Seeing Off Censor Yan Returning to the Palace cover

Seeing Off Censor Yan Returning to the Palace

Rating 3.2
Word count
3K words
Chapters
48

Tags

Summary

"Seeing Off Censor Yan on His Return to the Capital" is one of the poems by Li Zhong, a Tang dynasty poet.

Editor's review

Li Zhong was a poet of the late Tang and Five Dynasties periods; his works mostly depict everyday social intercourse and official travels, written in plain language with genuine feeling. "Seeing Off Censor Yan on His Return to the Capital" takes the farewell to a censor returning to court as its thread and carries a double meaning of parting and good wishes: it portrays the reluctance at parting and also implies hopes for his friend's return to office at court, reflecting the late Tang literati's mindset of advancing or withdrawing amid turbulent times. The poem is short, yet it offers a concrete point of entry for observing the evolution of late Tang farewell poetry—how social obligation and personal sentiment coexist, and how genuine concern shines through conventional blessings. This edition is light and portable, suitable as a classroom example, an appreciation exercise, or casual reading. When reading, one may compare it with High Tang farewell poems, noting the shift in tone from bold to plain and in emotion from outward to inward. It is advisable to pair it with general knowledge of late Tang and Five Dynasties society, but not to over-read hidden meanings. A single poem has limited scope and should not be the sole basis for research on the poet.

Who it's for

A good fit for

  • Middle school and university students studying the evolution of Tang poetry who need example texts of late Tang farewell poems
  • Readers of literature and history interested in the late Tang and Five Dynasties literati mindset and official social life
  • Teachers who need short classical poems as appreciation exercises or classroom teaching material
  • General readers who enjoy classical poetry in plain language with genuine feeling

Not a good fit for

  • Professional researchers who need complete collation, detailed annotations, and textual criticism
  • Readers who wish to study Li Zhong's complete poetic works systematically
  • Those who prefer grand imagery or intense lyricism and have limited interest in plain occasional verse

Reading tips

  1. On first reading, focus on the farewell scene and words of blessing; then go back and identify which lines reveal traces of the late Tang situation.
  2. Choose one High Tang farewell poem and read the two side by side, listing differences in tone, imagery, and how emotion is brought to a close.
  3. Read the poem aloud twice and circle the forms of address that best reflect the friend's status, noticing the function of official titles in the poem.
  4. Try rewriting the whole poem as a modern vernacular farewell message to check whether you have grasped the original meaning.

About the publisher

Jinzhang Book Company (Jinzhang Shuju) China · Founded in 1901

Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.

Contents

  1. 版权信息
  2. 【红花】李中
  3. 卷749_7【安福县秋吟寄陈锐秘书】李中
  4. 卷749_8【新喻县酬王仲华少府见贻】李中
  5. 卷749_9【暮春有感寄宋维员外】李中
  6. 卷749_10【题吉水县厅前新栽小松】李中
  7. 卷749_11【赠念《法华经》绶上人】李中
  8. 卷749_12【秋日途中】李中
  9. 卷749_13【宿韦校书幽居】李中
  10. 卷749_14【依韵和友人秋夕见寄】李中
  11. 卷749_15【吉水作尉酬高援秀才见赠】李中
  12. 卷749_16【送智雄上人】李中
  13. 卷749_17【览友人卷】李中
  14. 卷749_18【送人南游】李中
  15. 卷749_19【晋陵县夏日作】李中
  16. 卷749_20【邮亭早起】李中
  17. 卷749_21【客中寒食】李中
  18. 卷749_22【旅馆秋夕】李中
  19. 卷749_23【宿青溪米处士幽居】李中
  20. 卷749_24【维舟秋浦,逢故人张矩同泊】李中
  21. 卷749_25【代别】李中
  22. 卷749_26【悼怀王丧妃】李中
  23. 卷749_27【酒醒】李中
  24. 卷749_28【送虞道士】李中
  25. 卷749_29【怀旧夜吟寄赵杞】李中
  26. 卷749_30【宿临江驿】李中
  27. 卷749_31【途中柳】李中
  28. 卷749_32【隔墙花】李中
  29. 卷749_33【广陵寒食夜】李中
  30. 卷749_34【寄庐山庄隐士】李中
  31. 卷749_35【吉水寄阎侍御(时公调官瀑川)】李中
  32. 卷749_36【送张惟贞少府之江阴】李中
  33. 卷749_37【钟陵禁烟寄从弟】李中
  34. 卷749_38【夜泊江渚】李中
  35. 卷749_39【吉水县依韵酬华松秀才见寄】李中
  36. 卷749_40【贻庐山清溪观王尊师】李中
  37. 卷749_41【王昭君】李中
  38. 卷749_42【送姚端先辈归宁】李中
  39. 卷749_43【江村晚秋作】李中
  40. 卷749_44【蛩】李中
  41. 卷749_45【感秋书事】李中
  42. 卷749_46【访庐山归章禅伯】李中
  43. 卷749_47【庐山栖隐洞谭先生院留题】李中
  44. 卷749_48【江行值暴风雨】李中
  45. 卷749_49【杪秋夕吟怀寄宋维先辈】李中
  46. 卷749_50【七夕】李中
  47. 卷749_51【吉水作尉时酬阎侍御见寄】李中
  48. 卷749_52【清溪逢张惟贞秀才】李中

FAQ

What does "return to the capital" mean in the poem? Do I need to look it up specially?
"Return to the capital" means returning to court and to office in the capital, a common expression in Tang farewell poetry. Understanding this much is enough for smooth reading; there is no need to dig into the details of the official system. If interested, you may consult general introductions to Tang censorial duties and court audience institutions.
Li Zhong is not a famous poet. What is the value of reading this piece?
Its value lies in its representative quality: it presents the plain and restrained character of late Tang farewell poetry and can be contrasted with High Tang works of the same kind, helping readers understand how poetic style changed with the times. As a single text for close reading, it is short and complete, convenient for classroom and self-study use.
Is this poem suitable for training middle school students in appreciating classical poetry?
Yes. It is short, with few linguistic obstacles and clear emotional threads, making it convenient for training in identifying imagery, analyzing emotion, and distinguishing technique. Teachers can guide students to compare it with farewell poems by Wang Wei and Wang Bo, discussing how differences in the status of the person seen off lead to differences in tone, and forming well-grounded interpretive conclusions.

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About the author

李中 Author

Li Zhong: publicly available information is limited, and his body of work is mainly represented by the eleven titles held in our collection. Judging from their subject matter, his writing spans medicine and health, classical poetry, inspirational personal growth, and social science, reflecting a broad intellectual range and a cross-disciplinary approach. His health-related works address practical concerns, such as Face Alzheimer's Disease Head-On, which deals with the illness, and The Complete Book of Minor Acupoints for Major Health (Color Platinum Edition), which popularizes acupoint-based health care in accessible, practical language. His poetry includes poems such as Written on the Wall of Scholar Xia's Secluded Dwelling, Two Poems of Spring Boudoir Sorrow, and verses presented to or sent off with officials and friends; these are formally polished, delicate in feeling, and carry the traditional literati flavor of poetic exchange and farewell. His inspirational works, such as Competition Is So Cruel—How Will You Stand Out?, confront real-life pressure in a pragmatic tone. Overall, Li Zhong's writing combines knowledge dissemination with literary expression, and is varied in subject while plain and steady in style.

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