Rules of the Wine Cup
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in late-Ming informal prose and literati life
- Those who enjoy drinking culture, table etiquette, and party games
- Students or self-learners in need of short classical Chinese reading material
- Readers who often gather with friends and would like to add some elegant table talk
Not a good fit for
- Readers seeking a systematic study of brewing techniques or wine-tasting skills
- Those looking for modern socializing scripts and tactics for the drinking table
- Readers who prefer long narratives or complete storylines
Reading tips
- Read through the original text once, then work through it sentence by sentence with the annotations, noting the meanings of terms such as "magistrate," "secretary," and "drinking talent."
- After reading, try designing a simple drinking game and division of roles for a gathering of friends, and experience the sense of order described in the text.
- Read it alongside other late-Ming informal prose and note Yuan Hongdao's concise, humorous way with words.
Contents
- 版权信息
- 一之吏
- 二之徒
- 三之容
- 四之宜
- 五之遇
- 六之候
- 七之战
- 八之祭
- 九之典刑
- 十之掌故
- 十一之刑书
- 十二之品第
- 十三之杯杓
- 十四之饮储
- 十五之饮饰
- 十六之欢具
FAQ
What do "magistrate" and "secretary" refer to in On Drinking Rites?
What exactly are the "three qualifications for a drinking talent" mentioned in the text?
How should "wine too weak is a negligent official, wine too fierce is harsh government" be understood?
Comments
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About the author
Yuan Hongdao was a Ming-dynasty literary figure; public information about him is limited, and his exact birth and death years and nationality are unknown. The library holds five of his works, including A History of Vases and a Manual of Flower Arrangement, The Complete Works of Yuan Zhonglang, A History of Vases, a Manual of Flower Arrangement, and Three Discourses on Flower Arrangement, Miscellaneous Notes on West Lake, and Drinking Rules. These works are mostly prose miscellanies dealing with flower arrangement and connoisseurship, drinking etiquette, travel writing on landscapes, and literati life, and are classified under folk literature, culture, literary appreciation, and Eastern philosophy. His writing is fresh and natural, valuing charm and personal sensibility, and he draws aesthetic interest from everyday objects and travel experiences in a leisurely, literati style. His work reflects the late-Ming xiaopin prose tradition and offers readable material for understanding the tastes and aesthetic ideas of Ming literati.