. Judging from the subject matter of these two works, her efforts center on translating and introducing contemporary English-language literature, with particular attention to novels structured around the seasons and marked by delicate, experimentally inclined storytelling. Such works place high demands on a translator's linguistic sensitivity and sense of rhythm, requiring the Chinese text to preserve the original's shifting sense of time and poetic texture. The available materials are not sufficient to reconstruct her full career, but it is clear that she has helped bring Ali Smith's series to Chinese readers, offering readable translations that contribute to the circulation of contemporary foreign literature in China. Her translating style and choice of material are worth noting as readers approach these two works.