Faith cover

Faith

Rating 4.0
Word count
49K words
Chapters
9
ISBN
9787532797509

Tags

Summary

Faith: I'm a realist who can't stop asking, "How much does this cost?" But the people around me don't understand, and they've gradually kept their distance. Even my own sister has turned on me: the "reality" my sister believes in—isn't that just another kind of cult? Just then, an old classmate asks me to help start a new religion to make money. To live a normal life, I decide to join—and ask my classmate to brainwash me...

Editor's review

Sayaka Murata's Faith continues her signature approach of defamiliarizing the everyday order. The novel opens with a narrator who calls herself a realist: she habitually measures things by "how much it costs," and for that she is alienated by those around her—even her own sister asks whether the "reality" she believes in is itself a cult. This question forms the book's core tension: when "reality" is treated as the only correct way to live, does it too acquire the exclusivity of a faith? The plot then turns to an old classmate inviting her to start a new religion to make money; to return to a "normal life," she decides to join and asks to be brainwashed, and the absurdity escalates layer by layer. The work's strength lies in handling serious themes in a light, even comic tone, making readers reflect on their own default attachment to "normal" even as they laugh. It suits readers who enjoy contemporary Japanese literature with a conceptual-experimental bent, and those interested in faith, rationality, and herd mentality. While reading, watch for the self-justification and holes in the narrator's tone—that is exactly where the author plants her invitation to think.

Who it's for

A good fit for

  • Readers who like Sayaka Murata's style and her conceptual experiments
  • Readers interested in faith, herd mentality, and standards of "normal"
  • Literary readers accustomed to contemporary Japanese fiction and receptive to absurd premises
  • Readers who want reflective stimulation delivered in a light tone

Not a good fit for

  • Readers expecting traditional realist narrative and clear moral judgment
  • Readers sensitive to or uncomfortable with religion and brainwashing themes
  • Readers who prefer warm, healing stories and dislike an ironic tone

Reading tips

  1. First, note the passages where the narrator repeatedly stresses "reality," and mark the tone of her self-justification.
  2. After finishing, recall the sister's question and then judge whether the narrator's position is reliable.
  3. Read it alongside the author's other works and observe how she examines the everyday order.
  4. Read in groups of two or three chapters, leaving gaps to feel the discomfort the absurdity produces.

About the publisher

Shanghai Translation Publishing House China · Founded in 1978

Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.

Contents

  1. 版权信息
  2. 信仰
  3. 生存
  4. 地脉润起
  5. 回归母星
  6. 文化冲击
  7. 愉悦这种罪
  8. 未写成的小说
  9. 最后的展览会

FAQ

Is this book a serious discussion of religion?
No, it is not a work of religious studies. Through the plot device of "starting a new religion," the novel explores people's psychological attachment to "normal" and "reality," with a clear absurd and ironic flavor; its focus is conceptual experiment rather than religion itself.
I haven't read any other Sayaka Murata works—can I read this one directly?
Yes. This is a standalone story and does not depend on earlier works. It does continue the author's defamiliarizing treatment of everyday norms, so first-time readers may be surprised by its absurd tone, but they will adjust after a few chapters.
Does the title "Faith" refer to faith in the religious sense?
Not only that. In the book, the sister calls the "reality" her sister believes in a cult, suggesting that "faith" can also mean an unquestioning attachment to a certain standard of living. The novel uses this to pursue questions about conformity and rationality.

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About the author

Sayaka Murata is a Japanese writer. Public information about her is limited, and details such as her dates of birth and death, education, and awards cannot be confirmed at present. The collection includes four of her works, among them Convenience Store Woman, Shinkō, and Chikyū Seimei, as well as the thirty-volume Warm and Beautiful Novel Collection, to which she contributed alongside other authors; these titles are commonly classified as foreign literature. Convenience Store Woman is her signature work, set in the everyday space of a convenience store, and through the protagonist's perspective it examines society's discipline of "normality" and the individual's sense of alienation, in a calm and restrained style with a distinct absurdist flavor. Her writing often begins with everyday details and focuses on the tensions among gender, the body, and social norms, questioning the existing order within seemingly plain narratives, which gives her a recognizable voice in contemporary Japanese literature.

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