Seeing Off a Recluse: A Quatrain
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers of classical literature interested in late Tang poetry and Du Mu's quatrains
- Students seeking to develop classical poetry appreciation through short works
- Ordinary readers who enjoy reclusion themes and the attitudes toward life of ancient literati
Not a good fit for
- Researchers needing detailed biographical and historical verification
- Readers who prefer long works and lack patience for the short quatrain form
Reading tips
- Read the whole poem first, identify the lines depicting the recluse and those expressing farewell feeling, then see how the two connect.
- Note the turn and the closing point of the quatrain, and after reading retell the poem's progression in your own words.
- Read alongside Du Mu's other quatrains to sense how his language style works across different subjects.
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 【泊秦淮】杜牧
- 卷523_61【秋浦途中】杜牧
- 卷523_62【题桃花夫人(即息夫人)庙】杜牧
- 卷523_63【初春有感,寄歙州邢员外】杜牧
- 卷523_64【书怀寄中朝往还】杜牧
- 卷523_65【寄崔钧】杜牧
- 卷523_66【初春雨中舟次和州横江裴使君见迎李赵二秀才…许浑先辈】杜牧
- 卷523_67【和州绝句】杜牧
- 卷523_68【题乌江亭】杜牧
- 卷523_69【题横江馆】杜牧
- 卷523_70【寄澧州张舍人笛】杜牧
- 卷523_71【寄扬州韩绰判官】杜牧
- 卷523_72【送李群玉赴举】杜牧
- 卷523_73【送薛种游湖南】杜牧
- 卷523_74【题寿安县甘棠馆御沟】杜牧
- 卷523_75【汴河怀古】杜牧
- 卷523_76【汴河阻冻】杜牧
- 卷523_77【酬张祜处士见寄长句四韵】杜牧
- 卷523_78【寄宣州郑谏议】杜牧
- 卷523_79【题元处士高亭(宣州)】杜牧
- 卷523_80【郑瓘协律】杜牧
- 卷523_81【和野人殷潜之题筹笔驿十四韵】杜牧
- 卷523_82【重题绝句一首】杜牧
- 卷523_83【送陆洿郎中弃官东归】杜牧
- 卷523_84【寄珉笛与宇文舍人】杜牧
- 卷523_85【寄内兄和州崔员外十二韵】杜牧
- 卷523_86【遣兴】杜牧
- 卷523_87【早秋】杜牧
- 卷523_88【秋思】杜牧
- 卷523_89【途中一绝】杜牧
- 卷523_90【春尽途中】杜牧
- 卷523_91【题村舍】杜牧
- 卷523_92【代人寄远六言二首】杜牧
- 卷523_93【闺情】杜牧
- 卷523_94【旧游】杜牧
- 卷523_95【寄远】杜牧
- 卷523_96【帘】杜牧
- 卷523_97【寄题甘露寺北轩】杜牧
- 卷523_98【题青云馆】杜牧
- 卷523_99【正初奉酬歙州刺史邢群】杜牧
- 卷523_100【江上偶见绝句】杜牧
- 卷523_101【题木兰庙】杜牧
- 卷523_102【入商山】杜牧
- 卷523_103【偶题】杜牧
- 卷523_104【送卢秀才一绝】杜牧
- 卷523_105【醉题】杜牧
- 卷523_106【题商山四皓庙一绝】杜牧
FAQ
Where does the difficulty of reading this quatrain lie?
Do I need to know late Tang background to read this poem?
Which of Du Mu's works should this be read with?
Comments
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About the author
Du Mu (803–852), courtesy name Muzhi and styled Fanchuan Jushi, was a native of Wannian in Jingzhao (present-day Xi'an, Shaanxi). A distinguished poet and prose writer of the Tang Dynasty, he was the grandson of the chancellor Du You. He rose to the office of Zhongshu Sheren and is known above all for his seven-character quatrains; together with Li Shangyin he is called one of the "Little Li-Du." His works include the prose piece "Epang Palace Fu" and poems such as "Mountain Journey" and "Mooring on the Qinhuai River." This library holds nineteen of his works, among them "Two Poems of Parting," "The Complete Works of Du Mu," "The Collected Works of Du Mu," "A Quatrain Sent to a Recluse," and "Three Poems Recalling Past Travels"; they are commonly classified under social sciences, classical poetry, and classic works. His writing is admired for its vigor and clarity, and his quatrains in particular have been praised by later generations, giving him an important place in Tang literary history.