Director of the Beijing Office 4
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Summary
Editor's review
Who it's for
A good fit for
- 读过「驻京办主任」前三部、想了解系列如何收束的老读者
- 对当代中国官场小说和政治生态叙事感兴趣的读者
- 喜欢嵌套结构、戏仿与文体实验的文学爱好者
- 关注权力与人性关系主题、能接受黑色幽默笔调的读者
Not a good fit for
- 只想看线性情节推进、不愿意适应多层叙事的读者
- 期待轻松消遣、对官场与腐败题材无兴趣的读者
- 对跳跃式文体实验和大量议论性文字反应较大的人
Reading tips
- 建议先读前三部,熟悉丁能通、驻京办环境与系列人物,再读本书的套层叙事
- 阅读时留意「引言—他—我—你—附录」的视角切换,理清哪一重是日记、哪一重是小说
- 不必执着于情节推进速度,本书的趣味多半在文体设计与语言探析本身
- 可与该系列的修订版对照阅读,体会作者后来自我修订的思路。
About the publisher
Writers Publishing House is a Chinese publisher focused mainly on literary publishing. Its output covers classical literature, foreign literature, folk literature and Eastern philosophy, with some extension into popular reading such as social fiction and parenting books. Its catalogue contains more than 900 titles, including representative works such as Dream of the Red Chamber and its edited editions, Shakespeare's Macbeth and A Midsummer Night's Dream, and foreign literary classics such as The Brothers Karamazov and Lost Illusions. In terms of authors, it includes classical writers such as Cao Xueqin and Gao E, foreign masters such as William Shakespeare, Dostoevsky and Balzac, and translations by translators such as Zhu Shenghao, Geng Jizhi and Fu Lei. Overall, its publishing profile balances Chinese and foreign literary classics, emphasizes quality translations, and serves both academic and general readers; publicly available information on its specific publishing plans is limited.
Contents
- Introduction: A Sense of Déjà Vu
- He: An Improvised Meeting
- I: The Heaven-Revealing Diary
- You: A Startling Interpretation
- Appendix: Gu Huaiyuan's Novel Director of the Beijing Office
- Epilogue: Like a Dream
- Afterword: Gazing Afar Through the Soul
FAQ
《驻京办主任4》和前几部是连续的同一故事吗?
这本书的书名为什么也叫《驻京办主任》?
不读前三部能直接看第四部吗?
这本书大概多少字,版本情况如何?
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About the author
Public information about Wang Xiaofang is currently limited, and it is not possible to confirm the author's nationality, dates of birth and death, or full writing career. Judging from the holdings in our database, only one work appears under this author's name, The Gate of Dream Images (Mengxiang zhi Men), which is classified as modern poetry; on this basis, the author's writing can be broadly situated within contemporary poetic creation. The title itself carries a strongly imagistic and dreamlike quality, suggesting that the work may use imagination, hallucination, and inner landscapes as entry points for a twofold observation of reality and the spiritual world. Owing to the limited materials, it is difficult to further describe the author's specific artistic lineage, linguistic style, or poetics, or to assess their position and influence in the poetry world. For readers who wish to learn about this author, the most direct route remains reading The Gate of Dream Images itself, experiencing its choice of subject matter, construction of imagery, and lyrical approach, and forming their own judgment.