Presented on Parting
Tags
Summary
Editor's review
Who it's for
A good fit for
- Middle-school students studying Tang poetry who need short texts for extracurricular recitation
- Readers interested in Tang literati life and the theme of parting poems
- General readers who enjoy subtle, lyrical, and concise classical poetry
- Enthusiasts who need classical poems for calligraphy practice or reading aloud
Not a good fit for
- Professional researchers needing detailed annotations, scholarly textual study, or edition research
- Readers uninterested in the courtesan theme who prefer other poetic subjects
Reading tips
- Read the whole poem first to grasp the parting situation, then look up uncommon words and relevant background.
- Learn about the Tang tradition of poems for courtesans, then reread to understand the restraint of its emotional expression.
- Read it alongside Du Mu's other short lyrical poems to appreciate his clear and graceful style.
- Recite and copy the whole poem to feel the subtle sorrow of parting through rhythm and wording.
About the publisher
Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.
Contents
- 版权信息
- 【送陆鸿渐赴越】皇甫冉
- 【送窦叔向】皇甫冉
- 【题蒋道士房】皇甫冉
- 【夜集张諲所居(得飘字)】皇甫冉
- 【酬权器】皇甫冉
- 【寄刘方平大谷田家】皇甫冉
- 【送云阳少府(得归字)】皇甫冉
- 【鲁山送别(一作刘长卿诗)】皇甫冉
- 【题高云客舍】皇甫冉
- 【台头寺愿上人院古松…与赵八员外、裴十补阙同赋之】皇甫冉
- 【渔子沟寄赵员外裴补阙】皇甫冉
- 【送崔使君赴寿州(一作刘长卿诗)】皇甫冉
- 【送谢十二判官】皇甫冉
- 【送处州裴使君赴京】皇甫冉
- 【送田济之扬州赴选】皇甫冉
- 【送袁郎中破贼北归】皇甫冉
- 【同李万晚望南岳寺怀普门上人】皇甫冉
- 【奉和独孤中丞游法华寺】皇甫冉
- 【之京留别刘方平】皇甫冉
- 【出塞】皇甫冉
- 【赴李少府庄失路】皇甫冉
- 【雨雪】皇甫冉
- 【馆陶李丞旧居】皇甫冉
- 【送刘兵曹还陇山居】皇甫冉
- 【同李三月夜作】皇甫冉
- 【同裴少府安居寺对雨】皇甫冉
- 【送元晟归潜山所居(一作送王山人归别业)】皇甫冉
- 【送康判官往新安赋得江路西南永(一作刘长卿诗)】皇甫冉
- 【宿洞灵观】皇甫冉
- 【酬卢十一过宿】皇甫冉
- 【酬裴十四(得晏字)】皇甫冉
- 【彭祖井(一本题上有奉和王相公五字)】皇甫冉
- 【奉和对雪(一本作奉和王相公喜雪)】皇甫冉
- 【送萧献士(一本题下有往邺中三字)】皇甫冉
- 【卖药人处得南阳朱山人书】皇甫冉
- 【初出沅江夜入湖】皇甫冉
- 【送裴员外往江南】皇甫冉
- 【奉和王相公早春登徐州城】皇甫冉
- 【奉和对山僧(一作同杜相公对山僧)】皇甫冉
- 【奉和待勤照上人不至】皇甫冉
- 【奉和汉祖庙下之作】皇甫冉
- 【和朝郎中扬子玩雪寄山阴严维】皇甫冉
- 【闲居作】皇甫冉
- 【归渡洛水】皇甫冉
- 【送郑二员外】皇甫冉
- 【酬崔侍御期籍道士不至兼寄】皇甫冉
- 【送裴陟归常州】皇甫冉
FAQ
To whom is this farewell poem addressed?
What feeling does the poem express?
Is this short poem difficult for general readers?
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About the author
Du Mu (803–852), courtesy name Muzhi and styled Fanchuan Jushi, was a native of Wannian in Jingzhao (present-day Xi'an, Shaanxi). A distinguished poet and prose writer of the Tang Dynasty, he was the grandson of the chancellor Du You. He rose to the office of Zhongshu Sheren and is known above all for his seven-character quatrains; together with Li Shangyin he is called one of the "Little Li-Du." His works include the prose piece "Epang Palace Fu" and poems such as "Mountain Journey" and "Mooring on the Qinhuai River." This library holds nineteen of his works, among them "Two Poems of Parting," "The Complete Works of Du Mu," "The Collected Works of Du Mu," "A Quatrain Sent to a Recluse," and "Three Poems Recalling Past Travels"; they are commonly classified under social sciences, classical poetry, and classic works. His writing is admired for its vigor and clarity, and his quatrains in particular have been praised by later generations, giving him an important place in Tang literary history.