Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who love full-color illustration collections and value atmosphere and emotional expression
- Illustration and design enthusiasts interested in visual narrative and visual metaphor
- Readers concerned with real-world issues like family, school, workplace, and mental health
- Readers willing to read slowly and sense the unsaid through visual detail
Not a good fit for
- Readers expecting continuous plot or extensive verbal explanation
- Readers sensitive to cruel or oppressive imagery and easily affected emotionally
- Readers who prefer light, bright, purely healing illustration styles
Reading tips
- Go through the seven chapters in order; after each, pause a few minutes and recall the image that moved you most and why.
- First read without looking at chapter titles, then go back and reread against the titles to feel how they change your reading of the images.
- Use "learning alongside a mermaid who does not understand language" as a thread—note where the mermaid appears and with whom.
- Emotionally sensitive readers should read one chapter at a time and skip oppressive images, continuing another day rather than forcing a full read.
About the publisher
Founded in 1981, Guangdong Tourism Publishing House has long taken tourism and cultural tourism content as its main publishing focus, while extending into fields such as architecture, history, foreign literature, biography, and essays. Its books in the database show that it publishes scholarly and historical works such as Liang Sicheng's A History of Chinese Architecture and Chen Yuan's Examples of Taboo Names in History, as well as translations of foreign literature including Mishima Yukio's The Temple of the Golden Pavilion and Spring Snow and Chekhov's collected letters. It also offers biographies such as From Emperor to Citizen (latest complete edition), The Complete Biography of Zuo Zongtang, and Slightly Out of Focus: Robert Capa's World War II Memoir. Its author resources span architectural history, historiography, and literary translation, giving its list a character that balances cultural tourism reading with humanities and social science titles. As public information is limited, this summary is based only on the publishing directions reflected in the books in the database.
Contents
- 版权信息
- 第1章 心无居所的孩子
- 第2章 社会的结构
- 第3章 已经忍了一百天
- 第4章 终结与开始
- 第5章 纯白的世界
- 第6章 什么是Kawaii（可爱）？
- 第7章 自由与幸福
- 索引
FAQ
Does this illustration collection have a continuous story?
Can I understand it without an art background?
The book touches on mental health—is it very heavy?
What role does the mermaid play in the book?
Comments
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About the author
Avo Gadero is a Chinese author about whom relatively little public information is available; neither the dates of birth and death nor educational background have been clearly recorded. Judging from the two works held in the collection, Yanye and Shangying, the author's writing touches on the social sciences. Although the number of works is small, they already show a fairly clear personal orientation. Based on the available information, the writing tends to center on social phenomena and everyday experience, drawing reflections from concrete examples. The prose is plain and restrained, avoiding elaborate terminology, and is therefore accessible to general readers. The two works differ in emphasis but both reflect a sustained attention to real-world issues and an effort to turn observation into readable narrative. As relevant materials remain insufficient, more information is needed regarding the author's creative trajectory and overall profile; readers may take these two works as a starting point for gradually coming to know the author's style and concerns.
