Reboot cover

Reboot

Rating 3.6
Series
Reboot
ISBN
9787550016941

Tags

Summary

Reboot is the first novel by American author Amy Tintera, published originally under the title Reboot. The story is set in a near-future dystopian world: an organization called HARC possesses the technology to bring the dead back to life and remodel them, transforming these revived individuals into "Reboots" who carry out assassination missions. Reboots are numbered according to the interval between death and waking: the higher the number, the longer the person was dead, and the greater their speed, strength, and regenerative ability after revival—but the less humanity remains in them. Five years ago, twelve-year-old girl Wren Connolly was shot three times in the chest and woke up in the morgue 178 minutes later, becoming Reboot number One Seventy-Eight. She is the Reboot who was dead the longest in the organization and the strongest of them all, coldly efficient and almost emotionless when carrying out missions. At seventeen, Wren is assigned to train a new Reboot boy, Callum Reyes (number Twenty-Two). Callum is the weakest in the squad and the closest to an ordinary human—physically fragile yet clear-headed, with his own judgment on everything and unwilling to obey easily. During training, Wren is gradually influenced by the unextinguished humanity in Callum, and the emotions she had forcibly suppressed as a "weapon" are awakened bit by bit. Meanwhile, the organization issues a cold order: if Callum fails to meet the standard of a qualified soldier, Wren must execute him with her own hands. Facing the multiple trade-offs among life, freedom, and love, Wren must make a choice. The book unfolds from Wren's first-person perspective, with brisk action sequences, and its focus lands on the theme of "how a person trained into a machine becomes human again."

Editor's review

这是一个把「科幻设定的冷」和「少年情感的暖」放在一起讲的故事。HARC 的重启人体系设定简单却有效:编号就是一道刻度尺,越强越冷、越弱越有人味,主角瑞恩与卡伦恰好站在刻度两端,冲突从第一场训练起就自然而然地发生了。 作为作者的长篇处女作,本书的节奏偏轻快,动作戏和训练场景写得很直白,情感线推进得也比较直接,不追求复杂的世界观和哲学深度。它更像一部适合一口气读完的青少年类型小说:有反乌托邦的框架、有对立阵营的压迫、有「训练者与被训练者」的禁忌情愫,也有一个不拖泥带水的选择。 原书出版后第二年即售出电影改编权,二十世纪福克斯公司购得版权。对喜欢《分歧者》《饥饿游戏》这类题材、又想在周末找一本文体轻、篇幅短的读物来说,本书是个不错的入口;若期待严密的世界观或厚重的人性思辨,读前宜调低预期。本书中文版由彭临桂翻译,百花洲文艺出版社 2016 年出版。

Who it's for

A good fit for

  • 喜欢《分歧者》《饥饿游戏》等青少年反乌托邦作品的读者
  • 想找一本文体轻松、节奏明快的科幻故事消遣的读者
  • 对「人造战士与人性复苏」这类设定感兴趣的科幻入门读者
  • 希望阅读篇幅不长、能在两三个晚上读完的外国小说的中学生及以上读者

Not a good fit for

  • 偏好硬科幻、追求严密世界观设定与技术细节的读者
  • 不喜欢青少年恋爱线与类型化人物弧光的成年读者
  • 对暴力训练、杀戮任务等战斗描写较为敏感者

Reading tips

  1. 把它当作类型小说来读,不必急着追问 HARC 的技术原理,先顺着瑞恩的视角进入故事节奏。
  2. 留意「编号」这条隐含线索:数字所代表的不仅是强弱,也对应人性的多少,可作为理解两位主角关系的钥匙。
  3. 读完后可以接着读系列第二册《重启人:终结篇》,故事在逃离 HARC 之后还有后续。
  4. 若想延伸阅读,可以与《分歧者》《饥饿游戏》对照,看同类题材如何处理「体制与人」的冲突。

About the publisher

Baihuazhou Literature and Art Publishing House is a professional literature and art publisher. Judging from the books in the database, its publishing focus is on foreign literature, world classics, prose and miscellaneous writings, and classic works, while also covering literary appreciation and cultural reading. Representative titles include The Painter of Modern Life, Jane Eyre, Six Chapters of a Floating Life, The Moon and Sixpence, Selected Prose of Ji Xianlin, A Sportsman's Sketches, and Collected Prose of Famous Masters, involving Chinese and foreign authors such as Charles Baudelaire, Charlotte Brontë, Shen Fu, and W. Somerset Maugham, as well as translators including Guo Hong'an, Chen Jinhui, Jing Xing, and Jiao Haili. Overall, the press emphasizes the introduction of classic texts and the compilation of prose works, presenting a publishing profile centered on literary reading and cultural accumulation. As public information is limited, other aspects are not elaborated here.

FAQ

《重启人》是系列的第几本?
本书是「重启人」系列的第一册,原书名 Reboot,2016 年由百花洲文艺出版社出版,彭临桂翻译。系列第二册为《重启人:终结篇》(原书名 Rebel),2017 年出版,程麒翻译。
这本书适合初中生读吗?
整体语言直白、篇幅不长,中学生可以读。但书中有训练、杀戮任务和枪击等战斗描写,也有青少年恋爱线,家长可先自行翻阅再决定是否给孩子阅读。
「重启人」这个词是什么意思?
书中指被 HARC 机构用技术复活、改造为战斗人员的死者。他们按死亡到复活的间隔时间编号,数字越大能力越强,但残留的人性也越少。
读完第一册必须读第二册吗?
第一册本身有相对完整的情节落点,可以单独读。但故事在结尾留下了关于逃离与对抗的线索,想看后续发展可以接读《重启人:终结篇》。

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