The Kingdom of Qingqiu cover

The Kingdom of Qingqiu

Rating 3.2
Word count
155K words
Chapters
57
ISBN
9787516637203

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Summary

This is a long historical novel drawn from true stories recorded in the old town's gazetteers. The land of southern Liaoning stretching from Dalian to Xiuyan, rich in hot springs and jade, has in recent years been identified by experts as the Qingqiu Kingdom of the Classic of Mountains and Seas. When the Revolution of 1911 was sweeping across China, the ancient town of Piziwо near Dalian was still under Japanese rule and known as the Kwantung Leased Territory. The townspeople practiced Shamanism, the belief that all things have spirits and that totems are worshipped. The pizi, or raccoon dogs, of the old town were Shaman totems, clever and mischievous, adept at imitating human speech and behavior, as if in a beautiful, tender fairy-tale world. In the year [X], the pizi were all poisoned to death by the Japanese, a mystery of the century. University lecturer Zhou Ye and Japanese exchange student Yukiko come to the old town to investigate the cruel truth behind the Japanese extermination of the pizi. No sooner has the investigation begun than Zhou Ye becomes entangled in emotional complications. He is admired by Yukiko, the Japanese student, yet his heart belongs to Zhao Yue, the first love he met not long ago, while Russian student Nadya also harbors feelings for him... Divorced Zhao Yue will not accept Zhou Ye's proposal and will only be his lover, to his great frustration and utter helplessness. Zhao Yue is a descendant of the Aisin Gioro clan; her maternal grandmother was a shaman and still lives in Piziwо. Back in the old town, the anti-Japanese exploits of forebears such as Second Master Ma and Ju Shide stir Zhou Ye's blood, and the bloody mystery of a contest of national courage and wisdom gradually unfolds. The Shaman world lets them feel the primal spiritual power of a people and its profound significance for today's world.

Editor's review

Qingqiu Kingdom is a novel by Yu Liji set against the backdrop of the ancient Chinese mythic work the Classic of Mountains and Seas and infused with modern fantasy elements. It is not a simple retelling of myth but takes the classic image of the nine-tailed fox of Qingqiu as its entry point to build a magnificent fantasy world rich in real-world allegory. The author, Yu Liji, is deeply engaged in literary creation and theoretical research; his style preserves the profound atmosphere of classical myth while injecting modern narrative pacing and reflection on human nature, lending new vitality to ancient legend.

The book's core value lies in its practice of "new mythologism." It transcends the traditional mythic tale, tightly interweaving the rise and fall of the fox realm of Qingqiu, the survival plight of its people, and the search for individual identity with eternal themes of power, love, and sacrifice. Readers can not only follow the protagonist's adventures through wondrous beasts and breathtaking hidden lands but also perceive, in the ups and downs of the characters' fates, profound allegories of cultural inheritance, identity, and civilizational conflict. The prose is delicate and charged with tension, the scenes vividly cinematic, and the emotional portrayals deeply moving.

For readers familiar with the Classic of Mountains and Seas, this is a surprising rediscovery; for fantasy lovers, it is a sincere work rooted in Eastern cultural soil. It proves that Eastern mythic material can equally support grand, complex narrative and resonate with contemporary readers.

Who it's for

A good fit for

  • Readers interested in the Classic of Mountains and Seas and ancient Chinese myth who wish to see traditional material expressed in a modern way
  • Lovers of Eastern fantasy seeking a worldview different from Western magical systems
  • Deep readers who enjoy exploring cultural allegory and philosophical reflection within a story
  • Readers who appreciate beautiful prose and finely drawn scenes

Not a good fit for

  • Readers seeking the fast pace and strong plot conflicts of web fiction
  • Readers expecting strict fidelity to the original text of the Classic of Mountains and Seas or historical reconstruction

Reading tips

  1. Before reading, a brief acquaintance with the basic records of Qingqiu and the nine-tailed fox in the Classic of Mountains and Seas will add richer layers to the reading
  2. Immerse yourself in the atmosphere the author creates; do not rush the plot, but savor the visual and emotional tension of the prose
  3. Watch for the modern predicaments of the characters within the mythic framework and reflect on the deeper themes beneath the surface adventure

About the publisher

Xinhua Publishing House China · Founded in 1979

Xinhua Publishing House is known for books on politics, journalism, biography and the social sciences. Its 519 titles in the catalog cover world history, social culture, history reading, military affairs, language and writing, and applied psychology. Representative books include Winston Churchill's multi-volume A History of the English-Speaking Peoples, John Dewey's Art as Experience, Wayne Booth's The Craft of Research, and The Chicago Guide to Writing About Research, as well as military history such as Defeat into Victory: The Decisive Campaign in Burma and India, 1942–1945. Its authors range from international figures such as Churchill, Dewey and Booth to Chinese writers including Wu Hao, Luo Dingzi, Li Xuehua and Zhao Hong, giving the press a distinctive profile that balances classic translation with practical writing and emphasizes both history and the social sciences.

