Incense Manual
Tags
Summary
Editor's review
Who it's for
A good fit for
- Enthusiasts and practitioners of incense ceremony and incense culture tracing the origins of traditional incense studies
- Scholars and students researching ancient customs, material culture and Chinese-foreign exchange
- Readers of traditional culture interested in Chinese materia medica and the preparation of aromatics
- Lovers of ancient texts with a foundation in classical Chinese who prefer reading primary sources
Not a good fit for
- Practical readers with no background who want to learn modern incense-ceremony procedures
- Beginners who find classical Chinese difficult and rely on vernacular translations
- General readers who only want entertaining stories about incense culture
Reading tips
- First survey the book's categories of incense and place-of-origin entries to build an overall framework, then read entry by entry.
- Read alongside ancient geographical and materia medica sources to verify the names and origins of aromatics.
- Take notes on incense formulas and preparation methods while reading, and compare them with today's incense practice.
- Read by theme—e.g., focusing on incense types, implements or ritual—rather than reading vaguely without gain.
Contents
- 版权信息
- 提要
- 香谱卷上
- 香谱卷下
FAQ
Who wrote Xiangpu, and when?
Can reading this book teach me to make or appreciate incense?
Can I read this book without any grounding in classical Chinese?
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About the author
Hong Chu was a man of letters of the Song dynasty; public sources on his life, career, and dates of birth and death are limited and await further research. His writings span cultural essays and poetic criticism. His best-known extant work is Xiangpu (Treatise on Incense), which records the categories of aromatics, their preparation, and their uses, making it an important source for the study of ancient Chinese incense culture. Another work, Hong Jufu Shihua, preserves anecdotes and critical remarks about the poetry circles of the Song dynasty and is useful for understanding the poetic views of the time. Four related titles are held in the collection, including the series Zhongguo Gudai Wuzhi Wenhua Congshu (Collected Works on the Material Culture of Ancient China) and its volume Xiangdian. His subjects lean toward material culture and the everyday life of the period, combining historical documentation with connoisseurial interest in a plain, practical style.