Past Work
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who have read Zhou Zuoren's representative works and want to explore his uncollected essays
- Readers interested in literary notes and essays from the late Republican era
- Fans of short essays and casual prose suitable for dipping into
- Readers studying Zhou Zuoren's writing process and the textual history of editions
Not a good fit for
- Readers expecting wartime commentary from the War of Resistance period
- Readers who prefer complete, thematically focused collections
- Readers impatient with the understated Zhitang style
Reading tips
- Start with the seven pieces written after the victory in the War of Resistance and note the faint reflections of the changing political situation in the text.
- Compare it with the publication note in Zhi tang yi you wen bian to understand how the two books were originally one and came to be split.
- No need to read in order; pick pieces by interest, read two or three at a time, and take brief notes.
Contents
- 版权信息
- 关于竹枝词
- 谈胡俗
- 关于红姑娘
- 石板路
- 再谈禽言
- 关于遗令
- 读书疑
- 东昌坊故事
- 焦里堂的笔记
- 凡人的信仰
- 饼斋的尺牍
- 实庵的尺牍
- 曲庵的尺牍
- 过去的工作
- 两个鬼的文章
FAQ
What is the relationship between Past Work and Zhitang's Yiyou Essays?
Were these essays published at the time?
Can I read this directly without having read other works by Zhou Zuoren?
Comments
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About the author
Zhou Zuoren (1885–1967) was a native of Shaoxing, Zhejiang, and the younger brother of Lu Xun. A modern Chinese essayist, literary theorist and translator, he was a representative figure of the New Culture Movement. He taught at Peking University and took part in editing New Youth and Yusi. His essay collections include My Own Garden, Writings on a Rainy Day and Recollections of Zhitang, written in a plain, calm style that finds interest and insight in everyday matters. He long translated Japanese and Greek literature, notably The Pillow Book, the tragedies of Euripides and the comedies of Aristophanes. His essays, folk-literature studies and translations have had a lasting influence on modern Chinese writing and the reception of foreign literature.