Contents

  1. 版权信息
  2. 自序 融入阳光的那片金黄
  3. 引子 貔子窝
  4. 第一章 雪子
  5. 第二章 肇月
  6. 第三章 貔子窝
  7. 第四章 貔子传说
  8. 第五章 神秘萨满
  9. 第六章 我是谁
  10. 第七章 长白寻祖
  11. 第八章 女生娜佳
  12. 第九章 鞠掌柜
  13. 第十章 踏雪寻梅
  14. 第十一章 廷巴固
  15. 第十二章 难忘初恋
  16. 第十三章 春夜
  17. 第十四章 樱花季
  18. 第十五章 金家店
  19. 第十六章 清泉旅馆
  20. 第十七章 太极神功
  21. 第十八章 只是传说吗
  22. 第十九章 无望之爱
  23. 第二十章 善强如是说
  24. 第二十一章 雨天的人生
  25. 第二十二章 推背图的秘密
  26. 第二十三章 萨满之死
  27. 第二十四章 生死一线
  28. 第二十五章 也许是我该安静地离开
  29. 第二十六章 朋友
  30. 第二十七章 马福连
  31. 第二十八章 益兴号的秘密
  32. 第二十九章 奇袭民政署
  33. 第三十章 锄奸
  34. 第三十一章 貔子阿什
  35. 第三十二章 我的爷爷奶奶
  36. 第三十三章 再生
  37. 第三十四章 追凶
  38. 第三十五章 日俄监狱
  39. 第三十六章 堀岭株式会社
  40. 第三十七章 青丘国
  41. 第三十八章 岫岩行
  42. 第三十九章 筹办水厂
  43. 第四十章 SARS来了
  44. 第四十一章 神水显威
  45. 第四十二章 开业庆典
  46. 第四十三章 飘雪
  47. 第四十四章 夙愿
  48. 第四十五章 诈降
  49. 第四十六章 鞠掌柜之死
  50. 第四十七章 虫王庙惊变
  51. 第四十八章 残局
  52. 第四十九章 最后一只貔子
  53. 第五十章 死亡之吻
  54. 第五十一章 水落石出
  55. 第五十二章 雪化成了水
  56. 尾声 貔子窝
  57. 附 貔子窝老照

FAQ

Is this book a translation or simple adaptation of the Classic of Mountains and Seas?
No. It is an original full-length fantasy novel that uses the mythological system of the Classic of Mountains and Seas as background and inspiration; the author creates entirely new stories, characters, and complex plots in a creative interpretation of classic culture.
Is the style light or serious and profound?
The overall style is serious, grand, and somewhat epic. While there is no lack of exciting adventure and fantasy scenes, the core of the story concerns weighty themes such as the fate of a people and identity, and the emotional tone is deep and restrained.
Is it suitable for young readers?
The book is highly literary and its themes have some depth, making it better suited to young adult and adult readers with some reading experience and capacity for reflection. Younger teenagers may find the allegory and appreciation of the prose somewhat challenging.

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About the author

于立极 Author

Yu Liji is an author about whom little public information is available. His confirmed works to date consist of two titles, Youth Sniper and The Land of Qingqiu. Judging from their subject matter, his writing spans two clearly distinct directions: one involves youth literature, while the other enters the imaginative space of a world beyond the ordinary. This cross-genre choice suggests that the author is not confined to a single category but explores both realistic youth themes and fantastical realms. Because no clear records exist regarding his biography, nationality, dates of birth and death, it is not yet possible to trace his creative development or overall stylistic trajectory, and reliable material on his writing philosophy and literary influence is lacking. For readers who wish to learn about this author, the most direct path currently remains reading Youth Sniper and The Land of Qingqiu, and sensing his narrative orientation and thematic interests through the works themselves.

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